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Analysis of the possibility of evil
Distinguishing features of the notable short story of shirley jackson
Analysis of the possibility of evil
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In the story “ The Possibility of Evil” by Shirley Jackson Miss Strangeworth is not evil. The Elderly lady just wants to keep her family’s town in place , and make sure that it doesn’t turn bad. Miss Strangeworth also wants to keep her family inherited roses in her town. in fact,the author explains that her family had “built this town”(Jackson 188). Miss Strangeworth feels like the town belongs to her grandfather since he built the first house on pleasant street. Miss Strangeworth has watched her city grow up. She can explain almost anything that happened in the town, so she must have grown really close with her roots. You can see why she may get upset and mad from somebody messing around. Another important part of the story is when the author
writes,” The roses belonged on Pleasant street,and it bothered Miss Strangeworth to think of people wanting to carry them away, to take them into strange towns and down strange streets”(Jackson 190). This goes to show that Miss Strangeworth does not want her roses to leave her town, she is not evil just because she wants to keep her roses inside her town. she explains how her grandmother first planted those roses ,and how her mother tended them. Even now she is tending to them. It makes sense that she is being mean about somebody taking her roses because she doesn’t know what those random people are doing with them. That is how i fell she is She may not be evil but she sure is crazy.
Like any good character, Mrs. Strangeworth has understandable desires. The possibility of evil the story entails is from Miss Strangeworth ideology of what she sees is the truth. In turn, she writes deagroitive letter to her townspeople, feeling that a solid plan for stopping the evil in the town she's lives in. For her, writing these letters let herself feel a sense of pride for the town she deeply love. “The sun was shining, the air was fresh and clear after the night’s heavy rain, and everything in Miss Strangeworth’s little town looked washed and bright.” (Shirley 1) If her desire wasn’t to make a better town, she would have never written such letters. Mrs. Strangeworth has desire like any other character with well intentioned, but with ability to take it to the extreme makes stand out from the crowd.
Isobelle Carmody does make use of some traditional fantasy elements in The Gathering but the departure from rigid archetypes is what enables her to achieve a sophisticated exploration of the oft-stereotyped concept of evil. She is able to effectively do this not just by the traditional good vs evil but by the dark side of human nature and mankind. To achieve this she uses Mr Karl the deputy principle at Three North in Cheshunt where this novel is based. However she hasn’t just gone and changed how traditional fantasy operate. She has used a good balance of both traditional and modern ways of getting messages out to the readers.
This essay will contrast a good and evil concept between two different stories. There is an obvious distinction that stands out between the stories; however they are similar in one way. In A Worn Path (Eudora Welty) and A Good Man is Hard to Find (Flannery O’Conner) the one thing that sticks out, is the main character in both stories. The main character in both stories being the grandmother. Grandmothers are of course an important part of the family. In each story we have a grandmother of a different race, appearance, and attitude. In each story the grandmothers take different journeys, but there is one thing they both face being treated disrespected. We live in a world in which the grandmother resides with the family and helps to take care of the grandchildren. In the world today things are different and times are still hard if not harder. We live in a time when respect is no longer earned. Now days it seems as if respect is not as important as it was in earlier years and it is evident in these two stories.
Mildred Pierce, by James M. Cain, begins in pre-Depression California, and ends during World War II times, also in California. The main character, Mildred Pierce, is a very attractive housewife of 29, raising two daughters, Ray and Veda. Although Mildred loves both her daughters, Veda is a particular obsession with Mildred. She constantly slaves away throughout the novel to do whatever she can to make Veda happy, despite the constant abuse and deception Veda inflicts upon Mildred. After a divorce from her first husband, Bert, in the opening pages of the novel, Mildred is forced to sacrifice her pride and become a waitress in order to support her family. If Veda were ever to find out, she would be appalled; a constantly recurring theme throughout this story is Veda’s pride and arrogance, and her condemnation of jobs she deems to be menial. Mildred’s main goal is to nurture Veda’s musical talents, and manages to pay for expensive music lessons from her meager salaries as a waitress and pie baker. However, Mildred’s luck is soon to change, as she takes up with an attorney and former partner of Bert, Wally. Mildred is able to use Wally’s business and real estate savvy to build a restaurant out of a deserted model home, and from there create a thriving chain of three food businesses. After becoming bored with Wally, however, Mildred craves a relationship with another man, a prestigious local man named Monty. Veda highly approves of her mother’s choice, as this makes her feel as if she too were more prestigious and affluent, despite having misgivings about her mother still being so low as to have an average, pedestrian job. All seems to be going well; even through Veda’s constant demands and tantrums, she still gets everything she wants, and Mildred and Monty are happy. Monty, however, falls on hard times with the coming of the Great Depression, and he constantly mooches off of Mildred’s affluence, making it a struggle for Mildred to cater to Veda’s every whim. Mildred soon dumps Monty to focus on making Veda a musical prodigy; this fails, however, when Veda is told that her piano is not up to par from a local famous music teacher. After Veda recovers from this shock, she explores the opportunities offered by an acting career, and begins to spin more webs of deception and selfishness. After Veda forces money out of a local rich family, lying and claiming their son got her pregnant, Mildred and Veda have a major argument, and Veda disowns her mother.
