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Moche Ancient Culture
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The Moche civilization was a pre-Inca culture, settled on the north coast of Peru, also knowing as a Mochicas culture. (Historia Universal, 2011). Moche culture were recognized as “Los maestros artesanos" meaning "The master craftsmen" and "grandes constructores de ciudades" meaning “The great builders of cities," because their great skills to create beautiful pottery describing the daily life, religious and beliefs. (Historia Universal, 2011). Todays days what we have of the Moche culture is the value anthropological work display in some of the Peruvian Museum because this ancient group disappearance around 600 to 700 years is unknown, but could have been started by a drought of 30 years in the late sixth century followed by a period of flooding caused by bad weather conditions of the time. (Historia Universal, 2011)
Today, we have the advantage to comparing different cultures and their works. Many experts, dedicated they life’s and expend a lot of time excavating to have quality references to compered one Ancient culture with others, according with the web site Historiauniversal.com Moche art work is value as culture and can be compared with the Greek ceramics because they were motived for animals, plants, scenes of everyday life and mythology Moche Mochicas "Gods", among others (Historia Universal, 2011).
Figure 1). (Np). http://www.liveauctioneers.com/item/9224665
the Moche pottery (figure 1) was mainly red or, exceptionally orange, and in some cases, black smoke, the Moche pottery is one of the most diverse in the world because they were use molds to allowed the mass production of certain forms. But despite this, there was great variation in form and theme of the ceramics which represented the...
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Donnan,CB. (2004). Moche Portraits from Ancient Peru. University of Texas Press, P.O. Box 7819, Austing, TX, 78713-7819
Donnan,CB. (2004). How Portraits Were Made. Moche Portraits from Ancient Peru (pp. 21, 32, 36, 37,38,39). Texas: University of Texas Press
Donnan,CB. (2004). Headdresses. Moche Portraits from Ancient Peru (pp.43, 47, 58, 59). Texas: University of Texas Press
Donnan,CB. (2004). Ornamentation. Moche Portraits from Ancient Peru (pp.77,78,83,85). Texas: University of Texas Press
Maria Victoria Rodriguez (July 1, 2009). Perú: el señor de Sipan. Retrieved from
http://www.diariodelviajero.com/america/peru-el-senor-de-sipan
Stokstad, M. Art History (3th Ed.). Upper Saddle River, NY: Pearson.
(Np). (figure 1). A Superb Pre-columbian Moche IV Portrait Vassel: Lot 215A.
Retrieved from http://www.liveauctioneers.com/item/9224665
"Statuette of a standing maiden [Etruscan] (17.190.2066) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 16 Feb. 2014.
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vii. Mueller, Rose Anna M. "Teaching beyond the Quincentennial," Hispania 76 (3), September 1993. found at http://www.millersv.edu/~columbus/data/art/ MUELLER1. ART, October 2, 1999.
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The Editors of Encyclopædia Britannica. "Luminism (painting)." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 31 Mar. 2014.
Conlin, Diane Atnally. The artists of the Ara Pacis: the process of Hellenization in Roman relief sculpture. Chapel Hill: University of North Carolina Press, 1997. (P. 4)
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The works of art from the Archaic Period, Classical Period, and Hellenic Period developed physically and mentally, and the study of their aesthetic differences from period to period allow for a decided contrast and comparability. This interpretation has had a profound effect on the art world and that continues even in today’s world. The importance of Greek sculptures is evident in the storytelling of the gods, the people, and the culture. We use these sculptures as a tool to go back into the past of the Greek people, letting us admire how far mankind has truly come, whether it is in art or intelligence. Generation after generation has been and will continue to be able to see for themselves the society, culture and uniqueness of these periods through the wonderful sculptures that came out of ancient
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The Olmecs are the earliest known Mesoamerican civilization. Around 1200 B.C. the Olmecs originated as a primitive people living and farming on the shores of Mexico (Stanton 91). Soon, however, they began to build cities such as San Lorenzo, La Venta, and Monte Alban. These “cities” were religious centers where people gathered to worship, and were not populated (Stanton 91). The first of these centers, San Lorenzo, was built c. 1150 B.C., on a flat topped, man-made mountain. It was mysteriously abandoned 200 years later (Stanton 92-93). La Venta, built between 1000 and 600 B.C., sat on an island in a swamp (Stanton 93). Later, around 500 B.C., Monte Alban, which was used as a religious center even after the Olmecs faded, was built on an immense mountain (Stanton 93). The cities were made up of temples and plazas, and decorated by monumental stone heads, which weighed up to 50 tons (Stanton 93)! These heads probably represented their early kings and had distinct helmets (Kingfisher 32). It is incredible how the Olmec people transported the stone from the distant mountains to La Venta, near the shore, without the aid of work animals or carts. It appears that the Olmecs did this grueling work for their gods willingly, as there is no evidence of forced labor (Stanton 93). The Olmecs probably worshipped the jaguar, as it appears so often in their artwork. There are also many e...
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