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Women in gothic literature
Female gothic in literature
Women in gothic literature
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“He is an ignoramus.” I shouted, as I stepped uneasily down the long and dark hallway. I did notice Montresor following me right on my heels. All of a sudden, I had came to a screeching halt. I had ran into a solid wall. I stood there bewildered for a second. And the next moment Montresor was chaining me to the wall I had ran into a minute ago. The clanking of metal chains still had me dumbfounded. It had only taken him a couple of seconds to chain my waist against the wall. It almost seemed like he was trying to kill me. I hadn’t had time to react to the situation, as I was still stunned. It seemed like we were just having a happy and friendly conversation a second ago. “Pass your hand,” Montresor said as he was backing away from me, “over the wall; you cannot help feeling niter. Indeed, it is very damp. Once more let me implore your return. No? Then I must …show more content…
positively leave you. But I first render you all the little attentions in my power.” “The Amontillado!” I cried, still not being able to comprehend these sudden turn of events. “True,” he replied nonchalantly; “the Amontillado.” While I was chained to the wall, he had thrown some bones off the wall and uncovered something that looked like mortar and brick, but I still could not decipher what the objects were in the darkness. I was surprised when he suddenly began laying brick rapidly. It looked like Montresor was the happiest man alive; he was lying that brick so fast. All of a sudden I felt a weird tingling feeling go through my body.
Then it hit me, I was chained to a wall a mile underground. I could now fully understand what had happened. Montresor led me into the catacombs just to kill me. I let a slow moan roll out of my mouth. I felt like I had just ran a marathon, I was so tired. While I was thinking back on how I had became of this situation, Montresor had maintained his pace of brick lying, and he had already had the fourth layer of his wall finished. Then, I just burst out. I flailed my arms and legs trying to escape, but I couldn’t. I was mad at myself for being so dumb and falling right into the hands of Montresor. I still couldn’t comprehend that I was basically dead. It felt like I had been thrashing for ages. I finally came to consensus that there was no hope, as Montresor was simply enjoying my death. After my arms and legs had felt numb,I stopped the flailing, and Montresor went right back to work. I just didn’t know what to think. As Montresor stood from his wall building, and the wall had reached all the way to his chest. He raised his torch up to
me. From there, I went crazy I screamed and screamed. I had scared Montresor with my sudden screams, but I was just intending to scream for someone in a last-ditch effort. When Montresor retaliated, with a bigger, stronger, and louder scream. This was it for me; I knew there was no chance of me surviving this occurrence. I didn’t know what time it was. We had been in these catacombs for a long time now. Montresor had once again started building his wall. He had to have at least ten layers by now. There could not of been many more bricks to lay. When suddenly a great idea flew into my head. “Ha! ha! ha!- He! he! he!- a very good joke,- an excellent jest. We will have many a rich laugh about it at the palazzo- he! he! he!- over our wine- he! he! he!” “The Amontillado!” He said. “He! he! he!- he! he! he!-yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone.” “Yes,” he replied, “let us be gone.” “For the love of God, Montresor!” “Yes, for the love of God,” said Montresor. Then it fell silent. Now I knew it was over. My trick had not worked as planned. When a cold shiver went about me. I felt woozy, just as if I had been drunk again. When I could faintly make out the word. “Fortunato.” Then everything went black, and I saw a reel of flashbacks of my greatest moments as King Fortunato.
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
in the same way, when Fortunato coughs due to the nitre walls, Montresor uses reverse psychology and says, “Come,… we will go back; your health is precious… We will go back; you will be ill and I cannot be responsible. Besides, there is Luchresi -”
In the Montresor family Catacombs, it is a dark, damp, and maze-like place, not to mention underground as well. The quote, “We had passed through walls of piled bones, with casks and puncheons intermingling into the inmost recesses of catacombs.” shows that the catacombs were truly a large burial site, not just a storage type of thing, which in turn added to the eerie feeling. Another thing that added to this feeling is when Poe wrote, “Its walls had been lined with human remains, piled to the vault overhead, in the fashion of the great catacombs of Paris.” this quote, while similar to the last, still nonetheless added to an discomforting overall feeling. In the end Fortunado was chained to a wall and hidden away in those
rushed tone and you are held on the edge by the suspense that something dark could happen at anytime. There are hints throughout the storyline that give innuendos that there is revenge in the near future. The dreary tone of death looms in the air as the two characters interact with one another. Montresor, although he is all smiles in front of Fortunato, is planning the demise of his foe in his head. Fortuna mistreats Montresor and this is why he has such...
