Misperception is the most common way of getting tricked. People have the ability to morph themselves into a trust-worthy person by hiding their true selves, and the outcome is a whole new personality. They could easily change their attitude and behavior to make themselves be perceived as reliable, yet their intentions are not to comfort people similarly to Iago in Othello. Othello was written in 1604 by William Shakespeare which portrays how extreme a misunderstanding can get. Roderigo, one of the characters, is heartbroken over not being able to woo Desdemona. Despite Roderigo’s attempts at winning Desdemona over, she ends up eloping with a Moor named Othello. Othello is a well-respected Moor in Venice, as he is the general of the Venetian …show more content…
Othello is ordered by the Duke that he must go to Cyprus because of the war with the Turks. Although Othello wants to go, he is worried about Desdemona's whereabouts when he is gone. Since Brabantio is unwilling to accept that his daughter married Othello without his permission, he does not want Desdemona to come back home. Therefore, Desdemona is going to travel with Othello. Roderigo is heartbroken, and he wants to drown himself. Iago ridicules his statement, and says to Roderigo that he should have his money ready. Thus, Roderigo is able to go to Cyprus with them. Cassio announces that the Turks have lost, but Othello’s ship never arrives. The boat that arrives in Cyprus has only Desdemona, Emilia, Iago, and Roderigo. Cassio takes Desdemona’s hand to talk about Othello. Iago takes that as the opportunity to formulate a plan that Cassio and Desdemona are having an affair. Roderigo grows despondent, but Iago assures Roderigo that the relationship is temporary. Iago convinces Roderigo that Desdemona might go to somebody like Cassio. Thus, it ignites the jealousy Roderigo has for Cassio. Therefore, he is playing with Roderigo’s mind to go against Cassio. This ignites Roderigo’s jealousy over Cassio, and it goes in favor for Iago because Roderigo will be willing to do what he says. For that reason, Roderigo is confusing Iago for being a friend that is willing to help. Although in reality, Iago is conveniently using Roderigo’s desire for Desdemona against
be easily manipulated and influenced by love can take a toll on the weakest and the strongest people living on earth. Manipulation fueled by love is something that is invariably unrecoverable from. Like the rest of society, Othello, a fictional and heart-struck character in the play Othello, let his heart and the people around him manipulate his mind and take advantage of his authority. Dependent on the thoughts of others, Othello is a gullible person with an emotionally unstable nature that would shatter his love for the innocent and graceful Desdemona.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
Towards the tail-end of the play, Roderigo, fed up with Iago’s counsel and frustrated by his lack of personal progress, approaches him with the intention of severing all ties. Iago, though, manages to maintain a leash over of him by playing on his jealous desire for Desdemona, promising him that he will have her in love in the coming days. This proves to be enough for him to convince Roderigo stay, and he resumes his manipulation. Despite his strong affinity for Othello’s wife, any romantic progress is halted due to Iago’s persistent interventions; he knows that merely mentioning the potential for a relationship between the two is enough to persuade him to do his bidding. While this seems desirable to Roderigo, in actuality, Iago is using his imaginative fantasies against him, and preventing any real advances in his journey for Desdemona, effectively destroying any possibility of this
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
We get introduced to Iago and Roderigo, who are scheming about getting back at Othello or so called the Moore, for promoting Cassio to lieutenant instead of Iago. We find out that Iago’s plan is to be friendly to everybody in order to gain their trust and betray them. They go to the house of a person called Brabantio, to tell them that Othello has stolen his daughter. He is in shock because this is Venice a place of logic and peace. This makes Barbantio pissed and he gathers up a mob to find Othello. Iago snags off to buddy up with Othello to make himself look like a good guy. Iago tells Othello that he is his “friend”. Cassio comes in to tell Othello that duke request him. Barbantio then comes in to accuse Othello of using dark magic to seduce his daughter and tries to arrest him. Othello says that they were both summoned by the duke. The duke and the senator are discussing the war in Cyprus. That the Turkish fleet is coming. We find out that Othello is a general and they need him for the war. However Barbanto explains what that “Othello stole his daughter” and the duke agrees with Barbantio that whosever took his daughter should be punished. Othello explains that he and Desdemona fell in love when she heard him tell stories Barbantio about his life and experiences. Brabantio doesn’t believe Desdemona isn’t like that, but then Desdemona comes in for herself and says she did fall in love with Othello. Barbantio accepts
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
His plan is to continue giving Roderigo unfulfilled promises. Iago continues to manipulate Roderigo. He convinces him that Desdemona will soon grow tired of Othello and begin to search for a younger, handsome man to fulfill her desires. Continuing to build on Roderigo’s rationality, Iago tells him that Desdemona will fall for Cassio, and the only way to win Desdemona is by taking Cassio out of the picture.... ...
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
Internal and external struggles influence people to action, be it swift and daring or cunning and low. In Shakespeare's plays, the events around and within a character often combine to cause a character to act in a manner that would be considered out of character or unnatural for the person. Shakespeare uses these characters to provide the audience with a lesson or theme; to give them something they can apply to life and see learn from. In Othello, the character he uses as an example is, in fact, Othello. Shakespeare informs his readers of how doubts caused by rumors and lies can lead to the breakdown of even a once noble person.
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past