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Misguided Feminist Reaction to A Streetcar Named Desire The dramatic climax of A Streetcar Named Desire, clearly illustrates the mastery of author Tennessee Williams. The brilliantly constructed text, with its tragic story and enticing characters, propels the reader to a point in which he becomes emotionally involved in the dynamics of Williams’ world. Unfortunately, many feminists are negatively affected by Williams’ captivating writing style. In turn, feminists have developed an array of very strong opinions regarding the climax, often responding with a very personal and emotive discussion of the issues. Concentrating on the dynamics of each character and his stance during the climax, feminists present an intelligent discussion on the inevitability of the rape and its effect on the characters. Unfortunately, many feminists have a tendency to become focused on the morals of rape, rather than exploring the symbolic nature of rape. Many feminists have also let their emotions and personal values sway their arguments, even to the point where they personally attack Tennessee Williams. However, a correct reading of the climax should focus on the symbolism of the event and the positioning of characters. From this stance, it becomes much clearer why this disturbing climax was essential, especially when considering the shocking conclusion to the play. The feminist’s lack of serious discussion of the necessity of the rape scene is the weak link in their argument. While feminists concede that the character of Blanche is a woman with more than a few “inconsistencies”, their description of Stanley as a "monster" is not justified. Feminists neglect to consider Stanley’s vulnerability as a factor in the rape; but they justify... ... middle of paper ... ... and the rape are archetypes of society, representing the battle between good will and survival, good and evil, class and inhumanity, behind which the driving force is utter desire! Works Cited and Consulted Brownmiller, Susan. Against Our Will. New York: Bantam Books, 1975. Dworkin, Andrea. Intercourse. New York: The Free Press, 1087 Lant, Kathleen Margaret. "A Streetcar Named Misogyny." pp. 225-238 in REDMOND. Redmond, James (Editor). Violence in Drama. Cambridge University Press; 1991. Spoto, Donald. The Kindness of Strangers. Boston: Little, Brown and Company, 1985. Williams, Edwina Dakin. Remember Me to Tom. St. Louis: Sunrise Publishing Company, 1963. Williams, Tennessee. Memoirs. New York: Doubleday and Company, Inc: 1975. Williams, Tennessee. A Streetcar Named Desire. New York: Signet. Original copyright 1947.
Susan Brownmiller’s excerpt Against Our Will: Men, Women, and Rape written in 1975 explores rape. It argues that from the beginning of time men had an advantage over women because their genitalia can serve as a weapon, which, in turn, generates constant fear. “Rape provides a sufficient threat to keep all women in a constant state of intimidation, forever conscious of the knowledge that the biological tool must be held in awe for it may turn to weapon with sudden swiftness borne of harmful intent”(Brownmiller, 312). Females are subjected to the harsh reality of rape at a young age through fairytales such as Little Red Riding Hood. Stories like these emphasize how weak women are and how heroic, brave and strong men are. Susan Brownmiller believes that the way to destroy the idea that “you can’t thread a moving needle,” and “no women can be raped against her will” by spreading awareness about rape and how it is a moral wrongdoing and punishable under the
While “The Yellow Wallpaper” mainly touches on the treatment of women in Gilman's time and only majorly addresses how negative the reception was for them while the men of her world were well-respected individuals, “A Streetcar Named Desire” makes a commentary on the gender roles of masculinity and femininity as a whole, including the two different portrayals of masculinity and how femininity was still generally looked down upon by American society in the late 1940s, unfortunately noting that not much had changed in the time between the stories passed.
In this paper it will be shown that the functionalists are correct. Functionalists argue that Blanche's self-concept, which she believes is a traditional upper class woman, eventually leads to her mental and emotional breakdown. Feminists argue Blanche is sent off to a mental hospital to hush up Stanley's crime of rape, not because of any illness. Although there is some value to the feminist interpretation, it contains several weaknesses. The following review of some aspects of the plot will reveal some of those weaknesses.
As women's studies programs have proliferated throughout American universities, feminist "re-readings" of certain classic authors have provided us with the most nonsensical interpretations of these authors' texts. A case in point is that of Kathleen Margaret Lant's interpretation of Tennessee Williams' A Streetcar Named Desire in her essay entitled "A Streetcar Named Misogyny." Throughout the essay, she continually misreads Williams' intention, which of course causes her to misunderstand the play itself. Claiming that the play "has proved vexing to audiences, directors, actors, readers, and critics" (Lant 227), she fails to see that it is she herself who finds the play vexing, because it does not fit nicely into the warped feminist structure she would try to impose upon it.