Topic/ Thesis Statement: Don’t judge a book by its cover, some people are not who they claim to be, or looks can be deceiving.
Everything was great, every day was the same except that particular day when your life
There are many norms associated with being a woman and being a man, especially during the time period of which Strong Poison by Dorothy Sayers was written in. These include, but are not limited to, the following (feminine and masculine counters are separated by a / ): one must always obey males because they are the superior sex/one must not allow women to hold any form of power because they are the weaker sex, one must obey her husband/one must not let his wife do whatever she pleases, and one must not live with another of the opposite sex unless they are relatives or married. Despite these norms being set in place for most of the characters in Strong Poison, there are a few exceptions for on both the feminine and masculine side.
Throughout the Possibility of Evil the theme is clearly shown as looks can be deceiving. On the other hand, some people might interpret that the theme is that you should treat others as they treat you. However it’s only at the end when the townspeople figure out that she is the one sending the letters which shows that karma only comes into play at the end of the story, while the looks can be deceiving is shown throughout the whole story. By showing Miss Strangeworth as a gentle old lady at first and then slowly showing her true colors, Shirley Jackson illustrates the theme that looks can be deceiving.
For example, Ann Putnam wants healthy children and envies Rebecca Nurse for all the healthy children she bore. She accuses Nurse of killing most of her offspring using witchcraft. In fact, the official warrant for Rebecca Nurse’s arrest is issued “[f]or the marvelous and supernatural murder of Goody Putnam 's babies”(67). Ann Putnam does not care if one of Salem’s most devout families is torn apart so long as its members suffer for their happiness. In addition, Thomas Putnam’s desire for more land causes him to make his daughter accuse an innocent man of witchcraft since “[t]he day [she] cried out on Jacobs, [Putnam] said she’d given him a fair gift of land”(89). His greed for land surpasses his care for the other residents of the town. Both Ann and Thomas Putnam are willing to destroy other families for their own benefit, and they succeed because the townspeople’s fear of witchcraft clouds their common sense that the accusers may have ulterior
In her story Incidents in the Life of a Slave Girl, Harriet Jacobs presents what life was like living as a female slave during the 19th century. Born into slavery, she exhibits, to people living in the North who thought slaves were treated fairly and well, how living as a slave, especially as a female slave during that time, was a heinous and horrible experience. Perhaps even harder than it was if one had been a male slave, as female slaves had to deal with issues, such as unwanted sexual attention, sexual victimization and for some the suffering of being separated from their children. Harriet Jacobs shows that despite all of the hardship that she struggled with, having a cause to fight for, that is trying to get your children a better life
In Jane Austen’s, Northanger Abbey, John Thorpe and General Tilney are portrayed as unpleasant villains. Villains are defined as, “a wicked or evil person; a scoundrel” (The American Heritage Dictionary http://www.dictionary.com/search?q=VILLAIN). Austen description of both men as power-hungry, easily upset, and manipulative follows this definition. She introduces both characters in separate parts of the book, however simultaneously she delivers a stunning example of their identical villainous personalities. Through the portrayal of John Thorpe and General Tilney as villains, Austen comments on the male supremacy that permeates through her time.
The point of view that Katherine Mansfield has chosen to use in "Miss Brill" serves two purposes. First, it illustrates how Miss Brill herself views the world and, second, it helps the reader take the same journey of burgeoning awareness as Miss Brill.
Charlotte Brontë challenges the view that men are emotionally, socially and intellectually superior to women.
Elinor Represents the Sense and Marianne the Sensibility of the Novel’s Title. Discuss. “She had an excellent heart – her disposition was affectionate and her feelings were strong, but she knew how to govern them…” Right from the opening of the novel, the author, Jane Austen, makes it clear that Elinor, the eldest of the Dashwood sisters, represents the “Sense” in the title of the novel. Elinor endures some very strong emotions and, in virtually every situation, unlike most heroines in novels of that era, she is able to conceal or control them. For this reason she appears to be a perfect role model for her sister Marianne, the “Sensibility” of the novel’s title.
Love comes in many shapes and forms, whether it’s an inanimate object or a person you want to spend the rest of your life with. Jane Austen’s novel, “Sense and Sensibility”, revolves around two sisters who try to find true love, while requiring a balance of reason and emotion. Elinor and Marianne Dashwood are viewed as two completely different people. Elinor is known to represent “sense” while Marianne represents “sensibility.” In the novel, Jane Austen emphasizes two common women’s characteristics, and shows us how Elinor and Marianne both find love and happiness only by overcoming their struggles and learning from one another’s actions and mistakes.