Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The representation of african american culture in media
The representation of african american culture in media
The representation of african american culture in media
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In society, we commonly find that the majority of representation in the media is dedicated to Caucasian demographic. Particularly in entertainment, we generally hardly ever see a person of color who is playing a complex leading character with depth and emotional development. We are often sassy friends, working staff, or just not shown at all. Allow me to now describe to you my passions and pleasures. What I have always wanted in life is to be an advocate of music. Specifically I want to be a choral music educator, but I also have a passion for musical theatre. Although I never plan to pursue a career in that area, I am very involved in it at my school as I’ve played many leading characters both musical and straight play. I’ve played roles that …show more content…
Brian Stokes Mitchell. Mitchell is an African-American leading actor of Broadway, film, television and voice and he is also a composer and an astonishing vocalist. He is most widely-known in his roles as, Coalhouse Walker Jr. in the musical, Ragtime, Fred Graham and Petruchio in the musical, Kiss Me, Kate, and Don Quixote and Cervantes in the musical, Man of La Mancha. His work not only inspiring to me, but for many others. His characters are usually leading men who have deep and introspective struggles that and reflect anybody going through something similar. For example, Mitchell originated the role of Coalhouse Walker Jr. in the musical, Ragtime. Coalhouse was an African-American pianist in the year 1906 who had up until then been rather fast and loose in life and in love. He realizes the error of his ways and tries his hardest to win back the love of his life, Sarah who, unbeknownst to him, is the mother of his child. Once he realizes this he reunites with her and plans to travel the country with her and their child. Racial matters being prolific in the story, Coalhouse plans don’t go as expected when a group of bigoted white firemen harass him and destroy his car. When Sarah tries to appeal this to a higher power, she is shot in a crowd. Brian Stokes Mitchell’s portrayal of this level of anguish speaks to so many people in so many ways. This is what inspires me in my artistic
Ragtime, by E.L. Doctorow, was originally published in 1975, and later became a musical that premiered at the Toronto Centre for the Arts in 1996. The story illustrates three families’ journeys in the changing society of America during the 1920s. Each family is in a different position of society. One family is rich and white and lives in the exclusive upper class neighborhood of New Rochelle, NY. Their lives are sheltered and privileged. Another family is African American. They live in Harlem, which was populated only by African Americans at the time. The main character in this family that we follow, Coalhouse, is a Ragtime piano player. The next family represents the immigrants of that time. Tateh, a Jewish immigrant, arrives at Ellis Island and faces the challenges of achieving the American dream. Although they dream of riches, they begin life in America in poverty. The fictional story of Ragtime accurately depicts history. The story gives a realistic picture of what New York City was like at that time by using fictional and real people and describing events in the book that mirror real life. "Based on the bestseller by E.L. Doctorow, "Ragtime" artfully blends historical events (immigration, the industrial revolution, the birth of the civil-rights movement, women's suffrage and the invention of motion pictures) and historical figures (Henry Ford, Booker T. Washington, Harry Houdini, Emma Goldman, Admiral Perry) with fictional characters to paint a nation in the making in the early 20th century" (Jim Ruth).
Whether they were on Broadway or in Hollywood, being a Hispanic actor meant you were put into this stereotyped box that was and is hard to break through. How many times has there been a Hispanic or Latino in the role of a hero, wealthy man/woman, or doctor in film or television? The following quote from Lin Manuel Miranda is to explain the struggles of a male Hispanic actor aspiring to be on Broadway. “I couldn’t see a way for me [a Latino man] to have a career in musical theater based on the musicals that already existed. I don’t dance well enough to play Bernardo [of ‘West Side Story’], or Paul in ‘A Chorus Line.’ And I don’t have an operatic voice enough to play the ‘Man of La Mancha.’ And if you’re a Latino man, that’s all you get… I
Lee, Josephine D.. Performing Asian America race and ethnicity on the contemporary stage. Philadelphia: Temple University Press, 1997. Print.
I gave several examples where Asian Americans were used to play very simple characters. These roles were defined by stereotypes that exist in America. I also researched instances on counter actions taken by Asian Americans to protest against these negative images. My research also has examples of Asians that have succeeded in breaking through the racial barriers in the media.
First, it is necessary to know what steps casting directors must go through in the process of choosing a star and supporting actors for a movie or TV show to understand the importance of it. This lengthy process begins months before sessions with the director and producer begin. The first step that casting directors must take is to release what kind of person they are looking for to acting agencies; called breakdowns or a casting call. Casting directors must be very careful when releasing who they want because it may offend people, as the casting director for Straight Out of Compton and the Hobbit know, after being fired for coming off as discriminatory and racist. Future casting directors learn from their mistakes to avoid the degrading of wom...
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
...t could be done based on ethnicity. The history of America has an important effect as to why such limitations for African-Americans existed. With slavery and segregation African-Americans have been through a lot and being accepted was not always easy. It did not stop African-Americans from trying, but only made them work that much harder to gain their acceptance within the theatre. The establishments of various groups and movements inspired African-Americans to fight for what they wanted and they continue to do so today! The involvement of African-Americans within the theatre has changed overtime but has always existed. Their works became more publicized as the acceptance and African-Americans changed overtime throughout America. No matter the race or color of our skin all humans are capable of producing their own unique style of theatre and will continue to do so.
