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“The Dance of the Happy Shades” by Alice Munro 1. a) The first three sentences of the story achieve characterization through its brief descriptions of Miss Marsalles, as well as the narrator’s mother. For example, the story begins with the narrator questioning whether Marsalles decided to have another party because of her “musical integrity” or her “bold yearning for festivity”. In both regards, however, the narrator conveys her belief that Marsalles is a positive and bold woman who does things out of heart and soul. More specifically, her words “musical” and “integrity” collectively have interesting connotations. On one hand, the term "musical" is used not in its literal meaning, but as a way to describe the mentality of Marsalles: harmonious …show more content…
For a number of reasons, Miss Marsalles very much emerges as a character with whom readers can empathize. One of the reasons has to do with Marsalles’ motive. Deep down, she believes she can see into children’s hearts. More specifically, she is described as “indestructibly” believing that “[a]ll children need music”, and that all of them “love music in their hearts” (Munro 287). Marsalles just wants children to grow healthily and happily, just in her perspective. And besides, there really is no harm in throwing parties for children where everyone can enjoy and relax. That really is one legitimate reason by which one can pity and empathize with Marsalles. The problem, however, arises in the eyes of Marsalles’ guests. They genuinely feel that she is not able to support these parties not only financially and physically, but emotionally, as she is overworking herself just to satisfy some fallacy in her mind. One strong example of this was when Mrs. Clegg, the narrator’s mother, and the narrator, examine the excess of food placed on the table. Right away, they notice that the sandwiches and little iced cakes Marsalles had left on the table had likely been there for hours, as Clegg recounts that “[she desperately] tried to tell [Marsalles] not to put [the food] all out ahead of time” (Munro 294). This is not only confusing and irritating to the characters of the story, but also pulls the heart strings of the readers, as they recognize how much pressure she faces to please her guests. And finally, one of the most prominent reasons readers can sympathize with Marsalles for having these parties is because she is an old woman. She is close to passing away, and so she may feel that she needs to provide as much as she can before she goes away. This is demonstrated when she invited special needs students from Greenhill School to her party, surprising, and even angering, everyone who attended. She did not need to invite these “outsiders”, but perhaps felt that doing so would
Many enjoyed individuality and separation from their parents since they didn’t have to keep as close of an eye on the children. In the book, Jeanne notices that it was almost impossible to continue sitting with her entire family at dinnertime, and this unfortunate change occurred in many other families as well. For the first year of their confinement, before there was a semi-structured school system, children did just about everything they could think of to pass the time. As anyone would expect, some were mischievous.
Upon the dancer’s departure, “the dancer, who though older was still languid and full of grace, reached out and tapped me with two fingers on the cheek, turned, and walked away” (185). Krauss uses this odd gesture by the dancer helps reinforce the strange quirks of the dancer and the author’s thought of the gesture containing “something condescending in it, even meant to humiliate” (185). The use of the words, “languid and full of grace” continues to strengthen the narrator’s fascination in the dancers beauty but also how the narrator feels uncomfortable with her interactions with the dancer. After the narrator’s encounter with the dancer, she walks by a crowded park “until a cry rang out, pained and terrified, an agonizing child’s cry that tore into[her] as if it were an appeal to [her] alone” (186). The author’s use of the painful and terrifying cry reintroduces the theme of a screaming child from the first passage which reinforces the author’s incapability to manager her guilt. The use of the word “agonizing” in this context suggests the overwhelming amount of guilt the author contains but in form as a youthful shrilling scream. Towards the end of the short story, the agonizing
The dinner occurs partly because Geoffrey is in New York on business, and also because it provides a way for Flan and Louisa to convince Geoffrey to lend them two million dollars for an art auction. Throughout his visit, Louisa talks about the flan: “It’s like when people say ‘Don’t think about elephants’ and all you can think about is elephants elephants elephants” (15). This idea, that Lousia can only think about the two million dollars shows her putting on a false front. She treats Geoffrey as a guest, not revealing her true intentions. In the same way, she mentions the difference between the image of helping people and actually helping them. during the visit, Lousia acknowledges that when people try to help, such as in South Africa where Geoffrey lives, they do it more for themselves than for the people they are “helping.” She criticizes herself and the East Side by saying that if they visited Geoffrey, they would demand to see the “poorest of the poor” and say “‘are you sure they’re the worst off? I mean, we’ve come all this way. We don’t want to see people just mildly victimized by apartheid. We demand shock’” (14). She recognizes that for many people helping the less fortunate has a self-centered aspect to it. In trying to raise their own consciousness and feel good about themselves, volunteers end up victimizing
The story explores many vital concepts accompanied by beautiful illustrations. I felt a strong sense of cultural understanding, spirituality and connection to family and land as though I was on this journey too. I could sense an underlying meaning in each dance, holding great importance to Bertie’s family and a strong connection to their culture. Pryor has attempted to fuse the then and now, by speaking of changes in the land, from a once spiritual gathering place, to a now busy town street where through food, they keep the culture alive (Pryor, 2010).
