In our discussion in class, Jean Baptiste Poquelin, also known as Moliere, is introduced as one of “The Dramatists” along with Pierre Corneille and Jean Baptiste Racine. Born on the 15th of January 1622 and died on February 17, 1673 due to lung complication because of hypochondria. He is known to be humorous and his satire. In 1643, Moliere and actress Madeleine Bejart joined the Illustre Theatre. After two years, their troupe collapsed and Moliere was put to jail because of debt. Luckily, in 1658 Moliere returned after some time of being gone and his troupe went back to Paris. A French movie was created in honor of Moliere. The movie is about an actor and playwright Moliere who is considered as one of the greatest masters of comedy in Western Literature. Moliere is imprisoned after failing to pay debt but then released after two strangers bailed him out. That was the time when Moliere suddenly disappeared there were a lot of speculations on what happened to him but then Moliere finds someone who can help him, Jourdain. Moliere enters Jourdain’s home as a priest to tutor Jourdain’s youngest daughter. Jourdain is a wealthy man married to Elmire. However, Jourdain falls in love with Celimene who is a widow. Jourdain wants to write a play for Celimene to confess his love for the gorgeous lady. He needs someone to polish his work and an actor coach, Moliere accepts the job who is clothed as a religious person, Monsieur Tartuffe. Soon enough, Moliere realizes that Jourdain’s talent exists only in his imagination competing for the love of Celimene against Dorante, who attaches himself to Jourdain for money. 17th century French Literature is most of the time liken with Classicism alongside with King Louis XIV’s period. In relation to t... ... middle of paper ... ...Jansen for Jansenism –people are already redestined, whether they go hell or heaven which made him reprimand by the Jesuits. It is also part of the trend in the French culture that a typical French man chooses the conservation of emotions and reactions. Also, typical French thinks first before acting he considers sensibility first. Unlike Jourdain, he was too excited to do things even though he knows he cannot do it. He tends to try stuff even if it is beyond his control which makes it contrary to what a gentleman is. Another difference between the discussion and the movie is that France was united under the banner of Christianity –Charlemagne however Elmire mentioned to Mr. Tartuffe that church people are pretentious and in real life Moliere actually attacked the church. The said “unification” is somewhat not absolute because issues were raised against the church.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants.
Out of the plays that we could have chosen to produce, I have decided to go with Molière’s, “Tartuffe.” This play is a comedy that comes from 17th century France and is heavily influenced by two large sources of experience for Molière. Those sources are the rules and structure for a play put in place by the French academy and the lessons of improvisation taught by the Commedia dell’Arte. This piece is written in fives acts that are in a unique alexandrine style of verse which have 12 syllables in a line and usually ends with rhyming words. The reason I chose this play is because, in my opinion, things like television, movies, plays, and other forms of media and entertainment are meant to transport you away from all the bad things happening in real life and focus you on something fun and/or interesting. I find this play to have a lot of fun moments that can be mined for even more comedy and I think it has the good chance to keep a large audience entertained for a long period of time. To accomplish my goal I will use elements of situational comedies, France in the 1660’s, and one of Molière’s plays, “A school for girls.”
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations.
general idea of each situation in the story, and yet Moliere used prosody technique to control the
" Literature and Its Times: Profiles of 300 Notable Literary Works and the Historical Events that Influenced Them. Joyce Moss and George Wilson. Vol. 1. Ancient Times to the American and French Revolutions.
Molière, Jean-Baptiste. “Tartuffe.” The Northern Anthology of World Literature. Gem. ed. Martin Puchner. 3rd ed. Vol F. New York; Northern, 2012. 144-97. Print.
Overall Coppolas did an exceptional job in telling the story of Marie Antoinette’s life before the French revolution through its mise-en-scene. The film had amazing setting, costume, lighting and change of figure behavior. Everything from beginning to end was very appealing to the eyes. The film was very entertaining and fun to watch.
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
In his book Gargantua and Pantagruel, Francois Rabelais uses satire to address the dislocation felt by Renaissance Humanists. By providing an exaggerated fable, comical in nature, Rabelais poses a serious introspection into the extremes of both the Medieval and the Renaissance man. More importantly, however, he brings into question his own ideals of Humanism. Through an analysis of Rabelais’ satirical technique and by examining his social parody of the Medieval and the Renaissance man, we are able to better understand Rabelais’ introspection into the ideals of his own generation and to accept his argument that learning is transitory and often a necessary, yet futile, attempt to understand our world.
Commedia Dell’ Arte was a distinctive form of stage art in the 1600’s and the famous playwright Moliere furthered its acceptance and import throughout his life. Originating in Italy, the popular art form spread quickly with the aid of traveling troops. One area that was greatly affected by this form of theater was France. The French people adored this theater and made it fit in with their culture. This can be seen in an essay by Gustave Lanson when he states, “In Paris Italian farce had replaced French farce.” The success of Commedia Dell’ Arte during the reign of Charles IX is well-known” (Lanson, 137). This effect can be seen through one of the country’s most famous playwrights, Moliere. Moliere was a renowned playwright and actor that continues to be well-known today. He was greatly influenced by Commedia Dell’ Arte. “Well-known definitions of the Commedia Dell’ Arte are that it was a semi-literary form of theatrical performance based primarily upon effective gestures and lazzi, and involving a limited number of generally accepted types who in their contrasting relation provide the setting for a light and flimsy action linked somehow by the eternal theme of love”( 704). His showing of the art form can be seen through his three most famous plays Tartuffe, The Misanthrope, and The Imaginary Invalid. As Lanson stated, “From soiling the noble and pure conception of comic genius given to us by The Misanthrope and Tartuffe” (Lanson, 134). With the progression from an earlier play to his final play, we can see where Moliere used aspects of Commedia Dell’ Arte and where he veered away to fit his own personal tastes and that of France’s. Moliere was born Jean-Baptise Poquelin in 1622 to a father who was an upholsterer for th...
In speeches such as these, Moliere wanted to get across the fact that it was false piety he was condemni...
Tartuffe, a comedic play written by the French playwright Molière, is about a seemingly pious man named Tartuffe and his dealings with Orgon and Orgon's household. Molière wrote the play for the purpose of revealing what people with absolute power and “divine power” can do with their power and in the play he both endorsed and critiqued absolutism and the "divine right" of "kings".
Oxford Art Online. “Neo-classicism & The French Revolution”. Oxford University Press. Web. 5th May 2013.
Analysis of Movie Moulin Rouge In this essay I will be analyzing in depth four scenes from Baz Luhrmann's critically acclaimed Moulin Rouge that was released in 2000. I will be analyzing the opening sequence, the sequence in the Moulin Rouge itself, the two dancing sequences 'Like a Virgin' and 'Tango Roxanne' and the final scenes of the film. Throughout this essay I will be commenting on the filming techniques that Luhrmann uses and what affects these have on the audience, also I will be analyzing how the film is similar and different to typical Hollywood Musicals.