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Critical essay on atonement
Atonement essay introduction
Atonement essay introduction
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The brain has a fascinating way of dealing with difficult situations that are not easily solvable. It has the ability to process information on a subconscious level in such a way that enables it to construct reasons and assumptions for various situations. This coping mechanism is the brain’s way of bringing structure into otherwise unruly moments in time. Although this may be useful in some situations, assuming numerous outcomes has the potential to wreak havoc on not only those who think this way but also all those around them. Assumptions have the ability to cause strife and angst among groups of people. In the novel Atonement, Ian McEwan establishes that misreading situations can lead to drastic consequences which have the ability to change the course of history, demonstrating that the human condition is keen to creating order within the chaotic world by subconsciously fabricating fictitious stories. …show more content…
In Atonement, ten-year-old Briony’s imagination gets the best of her, leading to her guilt-stricken state sixty years after the events. Briony wrongfully accused her sister Cecilia’s lover Robbie of raping her friend (McEwan 50). This postulation manifested itself because Briony accidentally walked in on Cecilia and Robbie being intimate, leading her to believe Robbie did the crime because in her eyes he was a “sex maniac” (McEwan 45). This small assumption inevitably led to the arrest of Robbie, destroying not only his life but also her sister’s (McEwan 87). Because Briony did not stop to completely assess the situation at hand, people close to her were negatively affected, leading to her long-lasting sense of guilt. Later on in her life, Briony even talked about the fact that “though you think the world is at your feet, it can rise up and tread on you” (McEwan
Setting: Without the setting taking place after post-war Holocaust in Germany, the theme of guilt would most likely not have been possible since the characters feelings of guilt come from, in a sense, the Nazis and the Holocaust.
There are many ways to decide what makes a man guilty. In an ethical sense, there is more to guilt than just committing the crime. In Charles Brockden Browns’ Wieland, the reader is presented with a moral dilemma: is Theodore Wieland guilty of murdering his wife and children, even though he claims that the command came from God, or is Carwin guilty because of his history of using persuasive voices, even though his role in the Wieland family’s murder is questionable? To answer these questions, one must consider what determines guilt, such as responsibility, motives, consequences, and the act itself. No matter which view is taken on what determines a man’s guilt, it can be concluded that Wieland bears the fault in the murder of Catharine Wieland and her children.
Guilt is one of the most powerful forces known to man. It can drive the average man into a paranoia struck fool, ravenous for stability. Guilt can cause people to cave in from under them, revealing an empty and hollow shell. As children, we are conditioned to feel guilty when we do something wrong. As we get older, we learn that we receive praise and acceptance when we behave properly, or as is expected of us. Because humans have a strong desire to be loved and accepted, we do things in order to receive approval. Vera Claythorne was one of the characters mostly affected by guilt. She would constantly get hysteria attacks because of the guilt she carried. She often imagined Hugo was near. General Macarthur had very strong guilt as well, so
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
that the tragedy was not the fault of any one individual - it was fate
Did he believe he could conceal his crime behind an apparent kindness, behind this show of being the good shepherd? This was surely a cynical attempt to win forgiveness for what could never be forgiven. (Ch 14 Pg 171)" . This highlights Briony 's thoughts of how Robbie could never be forgiven for the crime she thinks he has committed. The next time Briony thinks about guilt is when she sees Cecilia 's forgiveness of Robbie before he is taken away. She witnesses her sisters act and before that day, forgiveness had "never meant a thing before" (Ch 14, Pg 173). This is Briony 's first interaction with the concept of guilt and from then it will affect her entire
Ian McEwan illustrates a profound theme that builds details throughout the novel Atonement, the use of guilt and the quest for atonement are used with in the novel to convey the central dynamic aspect in the novel. McEwan constructs the emotion of guilt that is explored through the main character, Briony Tallis. The transition of child and entering the adult world, focus on the behavior and motivation of the young narrator Briony. Briony writes passages that entail her attempt to wash away her guilt as well find forgiveness for her sins. In which Briony ruined the lives and the happiness of her sister, Cecilia, and her lover Robbie. The reality of the events, attempts to achieve forgiveness for her actions. She is unable to understand the consequences of the actions as a child but grows to develop the understanding of the consequence with age. McEwan exemplifies an emotional novel that alters reality as he amplifies the creative acts of literature. In this essay I will be arguing that, the power of guilt prevents people from moving on from obstacles that hold them in the past.
The human brain is known to elapse into overdrive when faced with uncertainty, as it is equipped to recoil in fear of the unknown. The less information given, the more irrational and arbitrary decisions become. However, there are proven tactics that improve the quality of resolutions when emotion can be clouding judgement. The film, “Stranger than Fiction”, demonstrated through symbolism and irony that when an individual tackles uncertainty with intuition and a focus on what they can control, the outcome will usually occur above expectations in response to the individuals maturity and confidence.
