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Classical hollywood cinemarepresentation of women
Portrayal of women in film
Stereotypical roles of women in film and literature
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Jack Shen Dr. Quaino English Honors 3.23.17 Miss Gwendolyn Fairfax While Oliver Parker depicts a vivid character named Miss Gwendolyn Fairfax from the book The Importance of Being Ernest who has a perfect performance in the film, Gwendolyn provides opportunities to discuss ideas and tout the New Woman near the turn of the century. Parker successfully develops and forms a much more complex character by giving out more detailed decorations and more supportive information such as tattoo, background description, and appearance and style. The readers can have further impression by watching the entire film, at the same time, they can have basic cognitive of the character. As the film presented, Miss Gwendolyn Fairfax is born in rich which means that she is undoubtedly confident, smart, worldly, and experiencing a extravagant life. From the scene that Jack is being tested by Lady Bracknell to determine whether …show more content…
The film uses flashback to reveal that tattoo when Gwendolyn realizes Ernest is actually called Jack. Tattoo symbolizes as criminals, sailors, the underworld and native peoples, in other words, having tattoo on body usually accompany with discrimination. The fact that Gwendolyn actually (engrave) the name of Ernest infers her deep love and propound missing which result the great anger after Gwendolyn recognizes Ernest has another name. “I am afraid it is quite clear, Cecily, that neither of us is engaged to be married to anyone.” “Let us go into the house. They will hardly venture to come after us there.” Marrying a man called Ernest seems to be founding principal of their lives. She is fixated on this name, Gwendolen is so caught up in finding a husband named Ernest, whose name, she says, “inspires absolute confidence,” that she can’t even see that the man calling himself Ernest is fooling her with an extensive
Another symbol, though it may not be called to mind as quickly as food, is Lady Bracknell. Throughout the story, especially in Act III, she is the picture of the high-class in all its pride. Her character's purpose in the story is so witty on Wilde's part that it's comical in itself. She believes that for the high-class anything is possible, and a well-respected, dignified marriage is a key to more power, which is ironic because her character isn't power-hungry. Her pride is easily identified when Lady Bracknell asks Jack where his house is located in London by asking, "What number in Belgrave Square?" to which Jack answers, "149." and she replies, "The unfashionable side. I thought there was something. But that could easily be altered." Jack asks, "Do you mean the fashion, or the side?" and she says, "B...
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
The character analysis of Mary Anne Bell in comparison and contrast to Martha and Elroy Berdahl implores the audience to consider the idea that gender is not inherent.
This novel was one of the most radical books of the Victorian Era. It portrayed women as equals to men. It showed that it was possible that men could even be worse than women, through John and Jane. It taught the Victorians never to judge a book by its cover. The novel would not be as successful were it not for Charlotte Brontë’s talent in writing, and were it not for the literary devices employed.
bits like this help to shape Jane into a Lady and who she will be when
Gwendolen and Cecily act like air-heads and are easily won over by the men they plan to marry. Gwendolen simply wants to marry a man named Earnest. She tells Jack “my ideal has always been to love someone of the name of Ernest” (I.381-82). The mere idea of marrying a man for his name shows how easily Gwendolen can attach herself to a man. Marriage is the most serious of all relationships and Gwendolen is foolish to deter...
...es became smarter and began to earn more control against the manipulative East and West coasts. Dorothy is the most important character because she shows that one person can make a difference.
Gwendolen is a shining example of a victorian woman like most women in the era she has ideas, it was said she attended lectures, and is bent on self improvement, her costume should be a very frilly dress suited to the style of the time. Jack the play’s protagonist is another very victorian era character in public he is depended upon by his servants and his land, he’s also seen as a caretaker by many of the other characters throughout the play, by victorian era standards he is seen as a respectable and responsible young
Alexa Stevenson. “Probing Question: What Is The History of Tattooing.” Penn State News. 20 June, 2008: 1
Through the descriptions of Parker's tattoos, one can make connections between the "pictures" he has "drawn all over him" and what goes on in his actual life. O'Connor uses the tattoo symbols to reveal the growth of the protagonist, for it takes him years to get past his outer image of his body, to examine his own soul. One begins to sympathize with this man, "Obadiah Elihue," as he searches for himself and finds peace with God.
