"Lucifer in Starlight," written by George Meredith, concerns the differences between nominalism and realism in terms of morality and will power. The central theme of this poem revolves around the notion that Lucifer has no place other than hell, and any attempts at returning to heaven is impractical. Meredith combines irony, along with his own distinctive tone and style, to portray his idea of natural law.
As with any poem, the title can sometimes be a reference to other works of fiction, the Bible, mythology, or famous figures. In this instance, it's the Bible. Lucifer was a defiant archangel who was forsakened by God and banished from heaven. The title, "Lucifer in Starlight," is not a reference to an uprising in hell, but rather a reference to Earth because it is describing a place where stars are visible. The rising is also mentioned in the first line. "On a starred night Price Lucifer uprose" (1). The first line ironically refers to Lucifer as an honorable prince, while a fiend in the second. Later, it is explained that he is rising because he is tired of hell. "Tired of the d...
In "The Perils of Obedience," Stanley Milgram conducted a study that tests the conflict between obedience to authority and one's own conscience. Through the experiments, Milgram discovered that the majority of people would go against their own decisions of right and wrong to appease the requests of an authority figure.
In the poem, Addonizio references to the CEO and details. As stated in the poem, “The CEO has lost touch the details. I’m worth as much, but I care; I come down here, I show my face, I’m a real regular.” (Addonizio) Addonizio writes in Lucifer’s voice in which she states that God has lost touch with his followers. Adding on, Lucifer speaks in the voice of a politician when he says that he is a real regular and comes down to show his face. Similar to a politician running for office, a politician goes to each state to establish a baseline with his voters. The politician will go to each and every state to relate to his voters to obtain more votes to win the election. Likewise to Lucifer, he should take over God’s role, because Lucifer can relate to the people. Lucifer claims that he comes down to show his face to relate to the people. Lucifer states that people should like him more than God, because he shows his face more than God. She uses the CEO and details as symbols, because many of her readers can relate. In the work field, the CEO is the big boss and the details are usually the people working under the CEO. In this poem, the CEO serves as a symbol for God and the details serves as a symbol for his followers. Addonizio uses the symbols in her poem to connect to the reader since they can relate to the big boss CEO and the small detail workers. Also,
Paradise Lost is John Milton’s epic poem about the battle between Satan and God. The poem is quite controversial due to the fact that this was written during the time period that the Catholic Church was facing major corruption. People were already having concerns about God and what was right from the Catholic Church; because of this and many other textual reasons Paradise Lost has a very controversial relationship with Christianity.
Great works of literature have been written throughout history. However, The Divine Comedy and Paradise Lost have the inept ability to stir the soul and cause a person to examine and re-examine their life. The brilliant descriptions, use of imagery, metaphor and simile give a person a vivid picture of the creation of man and the possibilities for life in the hereafter. This is done, as a person is able to see, full circle, from the beginning of time to the end of time, the consequences of turning away from God. The ability to see a life full circle is apparent through the examination of both of these poems. Although written many years ago, the morals and principles that they convey ring very true for people in this century as well as times yet to come.
As readers in the modern age, it is sometimes hard for us to examine and understands the words and messages due to the bridge between the ancient classical poems and the modern age poems. In Dante’s inferno poem, it is very challenging to analyze the information in such a rigorously written poem and relate the same poem to the said writer (Williams).
Moral evil was an issue that weighed heavily on the minds of the people of the Medieval period. Philosophers and poets alike attempted to address and understand the problem of moral evil, scrutinizing the roots of evil and the effects of evil on the body and, more importantly, on the soul. Of the philosophers that the period produced the views of St. Augustine, Thomas Aquinas, and Boethius on the problem of evil are perhaps the most notable. From the literary side of the spectrum, the problem of evil is addressed heavily in Beowulf.
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
My father has always reminded me that religion plays a big role in one’s morals. Of course that only applies if a person is religious and has a religious background. There are a lot of religious people in this world, and if one were to ask them where their morals came from, they would say that it is based on their religion. So what is it that makes these two things so similar and distinct? Iris Murdoch, author of “Morality and Religion,” discusses how morals and religion need each other in order to work. Morals without religion is nearly impossible because; religion influences our morals, religion allows to set better morals for one’s self, and ideally morality is essentially religious.