The narration in The Cask of Amontillado affects how the story is read. His sarcastic and cynical way of narrating the story gives readers insight into the meaning of it. Montresor’s version of explaining the events contorts the readers’ perception of the characters and their opinions of the story. Two of the key methods that are used in Montresor’s narration are his use of tone and his first person perspective. Instead of an unbiased, outsider point of view, there is an opinionated one that shows an inside look into the narrators thought processes and emotions. The narration style in The Cask of Amontillado is unique in the way that it is overly predictable, but the way that it is told keeps one hooked until the very end of the story.
For, Montresor’s fixation over achieving vengeance transforms him from a harmless wine snob into a murderer. The idea of revenge upsets his state of mind as shown when he tells the reader, “he did not perceive my smile now was at the thought of his immolation” (234). Montresor’s happiness at the destruction of a life resulting from his exorbitant revenge signals that his obsession has caused him to lose his sanity. The last few sentences unveil that the narrator is telling the story fifty years in the future. As, the protagonist says, “For the last half of a century no mortal has disturbed them. In pace requisat” (239). Although Montresor’s words indicate sympathy for Fortunato’s passing, he never displays any remorse for his crime. This shows, his preoccupation has led him to losing his humanity and conscious. The adverse effects of revenge affect the characters physically, as well. Montresor walls up Fortunato in the catacombs, he describes it as “I forced the last stone into place into its position; I plastered it up”(239). Montresor’s retribution, which is based on sheer jealousy, leads Fortunato to his death, demonstrating the destructive consequences of revenge. The narrative displays the overwhelming intensity of revenge and how it ruins and distorts the lives of the one achieving vengeance and the one receiving
The climax of the story is when Montresor chains Fortunato to the wall and begins to layer the bricks. It is our high point of emotional involvement. We are like Fortunato in that we cannot bring ourselves to believe what is about to happen. The denouement lets us know indeed, Montresor was never punished for this crime. Fifty years has passed and he is an old man telling the story on his deathbed. The true horror is that Fortunato died a terrible death, utterly alone, and his killer was never brought to justice.
Constricted by ropes, blood streaming down his face, and no recollection of the past we see the protagonist lost and deserted. Blood streaming down his face, weary and confused
“Please,” I called weakly, knowing that it wouldn’t help me knowing that I was going to die in this dark and gloomy cellar. Something that sounded like laughter came from outside my soon to be grave. My head lolled onto my chest and I drifted off into a world of dreams. In the morning, the normal senses of my body returned to me. I was fuming at Montresor. He had done an awful thing not to be forgiven or forgotten. But I, Fortunato, would not go down without a fight. May
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).
“I have a great idea!” uttered Fortunato as he gazed at the rock that stood to the right of him. “Let’s see if this will work,” muttered Fortunato under his breath. Fortunato picks up the rock and starts hitting the chain that is attached to him, in hope that it will break free. Exhausted, Fortunato whispered “I will never get out, there’s no possible way that this ever snap free!” “Even if I though manage to split my chain in half, how will I break through the wall that stood between me and my freedom?” pondered Fortunato. Fortunato with no hope left, stops hitting the chain, and hears something that catches his ear. Fortunato looks around, and sees the dampness of the area around him, it smelled so bad that it almost made him puke, everything around him seem to be rotting on the floor, and the wall seemed to be growing white-gargantuan mushrooms that covered a majority of it.
Quickly after Montresor finishes the deed, he already feels the weight of his actions. Montresor tries to reassure to whomever he is telling the story to that he had no regrets. Poe states “My heart grew sick--on account of the dampness of the catacombs,” (Poe, 7). After saying how his heart felt, he hastily
Running, but that's all I ever do. Coming upon a cave, but I look up to see a dark figure whisper and let me in. Cold like ice, and pitch black full of whispering and laughing, but I turn around to be chained up. I can’t move or speak, till the lights turn on, but oh that tiny little light full of brightness. I look up quickly as the chains moved to see that there were stairs leading into the dark, but something was laughing. A laugh that bounced off the walls of the gray cave and sent shivers down your spine whenever you heard it's laugh. I try getting up, but couldn’t because of how frozen from fear I was. I stood shocked, scared, cold, and feared the dark creature in the dark shadows. It kept motioning me over, trying to get me to talk,
The story begins with Montresor’s monologue, explaining why he wants to take revenge on Fortunado, actually a friend of him. “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge”. Although the writer doesn’t give the detail explanation of what, on earth, Fortunato did by the “thousand injuries”, we can still feel the anger of Montresor, burning in his mind. He wants to revenge, using his own way. “It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued as was my wont, to smile in his face, and he did not perceive that my smile NOW was at the thought of his immolation.” He knew Fortunato’s characteristics well, including the weak point. That is how he did the whole revenge.
Before he could even finish his sentence, my anger got the better of me. I clenched my hands into fists, causing the veins in my heavily inked arms to rise to the surface. What I did next wasn’t deliberate, but I couldn’t stop it. Before I could think about my actions, my fis...