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Impact of digital technology on filmmaking
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Modes of Documentary A documentary is a film that makes a claim based on empirical evidence. There are four main ways of making films or documentaries. The modes changed and developed due to technological advancements. Filmmakers also wanted the youth to associate with films instead of books. Expository mode: its sole purpose is to describe or explain the meaning of something; it makes a lot of emphasis on the argumentative logic and verbal commentary. This method involves the use of background music and narration (commonly known as the ‘Voice of God’). The filmmaker decides the shots before taking them. Examples include ‘Land Without Bread,’ and ‘Know Your Enemy.’ This genre was popular from 1920 to the period of World War II. Participatory/Interactive mode: this mode of filmmaking emphasizes the interaction between the subject and the filmmaker. The narrator is visible to the audience, and the people in the film know that they are being recorded (Study Guide 4). The interactive genre became popular in the 1960s and 1970s. Examples of films are ‘Harvest of Shame’ and ‘Rodger and Me.’ Oral Histories: the truth claim revolves around people and found footage is mostly utilized. They became popular in the 1970s and 1980s (Study Guide 12). ‘Union Maids’ is a film in this mode. Reflexive Mode: The filmmaker …show more content…
“Man on Wire” incorporates emotional music throughout the film. The setting of the documentary in the USA. “Hearts and Minds” uses varying music and involves interviews with American and Vietnamese citizens as well as army generals. The documentary is therefore shot in both USA and Vietnam. The authenticity of the re-enactments in “Man on Wire” can be questioned by the viewers. “Hearts and Minds” does not incorporate re-enactments that might be subject to doubt by the viewers; it uses actual footage from the Vietnamese war and political speeches by various
In this documentary, the conventions and techniques included are; real footage, recorded audio, written codes, montages, use of authority figures/experts, facts and statistics, interviews, bystanders, animation, background music etc. The four conventions/techniques that I will be discussing in this essay will be real footage, use of authority figures/experts, sound and bystanders.
"Genre: A group of films having recognizably similar plots, character types, settings, filmic techniques, and themes." (Konigsberg:165) The Genre of this film is difficult to define because it is not composed of a single agenda. The director makes a point of talking about Tosh’s life, but because of the cinematic themes and the film’s style it is not solely a documentary. This film is also a multimedia film because elements of music and concert footage are added to the essential plot. This film is avant-garde in it’s nature. "Avant-garde [refers to films that] deny the traditional narrative structure and techniques of commercial films by seeking to explore new modes of visual and emotional experience." (Konigsberg:25) It could be considered an anthology film, because of the various concert footage that is woven throughout the movie. "An Anthology film is a full length film made up of excerpts from other films which are related by some theme [or] the appearance of the same performer." (Konigsberg:16)
... a documentary film by definition must include visuals, but Ames aspires to explain how an emphasis on certain imagery can be used to persuade as well as inform.
The documentary is structured in a way that presents the factual information first, and uses
Documentary has been heavily associated as a representation of the truth and reality due to its absence of fictional elements and control by the filmmaker (Chapman, 2009). It aims to entice the audience perception of the information presented as fundamental and legitimate (Beattie, 2004). With today's technology, the question of manipulated facts and proclaimed evidences presented in documentaries has heightened concerns in providing the audience with the truth and the real. Hence, with reference to the documentary on "Biggie and Tupac" (2002) directed by Nick Broomfield, we will explore how the documentary has managed to capture the real in terms of structure, style and modes of documentary.
Friedman, L., Desser, D., Kozloff, S., Nichimson, M., & Prince, S. (2014). An introduction to film genres. New York, London: W.W. Norton & Company.
There are three major types of movies: narrative (a fiction story being told), documentary (nonfiction recording of reality, educating of the audience, or political and social analyses) and experimental
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
... history and the thoughts they evoke for Marker. It goes beyond documentary to create an essay-film.
According to historians like Neil Burch, the primitive period of the film industry, at the turn of the 20th century was making films that appealed to their audiences due to the simple story. A non-fiction narrative, single shots a burgeoning sense
...use of documentary style lighting and discontinuous editing that diverges from the Hollywood “invisible” editing. Through understanding the historical climates these two seemingly similar French cinematic movements were in, the psychology of a generation can be visualized in a way truly unique to the indexicality of the cinematic medium.
In her essay on Satayajit Ray’s Pather Panchali (1955), Neepa Majumdar gives commentary on how “visual strategies” can act as a component for “indirect modes of narration” through using these visual techniques to tell stories through actions rather than speech. The significance of applying visual techniques forces the viewer to base their interpretation off what is being shown to them through mise-en-scène, allowing them to indirectly see the world from the director’s desired perspective. Majumdar then talks of “mobile framing of individual shots”, which in Pather Panchali is seen through characters speaking, but never being shown. In conclusion, the “analysis of the events” occurring is shown to viewers through a slightly skewed representation of an actual reality.
Genres are ways of providing films with the intended associations. It is a convention in which people can refer to initially grasp the notion of a film, “for the vast publicity system that exists around filmmaking, genres are a simple way to characterize film. In fact, reviewers are often central in gathering and crystallizing notions about genres.” (Bordwell & Thompson, 2004: 110).
2. Nichols, Bill. ‘Documentary Modes of Representation (The Observational Mode).’ Representing Reality: Issues and Concepts in Documentary. Bloomington & Indianapolis; Indiana University Press. 1991. 38-44
During a movie, many actions go unnoticed by the typical viewer. However, while watching a movie, many terms emerge that can label each dynamic aspect of a movie. Knowing and looking for these names can change a viewers experience into a form of acknowledging and appreciating the cinematic arts. Following terms such as panning, mise en scene, and zoom are some examples of these labels. These are just a few of many terms can be seen throughout one movie.