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Ideolgy of zombie films
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For my first English essay, I was given the instructions to analyze a film, in which it goes deep into the world of monstrosity and the audience’s perception and understanding of monstrousness. I chose the film 28 Days Later, and I could have not picked a better film. 28 Days Later is a 2002 British post-apocalyptic film, which gives a refreshing take on the “zombie” horror genre. The reason 28 Days Later is one of the most critically acclaimed zombie horror movies, is the way it portrays zombies. In all the history of zombie horror movies, zombies were always depicted the same way, slow, dumb, inhuman, they were truly monsters. However, in 28 Days Later, the zombies had the characteristics of most humans. They possess human-like speed, …show more content…
For example, in the beginning of the film, we see a group of animal activists try and break out caged chimps from a medical research lab. Now, while the chimps were infected with the rage virus, the activists had the good intentions to free these caged animals from their captor, other humans. We, as humans often show true monstrosity in the way we treat not only ourselves, but animals. We use animals for our personal gain, for food, clothing, entertainment, and research. We put these animals through unimaginable pain and torture, in efforts to please only ourselves. Humans will cry over a mistreated cat or dog, while we will have a dead cow or chicken on our plate, and not detect any hypocrisy in our own actions. That’s not the only mistreatment that the film depicts that humans do, we also mistreat each other. In the beginning, it also shows reports of riots, crime, murder, all carried out by humans, to other humans. This film poised the question of “Are we the real monsters”? Whether you think so or not, we as humans are one thing for sure, we are survivors, and maybe a bit …show more content…
Instead of decaying skin, the only difference between the zombies and humans, is that the zombies have blood shot eyes, spewing out blood, and growling noises. It was like the rage virus was a metaphor for pure, unhinged anger. Now in the film the rage virus was a virus, that is something affecting the blood, that is turning them into zombies, but it also symbolizes our true feelings and how closely rage is invested in us. In the film, rage is portrayed as something that no one can escape from, we are not fast enough, nor strong enough to fight it off, like the zombies in the film. In 28 Days Later, the zombies seem almost impossible to fight against, or escape from, because the concept of rage on top of the human abilities, makes the zombie in a trance and the way to break that trance is the satisfaction of
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival. Boschs essay uses rhetorical devices such as ethos, foil and satire to make her
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
There were many differences in the films. For example in the white zombie movie, the zombies were working zombies. The mill owner would use voodoo to control the zombies. Also these zombies were not aggressive at all, humans can walk among and not be attacked. Contrast to the white zombies the zombies from the night of the living dead, these zombies were aggressive. Therefore night of the living dead zombies were very aggressive and would attack humans and
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broken down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men.they are dead bodies!” : From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness, and eventually cinema.
The zombie race is very different. It doesn't not have many abilities and is not advanced like humans. Their behavior patterns are different. They cannot stand cold or winter weather. Their behavior is very different and difficult to calculate. They usually stand around lingering and waiting to attack when they hear something. They follow noises.Some abilities that they do have is that they have excellent hearing and can walk but aren't blind.The also can smell human blood. Zombies are generally weak but don’t underestimate what they can do to a human.
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
“Zombie killings are similar to reading and deleting 400 work e-mails on a Monday morning or filling out paperwork that only generates more paperwork, or following Twitter gossip out of obligation, or performing tedious tasks in which the only true risk is being consumed by avalanche” (41). These are all similar to zombie killings because zombies will never go away unless you turn to really harsh tactics like aiming for one’s brain with a shot gun and repeating this for every zombie you come in contact with. In order to clear those 400 emails after reading them you must repeat the steps for each and every one, which is time consuming and can be very frustrating. Completing paperwork is very tedious, and can sometimes become overwhelming you may begin to feel as if it will never end which is common well it can feel similar to that when it comes to zombie killings as well because there will be one zombie followed by another one and many more to come. “Battling zombies is like battling anything….. Or everything” (42). Never assume the war is over because it is not, there will be one or more zombies hiding out, the war is never over. “The zombies you kill today will merely be replaced by the zombies of tomorrow” (44). Zombies are a “live-stock” they are brain dead but they travel in packs and have no limit as to how far they will go. In the movie Dawn of the Dead the zombies actually
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
The actions of the pigs express this theme by starting with good intentions, but slowly becoming more and more like what they were trying to avoid. In the beginning of the story Old Major gives a speech to the animals on the farm, and in this speech he mentions how cruel the humans are. During his speech Old Major uses Boxer the horse as an example when he says “You, Boxer, the very day that those great muscles of yours lose their power, Jones will sell you to the knacker, who will cut your throat and boil you down for the foxhounds.” (Orwell 11). He then proceeds to tell the animals that once they revolt the cruelty will end, and at first it does, but soon the pigs begin to act more like humans. The pi...
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
Although “Thriller” is beloved as a classic 80’s pop music video, it manages a successful dive into the social and political issues that make zombie flicks so great. Pulling from a history of work on zombies, Michael Jackson packs so much history into such a concise package. Through using the texts of Amy Devitt and Kerry Dirk we are able to uncover Jackson’s experience and social commentary in “Thriller”. He simultaneously writes a hit song, revolutionizes music videos, and still remarks on the societal problems of the early 1980’s. However, the story goes much further than that of a number one hit. “Thriller” owes its success to an important cultural figure that looms as large as
The internet might not only be affecting social abilities, but also cognitive abilities. According to Descartes, what determines ones existence is cognition, and thinking is considered identity. His famous quote was not “I google therefore, I am.” An argument can be made about how creativity is being effected. The internet is not only a place where people find new friends, but also information. It is possible that we have access to too much information. The problem with the internet becoming the main source of information is that we depend on it for simple tasks which one could easily perform on their own with regular practice. The other problem is knowledge, people are looking to google where there is access to the same pool of knowledge rather than being creative and coming up with their own ideas and solutions.
George A. Romero, the director of Night of the Living Dead accidently created the zombie genre that we are familiar with today. Night of the Living Dead reshaped the entire genre with its bitter realism. Romero established verisimilitude unintentionally by focusing on how people react to crisis. The first zombie movies relied on semi-terrifying dress codes (of their time) and the conventional diegetic scream of a female. Whereas Romero’s film is an interpretation of humankind’s collapse. Romero drew inspiration from the infamous Vietnam War spiralling at the time and the American civil war. The verisimilitude lies within the human condition in dire times, like war. Therefore, in the Night of the Living Dead the zombie/ghoul stands as a symbol for the enemy contriving those dire times. This consequently makes the genre actually terrifying because representations have altered. Zombies are no longer an otherworldly or scientific monster e.g. White Zombie but a