The obedience curse in Ella Enchanted and the desire for beauty in Fairest are reflective of the expectation imposed by the gender norms of society and the obsession with appearance. The young female heroine in The Paper Bag Princess defies the social norms of women by courageously saving her prince. Much like Lady Wendylyn in The Knight Who Was Afraid of the Dark faces her fears to help Sir Fed the brave female roles stand out as more than the damsel in destress or the needy princess waiting for her prince to sweep her off her feet. The plots of all four of these books present the reader with a strong female character and a non-conventional spin on the gender norms we expect to read in a
Similarly, in “The Importance of Being Earnest”, Jack and Algernon both begin their marital lives based on deception and lies. As a matter of fact, Gwendolen and Algernon both know Jack as Ernest. When Jack proposes to Gwendolen, she becomes overly attached to the idea of marrying someone called Ernest. Gwendolen exclaims: “My ideal has always been to love someone of the name Ernest/There is something in that name that inspires absolute confidence/It is a divine name/It has a music of its own/It produces vibrations” (Wilde 106), and Cecily is of the same opinion “it had always been a girlish dream of mine to love someone whose name was Ernest/I pity any poor married woman whose husband is not called Ernest” (Wilde 116). Jack and Algernon never admits to Gwendolen and Cecily that they are living a double life, their relationships are based on lies. They are more occupied with the name Ernest than the fact of actually being earnest. In spite of leading a deceptive and double life, both men
The theme of the play is the issues within the Victorian society, which mainly focuses on the topic of marriage. This is demonstrated when Jack asked Gwendolen for marriage. Lady Bracknell responded by asking him about his social standing instead of asking do he really love Gwendolen or not. This proves that social rank is more important than people true feelings towards someone. Wilde uses irony to bring out his opinion on the social class issue. In addition, he symbolism to show the differences between the two social classes. Brigitte Bastiat believes that “Therefore Oscar Wilde rebels against the artificial and hypocritical social codes of his class and suggests that anybody can pass for an aristocrat with a bit of practice” (Bastiat), which tells how rank is more important than
...s often the stubborn majority, as it is difficult to simply change a characteristic so widely embedded in the framework of cinema. Therefore, it is not my objective to say that all movies must pass the radical Bechdel test or include the presence of a strong, independent female character; rather, we as a society must recognize that we are inherently biased in the topic of gender and must make an effort to exhibit a more conscientious and sympathetic portrayal of women in cinematic media. The simplest resolution can begin with clothing, where an audience’s viewing is not diverted by the lack of clothing from either male or female characters. The task of reinventing cinema is to reinvent a century of subconscious thinking, and only by taking one step at a time can both men and women watch a movie where all characters, both male and female, can be represented equally.
Wilde purposely used her role to portray how closed minded the society was, with her opinions and mannerism betraying a carefully calculated speaking pattern with witty epigrams and social wordplay to tear other characters apart. As a ruthless social climber and spokesperson for the status quo, she was not always part of the upper class but rather married into aristocracy, as she previously represent the formerly excluded. However, now that she is Lady Bracknell, she has opinions on just about everything and with her behavior enforcing social discrimination and exclusion for the outsiders from her class; she is an invention of Wilde’s to present his satire on these subjects. For example, when Jack proposed to her daughter Gwendolen, this was the moment that Lady Bracknell was able to “flex” her muscles and bend the rules to suit her pleasure as she saw marriage of more of an alliance for property and social security than love or passion. Thus Jack was placed on her list of eligible suitors if only he could pass her series of challenging tests. Yet at the same time Lady Bracknell relentlessly gives Jack “correct” but immoral advice on finding his parents. "I would strongly advise you, Mr. Worthing, to try and acquire