In 1887, two years before succumbing to utter madness, existential philosopher Friedrich Nietzsche writes his ethical polemic, On the Genealogy of Morals, in search of a man with the strength to evolve beyond humanity:
Early American literature is unique in that it is abundantly influenced by Biblical themes and ideas. Being that this country was founded by the strict, fundamentalist Puritans, it seems obvious that the literature would be pervaded by such things as the presence of evil and its impact on goodness and holiness. The “evil” that is found in Melville and Hawthorne is interesting because it reflects the Biblical idea of evil tempting good and attempting to convert it rather than simply destroy it. The stories of Poe reflect the turmoil and evil that is contained within a person and tempts him or her to commit evil acts.
Living in a period of important religious and cultural flux, John Milton's poetry reflects the many influences he found both in history and in the contemporary world. With a vast knowledge of literature from the classical world of Greek and Roman culture, Milton often looked back to more ancient times as a means of enriching his works. At other times, however, he relies on his strong Christian beliefs for creating spiritually compelling themes and deeply religious imagery. Despite the seemingly conflicting nature of these two polarized sources of inspiration, Milton somehow found a way of bridging the gap between a pagan and a Christian world, often weaving them together into one overpowering story. The pastoral elegy Lycidas, written after the death of a fellow student at Cambridge, exemplifies this mastery over ancient and contemporary traditions in its transition from a pagan to a Christian context. Opening the poem in a setting rich with mythological figures and scenery, then deliberately moving into a distinctly Christian setting, Milton touches upon two personally relevant issues: poetry and Christian redemption. In this way, Lycidas both addresses the subject of being a poet in a life doomed by death and at the same time shows the triumphant glory of a Christian life, one in which even the demise of the poet himself holds brighter promises of eternal heavenly joy.
Hell is huge but it isn’t big enough. Within the text of Paradise Lost by John Milton, it is, A universe of death, which God by curse Created evil, for evil only good,Where all life dies, death lives, and nature breeds,Perverse, all monstrous, all prodigious things,Abominable, inutterable, and worse… (II.622-6)There is no satiety in Hell. Eden, by comparison, is a relatively small place in Milton’s epic poem, but it seems to be an environment replete with satisfaction. Or is it? We students of experiential literature owe Milton a debt of gratitude for helping us to experience our forebears’, that is Adam and Eve’s, lack of satiation within a paradisiacal environment. This paper will explore the topic of satiety within that environment; and, along the way, discuss the concept of singularity found in Cavendish’s Blazing World for comment upon that satiation.
Nathaniel Hawthorne's works are notable for their treatment of guilt and the complexities of moral choices. "Moral and religious concerns, in short, are almost always present in Hawthorne's work"(Foster, 56). Given Hawthorne's background, it is not a stretch of the imagination to say that his novels are critiques of Puritanism. Hawthorne lived in the deeply scarred New England area, separated from Puritanism by only one generation. His grandfather had been one of the judges in the Salem Witch Trials. Personal issues include the various ways Hawthorne's family and specific events in his life influenced his writing. Readers can easily recognize how "Young Goodman Brown" incorporates facts about his Puritan ancestors. Father Hooper in "The Minister's Black Veil" may be symbolically paralleled to Hawthorne's ancestors, trying to hide a sin they have committed. His descendants' remarks on him in The Custom House introduction to The Scarlet Letter mix pride in Hawthorne's prominence and a sense of inherited guilt for his deeds as judge. Hawthorne's guilt of wrongs committed by his ancestors was paramount in the development of his literary career. He investigates human weaknesses through the time period of his ancestors. Generally Hawthorne's writings contained powerful symbolic and psychological effects of pride, guilt, sin and punishment.
First, it is important to note that throughout Inferno, Dante (as the author) uses four different terms to refer to the king of hell; the names used are: Lucifer, Dis, Beelzebub, and Satan. In Canto 34, the first three terms are each used once. According to the notes in Allen Mandelbaum’s translation of Inferno, The first term Lucifer, means “light bearer” and was used to describe “the most beautiful of all the angels before he rebelled against God.” After his Rebellion and expulsion from heaven, “Lucifer was renamed Satan” (fourth term). The second term Dis, was “used by Virgil in the Aeneid to describe Pluto; Dante then adopts this term to refer to Lucifer instead.” Lastly, the term Beelzebub, comes from the bible where it was “the name given to the chief of all devils in the Gospels.” The term Beelzebub also refers to “a false god who is powerless in front of the true divinity.” Lucifer’s appearance is described in great detail in what seems to be an effort to emphasize the theme of deceit; After all, it was Lucifer’s betrayal of God that landed him, a once beautiful creature, in a pitiful place and what gave him the most repulsive physical features. In lines 28-37, Dante (the pilgrim) narrates the sight of Lucifer in the
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.