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The effects of parental neglect on children
The effects of parental neglect on children
The effects of parental neglect on children
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Footsteps clumped against the wooden floor boards, creaking underneath the weight of the unwanted visitor. Something was being dragged behind them with a low scraping noise. The small pitch black closet where I hid was musty and cramped. I was sitting as far back as I possibly could, my knees pulled tightly to my chest. I had spent many nights in this closet before, but I had never feared this much for my life. I could feel the terror pulse through my veins as the sound of the creaking floor boards got closer and closer to the door. I began shaking uncontrollably and began to quietly sob, partly because of the fear, partly because of the immense pain that was going over my body in waves. When I heard the footsteps turn around, and walk out of the hall way, I let myself relax a little. It hadn’t found me this time. I grabbed one of the many rolls of toilet paper I kept in the back of the closet in case I had a nose bleed when I had to hide in here, which I usually did. I crumpled the toilet paper into a ball and pressed it to me bleeding lip. How am I going to hide this many cuts and bruises at school tomorrow? People already think I’m hurting myself because I won’t tell them what happened. In reality, they simply wouldn’t believe me. My back ached from where it had been hit, and my left hand felt like it was broken. A dull throb passed through my spine and up into my skull. I was used to these kinds of pains, the kind of pains that hurt the outside and the ones that filled my chest when I was out of breath from running from this horrible monster that I have to live with for possibly the rest of my life, because it won’t let me leave, the kind of pains that healed up, and stopped hurting after a while. These pains I could deal wit... ... middle of paper ... ...et the edge of the knife cut into the skin. It was dead within seconds, and I pushed the body to the carpet and it landed with a thud next to the baseball bat it had been dragging down the hall. I knelt down next to the body slowly. I turned it over and inspected its face. I looked deeply into the eyes of my now dead mother, but I felt no sadness, because to me she wasn’t my mother, she was my monster, because mothers are supposed to care if you ate that night or not, they’re supposed to be there for you no matter what, and she did none of that, so all I felt was relief. Relief that it was finally over, the times that this woman who was supposed to love me unconditionally, beat me until I couldn’t feel anymore and told me that she wished I was dead, were finally over. I smiled and placed the knife in her fist and walked out of that house. I never, ever looked back.
The Monster is a short story that was written by Toby Litt in 1968. From beginning to end, from a third person point of view, we learn bits and pieces of information about a ‘monster’ of sorts, living in a world full of questions. This monster does not know, or understand what, or who, he is, and neither does the reader. The audience is often left wondering just as much as the main character is, resulting in a story that keeps readers hooked. The monster is simply called a monster, and never told if it is, or is not so. The Monster is a short story in which Toby Litt uses experimental story structure, a unique voice, and an unusual theme to challenge conventional story telling.
In the book Monster, we see the story of an eleven year African American boy known as Kody Scott get involved in the world of gang violence. Kody had been living in South Central Los Angeles all of his life, he grew up on Florence and Normandie. Kody was learning about gang life before he was even in a gang. The book starts with Kody graduating sixth grade, he is really excited because it is the day he will be initiated into a neighborhood gang, the Tray Eights, which is part of the Crips. Weeks before his graduation Kody felt proud of himself because he had flashed a gang sign in a school photo. His first initiation to become a member of the Crips was to kill someone from their rival group. Kody learned that a gang was for life and that killing the enemy was an act of survival. With the years, Kody builds up his name as Monster by killing people without remorse. Kody’s only aspiration in life was to become an OG gangster.
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
Kody Scott, also known as “Monster” for his viciousness in beating of a man and further crimes, forms a realistic and brutal picture of gang violence in America. Throughout his story, Scott views his gang participation as the only viable means of survival. Killing is done through the necessity to promote oneself in order to become an O.G., or Original Gangster, the pinnacle of gang member status and achievement. The urge to become an O.G. seems to be paramount in Scott's eyes, and he outlines his plan: first he must build his reputation, then his influence as part of his set, and finally as a “promoter” of the Crips (Shakur, 1993, pp. 14-15). By age eleven Scott's sole desire is to become a gang member of his local set, the Eight Trays. He disregards education, at one point stating how he paid no attention to his middle school teacher, focusing only on the streets and his “homeboys” as source of lifestyle and adventure (Shakur, 1993, pp. 3-4). He clearly reaches his goal, putting the entirety of his mental and physical being into being a gangster, even though it leads him to a life wreaked by violence and prison sentences.
We're two peas in a pod," says '80s club kid Michael Alig (Macaulay Culkin) to his friend James St. James (Seth Green), as they sit in their squalid-but-fabulous Manhattan apartment.
The boy reached for his blanket and covered half of his face in fear. The footsteps continued, getting louder every step. “It’s just mom and dad” he told himself. “No need to worry.” Footsteps were heard getting closer and closer to his room door. LOUD but slow, fear was uprising into the young boy’s heart. Suddenly they stopped and started going away.