Also, Cadence’s grandmother, Tipper, passes away. Arriving on the island Summer Fifteen, Cadence can see that her grandma is a sore subject no one wants to bring up. The aunts don’t want to upset their father, so they tell the younger cousins, the “Littles,” and the Liars to not mention their grandma’s death. But that doesn’t stop them from having an ongoing dispute about who is going to receive all their mother’s valuable possessions. All four of the Liars clearly express their annoyance with her aunts over what they find to be something that isn’t important to them at all. The aunts drank excessive amounts of alcohol, got themselves highly intoxicated and they would lash out. They asked and pleaded for their oldest children (Mirren, Cadence and Johnny) to ask their grandfather for the items that would please them and “benefit” their
The story showcases the lack of aspirations of a culture. It takes us through the point of view of the children, who think of nothing but entertainment, and through the mind frame of the adults who have resigned their lives to mediocrity. Mrs. Moore proves to be the catalyst that sets alight the imagination of the children. She realizes that by just telling the children that there is something better out there, she will not be able to instill in them a sense of longing; an aspiration to achieve something better in life. She employs keener methods to...
There are many symbolic parallels and occurrences that may contribute to the list of similarities between Madame Pontellier and Mademoiselle Reisz. The first similarity that can be seen between the two women was that of livelihood and talent. Mademoiselle Reisz, being the pianist that she was, based her livelihood solely upon her talent by teaching piano lessons. Edna, on the other hand, after becoming affiliated with Mademoiselle...
The misfortunes Jane was given early in life didn’t alter her passionate thinking. As a child she ...
In fact, Jeannette said that she spent so much time with friends that she almost didn’t feel like a member of their family (206, Walls). At first Maureen spent the night at friends houses because she didn’t feel safe at her house. The big incident that made her sleep somewhere else was that a rat was in their house and she swore that that rat was near her and when she turned on the light she was proven right (156, Walls). And after a while, Maureen wouldn’t just go over to sleepover at friends houses, she’d go there earlier and eat dinner with her friend’s family (173, Walls). It was no secret that the Walls didn’t have food often, and when Maureen saw an opportunity to eat a hot meal she took it. Because she spent so little time with her family, she didn’t grow up like her siblings did. In each person you have a fight or flight reflex, and while her siblings took the fight reflex for a while, Maureen chose the flight reflex. There’s nothing wrong with that, but I think because she didn’t stay and fight she doesn’t know how to deal with her parents in New York like her brothers and sisters
Instead of abiding by them, Myrtle, who represents the low and ignorant class of America, tried to break the social barriers and thus pursues wealth by any means necessary. Using her sexuality and vulgar mien, she becomes false for abandoning and dismissing her own social foundation, and like Nick, we as readers are repulsed by her grotesque approach to entering the rich class. At one point, and quite humorously to the knowing onlooker, Myrtle complains about a service done for her that was so expensive that "when she gave [Myrtle] the bill you’d of thought she had [her] appendicitus out" (35). Obviously misusing her wording, it is comical only because she is trying so hard to fit into the snobbish upper class persona, and failing miserably.
...they represent concerning women’s roles in society. Adele plays to entertain her husband and friends at parties, whereas Reisz plays for the art of the craft, always striving to be more proficient and more artistic. Mademoiselle Reisz easily sees past Edna's front, welcomes Edna into her life, and helps usher in the biggest change of Edna's life. Mademoiselle Reisz and her personality serve as the catalyst for the changes that Edna makes in her life. Edna strives to be Mademoiselle Reisz concerning her element of independence, while Leonce Pontellier, Edna’s husband, would like her to be more like Adele Ratignolle, and it is Edna who is striving to find the delicate balance in the middle.
In Kate Chopin’s short story, “The Story of An Hour,” there are contrasting images of light and dark representing happiness and unhappiness. It isn’t until Louise Mallard thinks that her husband, Brentley Mallard, is dead that she really begins to realize just how unhappy she has been. Chopin shows through the characters light and dark imagery that speaks to this essay.
Details about the modest apartment of the Loisels on the Street of Martyrs indicate Mathilde’s peevish lack of adjustment to life. Though everything is serviceable, she is unhappy with the “drab” walls, “threadbare” furniture, and “ugly” curtains (5). She has domestic help, but she wants more servants than the simple country girl who does the household chores in the apartment. Her embarrassment and dissatisfaction are shown by details of her irregularly cleaned tablecloth and the plain and inelegant beef stew that her husband adores. Even her best theater dress, which is appropriate for apartment life but which is inappropriate for more wealthy surroundings, makes her unhappy. All these details of the apartment establish that Mathilde’s major trait at the story’s beginning is maladjustment. She therefore seems unpleasant and unsympathetic.
“Everyone is kneaded out of the same dough but not baked in the same oven”(Yiddish Proverb). These words apply to Katherine Mansfield’s short story, “Garden Party” as she touches on some very controversial points about the social inequality of the Sheridan family with its surrounding neighbors. A great internal and external quarrel over social class rises in the Sheridan family as Laura Sheridan, the daughter, sympathises with the less-fortunate neighbors while her mother, Mrs. Sheridan is the opposite. Mansfield illustrates to her readers the conflict within Laura in various ways, namely, using foil characters between Mrs. Sheridan and Laura, using multiple symbols and appealing to emotion to emphasize her main message of social equality.
In Katherine Mansfield’s short story called “The Garden Party,” Laura the main character is preparing a lavish garden party when she hears of the death of a man who lives just below them. He is from the lower class but Laura still believes the party must be stopped because of how insensitive it is this man’s family. She tells her sister, Jose, that they need to stop the party and her sister replies amazed at Laura’s suggestion, “Stop the garden-party? My dear Laura, don’t be absurd. Of course we can’t do anything of the kind… Don’t be so extravagant” (228). Laura continues to insist that it is very insensitive to the man’s mourning family. She finishes by saying, “And just think of what the band would sound like to that poor woman,” her sister