Morality in The Two Gentleman of Verona
Two Gentlemen of Verona, directed by Mr. Wolfe, depicted an excellent plot through strong acting and characterization. In addition it possessed humor that perfectly affixed into the era of the sixties. The play was transformed from it's original time era and placed in the sixties. The main plot outline surrounds two gentleman from Verona who were best friends. These two best friends named Valentine and Proteus were played by
Geoffrey Kidwell, and Noah Silverman. The story really begins when Valentine leaves
Verona. He is then banished from the next city he enters, Milan. During his time spent in
Milan Valentine falls in love with a young women, Sylvia, played by Katie Moran.
However he is
…show more content…
When she came on stage she caught your eye. Her dress didn't really have a time and setting effect but, it was very important. It made her a very important character and a wanted character by everyone in the play. This, is the reason that Valentine and Proteus fell in love with her. The Director's concept of this costume was to make this character very significant and it was efficiently achieved by giving her a bright costume. The next costume was that of Thomas Odell, who played Launce, a servant of Proteus. His costume was like Sylvia's. It had bright colors but they were peculiar. His costume consisted of purple, orange and yellow colors.
He wore unique shirts and a Hawaiian looking shirt. He also wore a straw hat and his nose was covered with zinc. This costume was almost portraying him as a tourist. I don't know if that was the Mr. Wolfe was trying to get across or if he was showing us that this character was a uncanny and unusual character that didn't really know were he was going.
In addition to his costume he had a dog. The dog symbolized confusion and chaos by creating more cluster because he kept on getting tangled in the leash while trying to
…show more content…
The towels were green, yellow and purple along with matching bathing suits. Everything was awkward, similar to the sixties. This setting took up the whole stage. The beach was mostly used during the daytime and you could tell by the sun would be up and everything would be bright. When the beach was used there were many funny parts. Although, there were some serious talks on the beach and you could tell because the lights would dim and it would seem as though it was night time. The next setting is at the Palace Studios in Milan. The studio's busy clustering took up the whole stage. There were many colors along with actions occurring at all times. Although there were no real backdrop you could tell the setting was a studio by the people and their actions. In addition there was a producer looking off stage directing a play. Everything was extremely busy and you could tell it was the happening place to be. This setting was definitely used during the day but then again it was inside so you could not exactly tell what time of day it was. Mr. Wolfe's concept of the studio was very life-like and you could certainly tell it was a studio. It was exceptionally well planned
Reprehensible Sins in Romeo and Juliet Religious authorities are perceived as holy icons that distribute words of blessing and wisdom to others. They most definitely do not perform sinful actions nor violate rules. These authorities are idols that people admire because they are respectful, considerate, and play many different roles in the lives of many people. In William Shakespeare’s “Romeo and Juliet,” Friar Lawrence does not demonstrate the characteristics that are admired in a religious figure. Though he does things to help someone in need, Friar Lawrence is disrespectful, selfish, and violates regulations.
as a punishment, he is to leave Verona and never return. The Friar has a plan to
A significant aspect of the play is the acting and wardrobe, because it helps demonstrate the personalities of the characters.
Everyone remembers the nasty villains that terrorize the happy people in fairy tales. Indeed, many of these fairy tales are defined by their clearly defined good and bad archetypes, using clichéd physical stereotypes. What is noteworthy is that these fairy tales are predominately either old themselves or based on stories of antiquity. Modern stories and epics do not offer these clear definitions; they force the reader to continually redefine the definitions of morality to the hero that is not fully good and the villain that is not so despicable. From Dante’s Inferno, through the winding mental visions in Shakespeare’s Hamlet, spiraling through the labyrinth in Kafka’s The Trial, and culminating in Joyce’s abstract realization of morality in “The Dead,” authors grapple with this development. In the literary progression to the modern world, the increasing abstraction of evil from its classic archetype to a foreign, supernatural entity without bounds or cure is strongly suggestive of the pugnacious assault on individualism in the face of literature’s dualistic, thematically oligopolistic heritage.
The choreography kept things interesting and the dances in a musical can make or break the performance. Overall, Cherie and Abby did an amazing job directing each person to have a place among a crowded stage. Last but not least, the costumes! This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period they are in.
An act of dishonesty carried out by haste can result in very unlikely consequences to an individual’s life. Firstly, the dishonesty of Friar Lawrence in choosing to marry Romeo and Juliet without the knowledge or permission of their parents, results in undesirable after effects. Secondly, the sudden cessation of support from Juliet’s Nurse, to continue the relationship of Romeo and Juliet causes harm to Juliet’s feelings as a young lover and contributes to their fatality. Finally, Romeo’s haste to marry Juliet to prove his intentions, accounts for a future filled with even more hasty decisions. In Romeo and Juliet by William Shakespeare, the dishonesty of Friar Lawrence and Nurse and the haste of Romeo and Juliet, results in the deaths of the young lovers.