Manipulation is a strong tool allowing individuals with a minor role to subtlety, yet critically affect the course of a storyline. In the novel Atonement by Ian McEwan, the story is divided into three parts. In the first third of the book, a thirteen year-old girl named Briony Tallis writes a play for her older brother Leon: the Trials of Arabella. She wishes to use a fairy tale in order to persuade her brother to attain a stable relationship. The play, interpreted by her cousins, must be cancelled under unexpected circumstances due to her younger cousins’ refusal to collaborate as well as the fountain scene she witnesses. From witnessing her sister humiliate herself in front of what seems to be an imperative Robbie, Briony’s conception of the world and of Robbie takes a turn. The letter written by Robbie that lands in Briony’s hands, along with the intimate scene between her sister and Robbie she misunderstands as an assault, only reinforces her view of Robbie as an imperative sex-manic, leading her to accuse the innocent man for raping her fifteen year-old cousin, Lola Quincey. Though this latter may seem to occupy a small role in the novel, her indirect actions reflected through Briony greatly impact the plot of the novel. Lola Quincey obtains what she desires through manipulation and pity. Indeed, as she gains Briony’s trust, Lola also changes Robbie’s future as she remains silent and gives Briony the freedom to falsely accuse the man. (gain in power)
After seeing what she thought to be an attack on her sister, it completely changes her outlook on Robbie. This also shows how Briony is present in all of the scenes that affect Robbie’s life, proving that Briony is like a God and watching over his actions. The final key event in which Briony observes Robbie from above is when he is being taken away by the police for the crime Briony accused him of- raping her cousin. Looking down from her room, “She saw how his arms were forced in front of him, and from her vantage point she saw the silver glint of steel below his shirt cuff. The disgrace of it horrified her. It was further confirmation of his guilt, and the beginning of his punishment” (McEwan 173). This shows how Briony is able to witness the other key scene that sets in motion the other implications her crime has on Robbie’s life. In “The Absence of Atonement in Atonement” Charles Pastoor, who is an English professor at John Brown University, describes how “Briony is not the kind of god one wants to have governing one's universe, but on several levels, she is, unfortunately, the god who governs Robbie's” (Pastoor). This proves
Guilt is defined as being “a feeling of responsibility or remorse for some offence, crime, or wrong… especially against a moral or penal law” (Guilt n.p.). Behind the almost soap opera-like plot of a married woman in a Puritan society committing adultery along with the revenge and affair storylines that ensue, Nathaniel Hawthorne’s The Scarlet Letter explores the multitude aspects of guilt. The character of Dimmesdale is a perfect example of a guilt-stricken man ruined by the consequences of his feelings The author provides evidence on multiple occasions through Dimmesdale about how guilt can be brought about or evolved through the poisonous need for self-preservation, and how such guilt can consequently manifest in the forms of both self-torment and projection. Through Dimmesdale’s arc, The Scarlet Letter proves how guilt is both produced and is brought about by mental corruption.
readers may not feel guilty for things that happen to her, but when children are
Whether you like it or not we all have done some things we are pretty guilty of. I'm sure reading that first sentence a thought already came to your head that you cringed at. In Shakespeare's Macbeth, Lady Macbeth deals with some pretty heavy guilt after her husband's killing of the King Duncan. Lady Macbeth feels so guilty she can't even sleep in the dark anymore out of fear of someone coming to get revenge on her. Every night she has a candle lit room when she goes to sleep and sleep washes her hands aggressively before she lays back down. Her gentlewoman finds her behaviors so strange and unusual so she goes on to call a doctor to see what's going on. “‘Out damned spot, out, I say! One. Two. Why then, ‘this time to do ‘t. Hell is murky.
If we are to be truly innocent and humble beings, we must recognize our own innate guilt as human and accept it. If we do not, we will constantly be obsessed by our “state of apparent acquittals”. Kafka, Franz. A. The Trial. Trans.
Similar to the speaker, I have also believed that only the worst possible outcome is possible in the future due to the adverse effect that a car accident had on me. Although I had completed many driving lessons with an instructor, I believed that the same fate was bound to happen again if I drove. Due to this fear, I have developed a fear of driving as well as a fear for the spot where we were hit. Although the chances of the same fate happening again are slim, the worry of being hit again still resides in my mind, causing my heart to race when driving or passing the location of the accident. The adversity caused by the other driver hitting our car was so significant, that my identity as an individual has been tainted with fear due to the fact that when faced with adversity, an individual’s identity will be affected negatively. If the other driver hadn’t gotten out of their car and possessed “A gaze blank and pitiless as the sun” ( l. 15), then the adverse effects left on my mind wouldn’t be as dire due to the fact that she had no sense of remorse for being at fault for the accident. However, due to her lack of regret and the adversity she caused, my identity as an individual has been and still is infected with fear and