Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of culture in marriage
Marriage practices in different cultures
Islamic attitude to marriage
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of culture in marriage
In the novel A Thousand Splendid Suns, the cultural aspects of the Middle East shaped the psychological and moral traits in Mariam’s husband, Rasheed. He beats her, and holds her to a different moral code than he holds himself. The way he acts, justified by the culture he lives in, helps to shed light on the meaning of the work, that tradition does not justify evil. Mariam’s husband married her when he was forty and she was fifteen, he later marries a sixteen year old, when he is in his sixties. Rasheed beats Mariam because she can’t have children, and makes her wear a burqa anytime she leaves the house, which isn’t often because Rasheed will not take her anywhere. Rasheed views the beatings of his wives as justified because they anger
him, and Islamic culture at the time allowed men to do as they pleased with their wives. Rasheed’s moral traits were affected because of where he lived, from having two wives at the same time, to being angry and hypercritical, he felt absolved of guilt, almost merciful, because anytime he wanted to, he could have just killed his wives without consequences. This moral warping illuminates the novel’s idea that tradition does not justify the evils of man. These events: men beating their wives, lording over them, controlling every aspect of their lives, had gone on for so many generations, it was seen as good, and a man’s duty. Conversely, any man who dared to treat his wife as an equal was viewed, by his culture, as weak and cowardly. The old practice, the tradition, was evil, and yet it was called righteous by man. How did men decide that treating another human being lesser than an animal was anything other than vicious? The culture of the Middle East created an angry and callous man, who went to bed each night with a guilt free conscience, despite being what many would consider evil. Accepting traditions of the past allowed Rasheed to rule, but in the end, that did not justify him, or those that believed and acted the way he did. A Thousand Splendid Suns, by Khaled Hosseini, sheds light on the idea that traditions may not always be the best pattern for one’s behavior.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
"Let the dead bury the dead." This quote from the Classic American novel, To Kill a Mockingbird, sums up what we will be talking about today. My understanding of this quote is that what's done is done, one man is dead for no good reason, but the one who killed him is with him in death. No harm, no foul. But is this really right? The first thing we need to look at is the actual problem, then the question posed. So without further ado, I present my essay:
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
in The House of Eld is shown at the end and The Persons of the Tale is
In the short story “Araby,” James Joyce uses religious and biblical allusions to portray a young narrator’s feelings about a girl. Through these allusions, readers gather an image of the narrator’s adoration of his friend’s, Mangan’s, sister. James Joyce’s allusions to the Bible and religion relate to the idolized image the narrator has of a girl.
James Joyce's use of religious imagery and religious symbols in "Araby" is compelling. That the story is concerned somehow with religion is obvious, but the particulars are vague, and its message becomes all the more interesting when Joyce begins to mingle romantic attraction with divine love. "Araby" is a story about both wordly love and religious devotion, and its weird mix of symbols and images details the relationship--sometimes peaceful, sometimes tumultuos--between the two. In this essay, I will examine a few key moments in the story and argue that Joyce's narrator is ultimately unable to resolve the differences between them.
The struggle to survive theses conflicts are portrayed in the literary works of authors such as Irena Karafilly, who wrote the n...
During our lives, we develop morals and values through life experiences. They can be influenced by our society and the people we surround ourselves with. In the novel To Kill A Mockingbird, Harper Lee demonstrates courage, social inequality and prejudice through the characters and events in the book. We experience life lessons through the protagonist Scout Finch as she develops her own values. This is displayed through a variety of life lessons and values throughout the novel.
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
Essentially, Laila and Mariam protect each other from Rasheed, but they also protect the other important people in their lives when they are threatened also. Equally important, they protect others, in spite of the lack of protection from the power of oppression.
Khaled Hosseini’s A Thousand Splendid Suns features at the most basic level the compelling life story of a two women, Mariam and Laila, and their lives. However, the true heart of this work lies in a much broader issue through all of the characters and the events that took place in Afghanistan around the time of this novels story.Hosseini writes characters into his novel as characters in themselves on the surface, but can be seen as representations of a much larger population of Afghanistan. Hosseini uses individual characters as a window into the larger scene of the entire country of Afghanistan, and the many facets of its people, in order to illustrate the political issue in a new light so as to demonstrate to the audience Hosseini’s hope for the future of Afghanistan.
Why does mankind give up things they truly desire for someone else? In Ernest Hemingway’s fictional short story “Hills like White Elephants” he demonstrates this through his theme of regret. The story occurs in northern Spain at a junction station for the train in the valley of the Ebro River. An American man and a young girl named Jig walk up to the junction station and sit on the porch. As they sit in wait for the train to arrive, the two order beer and a foreign alcoholic beverage while having a conversation with one another. Their conversation begins with Jig claiming that “...the hills look like white elephants.” (Hemingway p.475). The American man then brings up an operation that Jig is expected to have. He tells her that she will be
Throughout the narrator’s elaborate life; he experienced love, friendship, and sickness; as well as many other things described in his book: Love in Exile. This book discusses the different cultures and personalities that the narrator observes, the love of the narrator’s life, Brigitte, and the life of Bahaa Taher in general and the kinds of cultures he experiences.
In Arab societies , the wife is fully responsible for the violence against her , for being beaten because she obviously did something that annoyed her husband . According to Haj Yahia’s findings (1998 a ;1998 b ) , " Arab men and women are prone to justify violence towards wives if the wife does not obey her husband , undermines his authority , insults him in front of his friends , does not respect his parents and siblings , and does not live up to his expectations for functioning as a wife and a mother " (p.167). In rural Egypt , it is common for a husband to beat his wife if she refused to have sex with him ( El Zanaty et al. ,1996 ). To grasp the full meaning , the nature of Arab societies facilitates beating women