When one looks closely at the story of Romeo and Juliet, one will see that it is a story with many ethical aspects. The first ethical concern was the two feuding families. How moral is it to hate someone only because they have a certain family name? This all come from a time period when people were fairly focused on religion, which teaches us not to hate. I also question this because I think it is ironic that both Romeo and Juliet seem to be fairly religious, since the first person Romeo went to for help was Friar Lawrence, and a few scenes in the play took place in or around the church. I think that this hatred is especially bad in the case of the Capulets and the Montagues, because I was always under the impression that the families had been feuding for so long that no one really knew why they hated each other anymore. This was the beginning of the problems for Romeo and Juliet. They had a moral decision to make. Should they stay true to their families, and deny their love, or should they stay true to their feelings and disgrace their families? In order to resolve this dilemma, Romeo turns to Friar Lawrence, who perhaps could be seen as the most moral character, to begin with. Because he was a holy man, he was the most logical confidant of anyone in the play. People see men of the cloth as reliable and a good source of advice. Of course, Friar Lawrence has every intention of helping the two lovers, also hoping that he could reunite the feuding families. However, unbeknownst to him, everything he will do throughout the play will have an unnerving consequence. No matter what he did to correct what he had done wrong, it only drug him deeper into trouble. Who ever would have thought that by marrying the two young lovers, he would have caused all of this heartache for the families, and really for all of Verona? No one ever considered the fact that two young people wanting to get married would have affected the entire city. Friar Lawrence was only trying to be a good friend and ally, but everything he did just ended up backfiring for him.
The Hippodrome setting played a big role in the success of the play, because the seats were close to the stage, which made the audience feel more intimate with the actors. The set was filled with everyday electronics and video games that were popular with today’s generation, and it was good way to capture the attention of the younger audience. The costumes worked for the actors because they were outfits that teens and young adults would wear, which made it easier to relate to the characters. The lighting for the production was awesome because it went well with the sound effects. For example, when Ian was doing a simulation for his new job, he set off a missile and when it exploded the lights changed from blue to red to symbolize seriousness of the situation.
The wedding was all set! The music was ready; the food was ready; the groom was ready. The wedding was set for Thursday. It was all well planned. The only thing that was left was the bride. Wait, where was the bride? No one could find the bride anywhere! Everyone looked and looked, but they couldn’t find the bride! The bride was nowhere to be found! Suddenly a voice from the nurse said, “Alas, alas! Help, Help! My lady’s dead!—(IV,5,17) The bride was dead; she was dead! What were they going to do now? Everything was set, but the bride was dead! It was a tragedy, and the wedding couldn’t keep going. This is the story of Romeo and Juliet. Juliet was not really dead; she was just faking her death so the other people thought that she was dead so she didn’t have to marry Paris. It was a risky move. She was dishonest to her parents and didn’t obey them. Although this time she wasn’t dead, she would soon be later on in the play. Although it can be very hard to be honest, we need to be honest. Being dishonest can lead to bad consequences like the death in the story of Romeo and Juliet.
telling stories about his life without really setting up a structure for the audience to follow.
Every face had excellent expressions, presenting their characters perfectly. Also, each actor added their own twist on the characters, anywhere from a slight accent to body language, adding more depth to the entire musical. Furthermore, every actor changed their voice in a way that depicted their character’s emotions and attitude at that particular moment. Also, the color of the lights changes according to each scene and the mood for that particular scene.
Both Lady Macbeth and Iago, have versions of a temptation scene in which they manipulate the minds of their prey to achieve a goal. After strengthening her mind and fortifying her emotions, Lady Macbeth feels prepared to take on the responsibility for what’s to come. Sensing her husband’s tentativeness, she eases his nerves by saying “you shall put this night’s great business into my dispatch, which shall to all our nights and days to come give solely sovereign sway and masterdom” (I. vii. 67-70). She manages to keep her cool and maintains a level head for the beginning stages of their villainy when Macbeth is still on the edge. In order to push him into compliance she distorts her idea of masculinity and “comes to assume all the obnoxious aspects of patriarchal thinking. She patronizes Macbeth, seeks to bring him back into the logical system of masculine dialect [and] male dominance in the name of order” (Fawkner 92). Knowing full well that Macbeth would be swayed by this line of taunting, she questions him, “Art thou afeard to be the same in thine own act and valor as thou art in desire? Wouldst thou have that which thou esteem’st the ornament of life, and live a coward in thine own esteem, letting ‘I dare not’ wait upon ‘I would’, like the poor cat i’ th’ adage?” (I. vii. 39-44). She goes on to assure him of the impossibility of their failure and promises him that he’ll “be so much more than man” upon completion of their evil deed (I. vii. 51). “This was the nature of Lady Macbeth’s influence on Macbeth. She could sway him because she understood him and loved him, and because he loved her and depended on her love and good thoughts of him” (Shanley 308). It was this trust in each other and the fact that she knows just which stri...
have to act well so as to show audience with out seeming as if they
He opens the play with a very exposing account of what life used to be
Shakespeare's play, Measure for Measure, focuses on human morality. The play also explores the question of what kind of sexual conduct is socially acceptable, and what is not. The play depicts various attitudes toward prostitution, promiscuity, and premarital sex. But it also suggests that human laws and perhaps human morality are quite arbitrary and relative.