Feminists usually do not vary in the views that they have. The feminist wants equal rights for both sexes, and wants all women to be treated just like men. The short story and the play suggest something different. Within the story there are many instances that suggest that Susan Gla...
...ices, such an attempt to elicit sympathy for this monster falls short” (Bell 2). Stanley is looked at as the monster of the play which is how he should be viewed. Luck was not on Blanches side through her life which made her make the mistakes she made. Even though her past was not clean, Stanley did not purge her of this. He tried to show her the reality of the world, but through his brutal treatment, only made her sensibility worse. Stanley is a primitive ape-like man, driven only by instinct, who views women as objects and has no respect for others. He is a wife batter and a rapist who is responsible for the crumbling sanity of Blanche who is “the last victim of the Old South, one who inherits the trappings of that grand society but pays the final price for the inability to adapt to a modern world that seeks to wipe grace and gentility out of existence” (Bell 2).
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
Unbeknown to Pip, he is the perfect victim for Mrs. Havisham’s revenge trap. Calloused from a deceitful lover; Miss Havisham raises Estella as a puppet in her attempt at revenge of the entire male population. Upon first meeting Pip, Estella abruptly insults Pip. Calling him course and making him feel obsolete. Entranced by the beauty of Estella Pip begins to become self conscience after these comments. Once he deemed himself inadequate Pip began to aspire to live up to Estella’s expectations, but he is unable to do so because Estella was raised to torment not to love.
With the use of a fictitious literary outlet, Atwood is able to connect with the reader and make them reconsider the unjust treatment of rape victims that still occurs today.
*Quotes from the play: Tennessee Williams, A Streetcar named Desire and Other Plays, Penguin Twentieth-Century, ISBN 0-14-018385-X
In today’s advanced societies, many laws require men and women to be treated equally. However, in many aspects of life they are still in a subordinated position. Women often do not have equal wages as the men in the same areas; they are still referred to as the “more vulnerable” sex and are highly influenced by men. Choosing my Extended Essay topic I wanted to investigate novels that depict stories in which we can see how exposed women are to the will of men surrounding them. I believe that as being woman I can learn from the way these characters overcome their limitations and become independent, fully liberated from their barriers. When I first saw the movie “Precious” (based on Sapphire’s “Push”) I was shocked at how unprotected the heroine, Precious, is towards society. She is an African-American teenage girl who struggles with accepting herself and her past, but the cruel “unwritten laws” of her time constantly prevent her rise until she becomes the part of a community that will empower her to triumph over her barriers. “The Color Purple” is a Pulitzer Prize winning novel by Alice Walker which tells the story of a black woman’s, Celie’s, striving for emancipation. (Whitted, 2004) These novels share a similar focus, the self-actualization of a multi-disadvantaged character who with the help of her surrounding will be able to triumph over her original status. In both “The Color Purple” and “Push”, the main characters are exposed to the desire of the men surrounding them, and are doubly vulnerable in society because not only are they women but they also belong to the African-American race, which embodies another barrier for them to emancipate in a world where the white race is still superior to, and more desired as theirs.
Blanche Dubois’s obsession with embellishing and hiding the truth in A Streetcar Named Desire reflects the negative effects of society’s oppressive gender norms in the late 1940s. The time period was the pinnacle of gender (George). Patriarchal post-war American society valued women mostly on their youth and beauty and restricted female sexuality.
Charles Dickens was on of the literary geniuses of the 19th century. Dickens was the first main stream writer to reach out to the semiliterate class. He did much to make sure his writings were avaliable to the middle class. He published serial novels on a monthly bases. One shilling (one twentieth of a pount) would buy you the next installmenrt to your novell. In a time when novels were almost thirty times as much as one of these serial novels, it put reading within the reach of the middle class, thus highly popularizing charles dickens works. By the popularity of his work he was able to afford a humble middle class life, which was what he always desired.
Charles Dickens is a Victorian author and literary genius known for writing many classics, creating memorable characters, intriguing storylines, and rendering thought-provoking themes and messages in his novels and short stories; to many, he is even considered as one the greatest authors of all time. “Dickensian” is a term used to describe anything that is reminiscent of Dickens or his writings. Dickens is admired for his social criticism, realism, writing style, unique characterizations, linguistic creativity, comedy, and continues to be widely popular today, leaving an incredible legacy behind.
“About the book Great Expectations by Charles Dickens: The Similarities Between Dickens and Pip.” A Date with Dickens. Oprah’s Book Club. 6 December 2010. Web. 21 March 2014.