“ The real world is where monsters are”, Rick Riordan states in the movie, Lightning Thief. Many people consider monsters as wicked malicious creature who haunt or torture others. Although this is true, monsters can also be found within the souls. Modern day monsters can be found within people, in stores, and in the real world.
A monster according to the online dictionary is many things; it can be a creature so ugly or monstrous that it scares people, an animal that is not of a normal shape behaviour or character, an animal or human that is huge in size, or a person who excites horror by wickedness or cruelty. I would describe a monster as someone who commits evil deeds and whose general mindset is to cause suffering on other living creatures. By my definition of a monster this makes victors creation a monster but not Victor.
Monsters are hunted. The lore of their destruction is excessive, glowing, and dispersed. It is a crucial component of their mythology. There is no eluding the hunter, armed with the vampire stake and crosses and the werewolf’s silver bullet. But then it is the hunter whose tale it is to begin with. Beowulf cannot stay hidden forever, or he would not be Beowulf. Monstrosity relies, in this sense, on its exposition for its production, and it is in this superficial sense of vitality by revelation that two theorists of monstrosity concoct a fantastic world of ‘society’ to keep themselves at bay. Michael Uebel’s “Unthinking the Monster” and Mark Dorrian’s “On the Monstrous and Grotesque” represent similar though distinct theorizations of monstrosity in terms of otherness, difference, relation to self, and production in/by rhetoric. The articles consider the relation between monstrosity and the terms against which it is defined. Yet the pieces are also monsters, and the worlds they sing of are the ones they behold with rapt attention. It is their theorization of monstrosity that allows for the continuation of both insides and outsides in a way more immediate than their encapsulation of such a movement considers.
In this world, from a long time ago, monsters have appeared and presented around us in many telling story. In fact, monsters are considered as something which is abnormal, and usually accused of having the ability to threaten and destroy humanity. Perfectly, the film The Elephant Man emphasizes about John Merrick who has a disfigured appearance, and also is called a monster. Fortunately, Dr. Frederick Treves finds out about Merrick when he is wandering around the freak shows, and tries to examine and help Merrick come back to the real society. On the other hand, people have opportunities to observe and judge Merrick as a new phenomenon. In the connection to the same focus, Jeffery Cohen’s Monster Theory gives contentions about monsters and their influences to the real life and humanity in the relation to the film, especially the first thesis – Monster’s body is a cultural body, the sixth – Fear of the monster is really a kind of desire, and the seventh one – Monster stands at the threshold of becoming.
When I opened my eyes, I could see a pool of blood on the neon green course. I reached my hands down to lift myself up, but all I could see was the splattered blood on my baby blue jeans. I heard my date rush to my side to lift me up and carry me inside. My head was spinning so fast and I couldn’t think straight. Panic sunk in as soon as I saw my butchered nose in the mirror. This wasn’t something I could hide. My first reaction was to call my sister to let her know what happened, but also see if she could redeem me from my lie. To my advantage, her and her fiance were in Evansville already. Although I knew I needed to go to the hospital as soon as possible, I met up with Haley first. She rushed me to the emergency room and called my
His other hand found truth in retrieving a serrated combat knife from its holster at his thigh. The stench of wet dog only rose his suspicions of the intruder and what might be waiting for him. The same floorboards creaked under the weight of his boots, taking his time to balance his weight and make his way to the lone room with what little light still remained within the home. Broken glass cracking underneath while objects in disarray were moved out of the way. Strewn about were Chairs and desks in what seemed to be a scuffle, his gaze switching about the practically unrecognizable den. This was until his boot did not make impact with the floorboards nor any hard surface from before. Something soft. With a collective halt, his amber-colored gaze descended to the item as his boot switched from atop it.
Bellinda and the Monster Bellinda and the Monster is a common fairy tale that is very well known across the world. While it may not be known as Bellinda and the Monster, many referred to its story as Beauty and the Beast. This story shows the rule of three several times which is common among fairy tales. We see how the story reflects some of the values and the life of the teller based on how it was written. Before we analyze it, it is important to have a summary of the story.
As I turned around to begin the journey towards my hopeless shot, disregarding the obvious mistake I was making, it hit me. The pressure from the sudden unexpected impact on the tip of my left elbow shot through my entire body quickly and painfully. The pain shot from my elbow, through my arm, down through my legs, then back up to my other arm, and finally to my head. The pain was strong and sharp. It felt as though I had fallen on an electric cattle fence, and it had given me one strong electrical shock that overtook my whole body with pain for a split second.
... young woman with pure white skin, her eyes bleeding from the corners with the black hair I had seen earlier matted and tangled across her face, mouth contorted into a silent and terrifying scream. Still the TckTckTckTckTck noise sounded from the open mouth. I fell away with great haste from the window and threw shut the curtains behind me. I slept not even slightly for almost all of that night. instead I curled up in the middle of the room with my head in my hands, listening to the chilling noise of the TckTckTckTck sounding from just outside my window.