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Elements of film mise en scene
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The film “The Running Man” visually reveals the character and shapes the audience through the use of mise-en-scene. One of the key aspects of mise-en-scene in cinematography is the use of colors to portray an underlying message. For instance, red and yellow are used in the Running Man to provide a visual representation of the personalities of each of the main characters as well as describe the literary conflict of man vs. society. The main protagonist, Ben Richards, wears a yellow jumpsuit throughout the film which demonstrates his optimistic personality, as yellow is typically used in cinematography to relay characteristics such as joy, and hope. The color yellow also represents betrayal and deceit, which is how the government tries to portray …show more content…
Ben Richards to the rest of society. The use of color in “The Running Man” not only conveys the character’s personalities but the film’s mise-en-scene also visually reveals foreshadowing. This is seen through the use of the color red in association with the protagonist’s two companions. Westernized filmography utilizes the color red to translate violence and blood to the audience.
The fact that Richards’ two companions are clothed in red jumpsuits foreshadows their gruesome deaths. The use of lighting captivates the audience’s attention throughout the movie. For example the use of dim lighting during the subzero scene conveyed a feeling of confusion and mystery to the audience which is adequate to how the protagonist must have felt as he was enduring the situation of being thrown into an unknown environment. The mise-en-scene in this situation really connects the audience to the characters within the film to the point of having the audience feel as if they are experiencing the same emotions and feelings as the characters on screen. Another function of mise-en-scene in “The Running Man” is the utilization of lighting and crowding. During the scene where Damon Killian was entering the plaza to his work, it is well lit and sunny outside, as well as open and clutter-free. However, the lighting is the exact opposite during the night scene in which the screen was crowded with people and very dimly lit aside from a giant television screen. During the day, the crowd that had gathered to greet Killian consists of the upper-class and occurs in a clean and organized
environment. In contrast, the night time crowd consists of the lower-class in a filthy, cluttered environment where the only light source is a blinding television screen. The contrasts between light and dark during the day and night scenes correlates to the contrast between the two main social groups within the film in that the group of people seen during the day are complete opposite of the people seen during the night. This contrast of lighting helps the audience to understand the conflict of man vs. man within the film. The use of mise-en-scene in cinematography is crucial in the development of time and space as well as in the aid of character development. The mise-en-scene in “The Running Man” causes the audience to thoroughly grasp the messages that the director is trying to convey as well as captivate the audience’s attention.
As I mentioned earlier, the clutter in the Gunderson’s home does speak volumes about who they are as people. Well very proud and honest people, they are very flawed and blue collar. This clutter is continued on in the kitchen. The shelf behind the kitchen table is filled with pictures and other nick-nacks. This clutter is eerily reminiscent of the middle class household portrayed by the MacGuff’s in the film Juno. These families both are not going to make sure everything in their home is pristine, but their way of life is really not too uncommon. It really does embody a lot of blue collar America. Another good use of mise en scene in this sequence was the very gray and desolate skyline during the murder investigation. Murder obviously is not a light topic, so the dark atmosphere in the sky very much fits into the theme of this scene. The last thing I’d like to mention about mise en scene and staging takes me back to the opening zoom of this sequence. Along with the visual theatrics zoom, the sudden appearance of nondiegetic music also insinuates this is quite an important scene in the film. Once we hear the dramatic strings, we know something dramatic is about to happen, especially because the music is clearly not coming from something on the screen. This nondiegetic sound can be a useful tool to setting a scene and properly utilizing mise en scene and at the end of day, setting the scene is key in a naturalistic
This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky. The mise en scene highlights the military background that the characters are in. All in all, this scene is a highly emotional scene highlighting the mortal danger that confronts Dave and The
The mise en scenes in this film are unique because it gave viewers the ability to have a sense of how the characters are feeling. For example, low lighting was used throughout the film to express a sense of the unknown and/or fear. Another great example of how mise en scene was used is how human shadows for night shooting were used to increase the feeling of mystery and a threating atmosphere (Awjingyi). And one of the most important examples of mise en scene used in this film is in the last scene where mirrors were used (aka the “funhouse”) to
In conclusion, the mise-en-scene and its elements are very important decisions that are needed to make a good film. If a film was lacking figure expression and movement actors would be nothing more than stick people with blank expressions and very limited movement. The sets and props used in films would be boring or generic if no decisions were made regarding it and the same goes for costumes and makeup. Without these elements, without mise-en-scene, Chaplin’s film Modern Times, and every other film would be complete and total dud and little to none of the emotions the film would try to evoke would come
One significant element of the mise-en-scene is lighting. In general, lighting has multiples uses, from setting up the mood to helping the audience to focus on a certain object and emphasizing the overall composition of the film. In the scene of Zhora’s death in Blade Runner, the use of low key lighting creates stronger contrasts and sharper, darker shadows portraying the futuristic city and the people as gloomy and lifeless. Besides the low-key lighting, color lighting also dominates the mood of the film. For example, when Deckard chases after Zhora, he is often illuminated by green darkish light. This color light illustrates Deckard’s personality as emotionless and indifferent. In several occasions, color light also alerts the audience when something is about to happen. For instance, when Deckard spots Zhora among the crowd, the light background of Zhora becomes an orange-reddish color. This could indicate that Zhora is in danger. The red light that symbolizes a threat makes the audience question whether Replicants are the villains of the
...this scene an enraged Alonzo yells at a group of locals in a neighborhood in which he was once well respected and had power over everyone there. To his surprise the crown of people betray him by refusing to comply with his orders. Every element of the mise-en-scene work in harmony and well meticulously placed. The dark lighting, Alonzo frantic movements, the fact that Alonzo was in the center of crowd, and even the scene being set in the middle of a worn down project complex all play their parts in the mise-en-scene and presenting the filmmakers vision.
