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More handpicked essays just for you.
Depiction of women in movies
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In India, a mother holds a high place in their culture. In society, the mother is supposed to be nurturing and self-sacrificing. During the 19th century, women are seen to be suffering and silent. The sons are expected to take care and protect their mothers. In the film, “Radha is the devoted daughter-in-law, the uncomplaining wife, and the protective mother” (Rajan, 105). Mother India serves as a symbolic representation of a mother that made sacrifices and had self-respect.
Mother India is a melodrama film that tells the story of poor village woman named Radha. She is a woman who is depicted as hero, who refuses to accept modernizations’, tragedies, and temptations while raising her children alone and keeping ownership of her husband’s land. In the film, Birju kidnaps the daughter of the moneylender out of revenge. Radha in this scene must choose between motherhood and honour. This film shows that a women’s honour goes past the life of woman’s child. This movie questioned “If a mother could sacrifice her own child?”
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While,working the husband loses his arms after a boulder accident. Due to him losing his arms, the husband filled with helplessness because he cannot provide for the family leaves. Radha now not depending on her husband must take care of her sons on her own while taking care of the land. She must now cultivate the crops which are a man’s role in the community. Radha must do this job because of the occurrences of her husband leaving. Chakravarty states “as a mother she fiercely protects and supports her offspring, and as a peasant she battles fire to make the earth yield a rich harvest”. Radha a woman whose had great hardships such as devastation due to the flood, famine, and a moneylender after her she still retained her self-respect and her moral
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
Murderball successfully conveys the emotion and mentality of people with disability. In this movie, Mark Zupan and Joe Soares prove that disability may put them at a disadvantage, but as long as they have a will they can make something out of their life. Their competition is a huge indicator of their mentality of not giving up. However, there are some contradiction to how actors are portrayed. In the beginning Zupan is referred as an “asshole” and a “jock” by his friends, but later he is seen attaching to Keith Cavill- a new quadriplegic patient who is in denial of the accident- at emotional level and giving him motivation to accept his life and move on. Similarly, Soares behaves like he
Crawford (2012) described many difference characteristics in mate selection which may potentially lead to marriage. She first describes marriage as being institutionalized because the laws (and certain religions) tells you who you can and cannot marry, when you can marry, and the responsibilities to each other while married. Yet people are infatuated with the ideology of love and romance. People choose their partners as individuals and expect to live their marriages according to their own needs and wishes (Crawford, 2012). Something that can explain why people choose to get married can be the marriage gradient. The marriage gradient states that women have the tendency to “marry up” and men tend to “marry down” (Crawford, 2012). This came about because women used to have little access to education and prestigious jobs so their only choice to gain economic security was through marriage. Today, both men and women admire qualities such as intelligence, desire for children, and great personality, but for women, wealth and status are very important qualities (Crawford, 2012).
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Growing up in a traditional Punjabi family with both of my parents being born and raised in India has been an experience that I can only fully comprehend now at the age of twenty-three. Realizing how backward our culture is when it comes to women’s equality among family and society is an astonishing thought. Even though there is more gender equality here in America than in India within our households the women are still subjected to live and serve the men of the house. This custom has become almost an unconscious thought, to think of Punjabi women living in a traditional family more than a maid or babysitter would be blasphemous and heretical talk.
Religion and human nature combined tend to create a superiority complex among those who perceive themselves as having better, or more, faith. Religion is generally perceived as singular, but humans choose to dynamically express their faith, whether that be by love or war. Gandhi, depicted the movie Gandhi directed by Richard Attenborough, in the face of Muslims protesting Hindus, declared: “I am a Muslim and a Hindu and a Christian and a Jew and so are all of you,” and that perception of himself and others influenced a mass ethnic and religious revolution that enlightened India. Gandhi opened the world to revolutionary ideas -- the strength in tolerance, the pluralism in religion, and the unification of all mankind.