played a big part in Ragtime. Coalhouse Walker was a black musician and in this book he was a big symbol for race relations in this time of America. Walker’s character is most defiantly a radical and we see this after the destruction of his Model T by the fireman. In ways, Coalhouse Walker acted out of place to be an African American during this time. Father, is taken back by Coalhouse he refers to him by saying he does not act or talk like a colored man. Walker is a proud man and does not think to ingratiate himself in the fashion of his race. After the bigoted fireman destroy Walkers car it eventual sends him on a violent rampage. Coalhouse is very persistent and you can see that through the dedication he had to get Sarah. When he is told to just forget about his car and waits for justice. Eventually, Sarah dies trying to help Coalhouse and this kick starts his revenge. Because he is an extremist, he destructs two firehouses and kills police officers and fireman. Ultimately, his own death comes while trying to take over J.P. Morgan’s library. Because his political philosophy is radical, he is willing to die for
The Hurst book discusses in Chapter 8, that “whiteness is invisible to most whites,” this could be a reason that there is not a lot of diversity in Hollywood, but it could also be racism, and discrimination toward people of different ethnicities as well (Hurst, 183). According, to Hurst racism is “embedded in the structure and institutions, and defining racism individualistically rather than in structural terms, has allowed our attention to be defected from White privilege” (Hurst, 184). White privilege is present in Hollywood, everything is ran by white people, and it is the white writers and directors, they decided who they will cast in the show or movie. Racial and ethnic diversity in TV programming should not be a problem in the 21st century, this is a problem of the past and should not still be going on. The NPR article discusses the shift of more series with “non-white actors, and a more non-white cast, but that still is on 30% of all TV shows” that is a major improvement but there still needs to be more
Representation of people of color—even, more so for women of color—in film and media is crucial in paving the path towards equality as a whole. However, the amount of roles, both leading and supporting, for people of color are scarce and borderline nonexistent for some minority groups. In addition, the marginality of roles for people of color versus caucasians in mainstream film and media is extremely disparate and reasserts the inequality in Hollywood. In particular, Asian-Americans are only cast in film and media 1.3% of the time while caucasians lead with a cast rate of 78.2% (Briones 8). With the statistic in mind, when there is representation for Asian-Americans in film, especially mainstream studio films, irony is usually a present factor.
Two pertinent points from the readings and videos struck me as important this week. The first is the limited nature or set roles that black actors could (and often can) portray. I never realized that the majority of roles available to black actors came from the Uncle Tom, coon, buck, mammy, and mulatto stereotypes, even as the incarnations of these roles shift representations, such as the jester to the servant. Bogle explains that, when white actors were participating in blackface, there was little room for individual personalization of these standard character types. On page four, Bogle describes these stereotypical roles that extended from slavery as “square boxes that sat on a shelf”. While the following Bogle chapters go on to explain that once black actors began to portray their own race, various actors, such as Stepin Fetchit’s beginning performances or some of Louis Beaver’s roles, were incredibly successful at personalizing/humanizing the previously prescribed roles.
In the present time, one of the problematic trends in the world of communication can be found in traditional media (film and television), specifically in Hollywood, which is the improper and/or absolute lack of representation of non-white characters; such instances include stereotypical portrayals and whitewashing. Whitewashing – in the context of traditional media – is when a white actor/actress portrays a non-white character. The discourse regarding this issue has been opened yet again due to the increase of “whitewashed” roles in Hollywood’s latest films and television shows. Some of the castings that stirred the most controversy are that of Scarlett Johansson’s portrayal of Major Mira Killian, in the movie adaptation of the classic Japanese
If POC had greater representation is the media we wouldn’t be ashamed of our culture. And I’m not just talking about having a Black person in a show full of white people. We NEED people who don’t stereotype their own culture. We don’t need someone who doesn’t accept their own culture out there on a show that’s suppose to be representing us, but they stereotype their own people. We see this too often in media with our beautiful people of color. The stereotypical “diverse”, show is there’s the “ghetto” Black person, “nerdy” Asian, and the “sassy” Latina. These people who plays these roles are honestly not someone to support. How the stereotypes of POC in the media affected our author, Lisa Ko, is she decided to make her protagonist someone that looks like her going through a relatable misfortune. POC never are protagonists and have good storylines, Ko totally broke that with “The Leavers” with Deming Guo as the protagonist with a completely relatable and interesting situation. Ms. Lisa grew up making almost all her protagonist white because-especially at that time- there was little to no good representation for POC. But, she made a whole vow to start making her protagonists Asian/POC BECAUSE she saw other colored authors making their protagonists people of color. One author that inspired Lisa Ko to create these characters with such personalities was Bette Bao Lord, the author of “In the Year of the Boar and Jackie Robinson”. Ms. Bette
All to often racial minorities or queer characters are “Given secondary or tertiary storylines that can be thrown away” (Butler), this is because of the possibility of the viewers negatively reacting to characters that do not fit the norm. However, the creation of characters that do not fit in mold of being white, straight, or the stereotypical man or woman, are progressive and can challenge the different roles of society. Having a diverse cast, or a lead minority character allows for the better representation of minority and queer groups of people, which further enables the breakdown of the damaging roles that society
I would be confused as to why I did not look like them and why the people in those shows who do look like me, were always placed in the back and never given any leading roles. The misrepresentation of Women of Color (WoC) in media and the lack of positive portrayals is a prominent issue in our society and has caused a great deal of consequences and disadvantages for women of color, like myself. On one hand, some might argue that having representation at all is good enough, but on the other hand, others argue that the representation of women of color is simply just does more harm than good. Because of my upbringings and my ethnic background, I wanted to find more information about what hardships life has in store for me due to media bias. I also was looking to find more information on how we a society can move forward and what would need to happen to fix this injustice. Media bias has a major influence over our society, and has been negatively depicting women of