Many early films made were based on religious contexts and have evolved from romanticism to thrillers, telling different stories (Fang, 1997). There have always been different national cultures being expressed in film. This is seen both in a deliberate and an unconscious fashion until the rise of Hitler in 1933 who stressed that the film should be seen as an art form (Briggs & Burke, 2009). Used by Hitler, the United States, and other world leaders during World War II, the film was seen as a force of with considerable impact onto discourse and culture. Realizing film was not only an entertainment apparatus, but also a tool to disseminate propaganda to the masses. During the Cold War with the red scare running rampant across the U.S., many actors, writers, and directors were black listed from working on films if they were suspected of communist leaning and denied
When Sonali remembers, and can speak the truth, she finds joy in the remembering, and in who she was with the people she loved. She can piece back together who she is by remembering who she was. The beauty of her memories, and the imaginings of her sons—Vikram would be fourteen—makes me celebrate her bravery.
In the film Sankofa it gave the viewers a direct representation of what it was like to be a slave. What it felt like, the pain, the abuse and the anger that drove them to killing their master’s. The main character Shola went from someone who did not agree with violence as a source of revenge to someone who had nothing but fight left in her. This character's change in emotion alone just made me even more angry about what they did to my people. This film made me really see how much life and innocence they took away from black race. This film was different from other slavery films I have seen. The characters showed raw emotion which gave a more impactful insight of slavery. The character Joe who struggled so much with his own identity and
The oppression of women commonly occurs in Patricia McCormick’s novel Sold. Lakshmi, the protagonist, and many other women are impacted by the cultural beliefs in India. Lakshmi is a thirteen-year- old girl from Nepal who loses everything she knows because of her stepfather’s greed. She lived in a small village with her mother who does housework and takes care of her little brother while her stepfather gambles at the tea shop. Desperate for money, Lakshmi is sold into prostitution by her stepfather with her believing she is going to work as a maid. Lakshmi moves to India and reaches the prostitution house, known as “Happiness House”. There are many women and young girls close to her age at the house who got trapped like Lakshmi. Mumtaz is the head of the Happiness House and the one who paid for the girls, so their debt to her is the price that they got bought for. They earn their money as sex slaves and some girls spend years trying to pay off the debt. Lakshmi does the same for months and realizes that it is a common practice in India and because it is a norm, many women and young girls are affected by this. In “Sold”, the Indian culture discriminates against women when looking at gender roles,
The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.
A wonderful young lady (Juliette Marquis) administers to her feeble father (James Woods) and goes on an introductory outing while at the same time acting as a porn star. This present Young lady's Life is a 2003 movie composed and coordinated by Cinder. The story rotates around the life of Moon, a porn star played by Juliette Marquis. The film additionally stars James Woods, Michael Rapaport, Rosario Dawson, Cheyenne Silver and Kip Pardue.
To me, the word “mother” is very sacred and special. Mother is a woman who always protects, takes good care of other people, makes sacrifices for her children no matter what happens. In the story, the main character, Ladydi, was born in a village in which all the beautiful girls were kidnapped and turned into prostitutes. To save them from the human traffickers, all the mothers in the village dressed their girls as boys, using charcoal to draw on their children’s faces so that they looked ugly. They also dug a hole in the backyard to hide all the girls whenever the human traffickers came. Mothers in the story and mothers in my
Kidnapping not only happens in the United States, it happens worldwide. There are some children who are found and there are some who has been missing for years to come. The call was a great way to let young adults know the severity of being kidnapped and it lets dispatchers know how severe a person being kidnapped really is. The call was a movie made in the year of 2013 starring Halle Berry and Morris Chestnut. Halle Berry and Morris chestnut work together to make this film become a great life lesson and also create suspense. During the last 32 years, NCMEC’s national toll-free hotline, 1-800-THE-LOST® (1-800-843-5678), has received more than 4.3 million calls. NCMEC has circulated billions of photos of missing children, assisted
The Das parents’ negligent relationship with their children in Clear Light of Day mirrors India’s independence from Britain. Before their deaths, Mr. and Mrs. Das were preoccupied and inattentive to their four children, Raja, Tara, Bim, and Baba. They spent most of their time at the club, playing “their daily game of bridge” (Desai 50). This pastime is so important to them that they neglect to take care of their kids. For example, Mrs. Das tires of “washing and powdering” Baba, her mentally disabled baby, and she complains, “My bridge is suffering” (103). Mr. Das also does not focus on his children and “he [goes] through the day without addressing a word to them” (53). Unfortunately, Mr. and Mrs. Das are unable to ever form a loving relationship with their children because they both pass away. After Mrs. Das falls into a...