The yellow wallpaper itself is one of the largest symbols in the story. It can be interpreted to symbolize many things about the narrator. The wallpaper symbolizes the mental block mean attempted to place on women during the 1800s. The color yellow is often associated with sickness or weakness, and the narrator’s mysterious illness is an example of the male oppression on the narrator. The wallpaper in fact makes the narrator more “sick” as the story progresses. The yellow wallpaper, of which the writer declares, “I never saw a worse paper in my life,” is a symbol of the mental screen that men attempted to enforce upon women. Gilman writes, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” this is a symbolic metaphor for restrictions placed on women. The author is saying subliminally that the denial of equality for women by men is a “hideous” act, and that when men do seem to grant women some measure of that equality, it is often “unreliable.” The use of the words “infuriating” and “torturing” are also descriptions of the feelings of women in 19th century society.
Charlie Chaplin created amazing films with his career as a director, screenwriter, actor, producer and musician. City Lights is a story of the tramp who falls in love. He is blown away by the unexpected love affair with the flower girl. He does everything in his power to help her and along the way befriends the millionaire. The story shows the contrasts between the two very different worlds of the rich and the poor. The tramp befriends the damsel in distress millionaire and sparks a friendship where the tramp then sees the lives of both worlds. The mise en scene is a way that shows how different each scene is by the way each character lives their life. Not only in the contrast between the rich and the poor, but also a contrast to happiness verses the unhappy. The mise en scene shows symbols of props that represent how the characters are feeling and what we are suppose to be feeling as we watch what is going on onscreen. Mise en scene is used to tell the story and there are many aspects that come together. The composition, props,
Game shows are meant to be a fun way to test skills and earn money. In Steven King’s The Running Man, a science fiction book taking place in a dystopian society, the aspect of “it’s all fun and games,” completely diminishes. The protagonist, a poor man named Benjamin Richards, must run from a group of people trying to kill him for thirty days. If he succeeds, he wins an astonishing one billion dollars. Richards displays strong characteristics such as intelligence, arrogance, and dauntlessness.
The use of blue, yellow and red has a specific meaning. Blue represents Hollywood, the creativity and the talent: (2) Mia’s dress going to the starting party where she shows her talent as a singer and Sebastian’s suit when he shows his piano skills when refusing to play gigs. Yellow stands for change: Mia’s dress is yellow when they danced and sang for the first time, as well as Keith’s mustard turtleneck representing a twist in Sebastian’s life. Red symbolizes awakening: the actress’ dress that arrived to the coffee shop at the beginning and shocks Mia, the red neon lights in all LA, the red combined with other colors when she discusses her first draft and his club’s name. Filled with a rainbow of colors, the epilogue is intensely emotional and visual. However, it is at the end of this scene, when Seb’s Club gets filled with blue, yellow and red, signifying they both have finally find balance and harmony (2). The lengthy tracking shots and creative camera angles combined with this color intensity is what gives the audience the sense of not only being viewers but participants of the
Mise-en-scéne is something that we see in movies all the time. It’s translated from French and means the staging the different aspects of a movie such as setting, lighting, subjects, or almost anything else. Any common movie, such as Inside Out, shows Mise-en-snéne in it. Three big parts of Mise-en-scéne that are shown in the movie Inside Out are cinematography, sound, and editing. Inside Out uses all of these by describing a plot in which there are feelings in our brains which connect to different memories that we can remember at any time. There were five main emotions that controlled the person on the outside whose name was Riley. The five emotions were named, Joy, Fear, Anger, Disgust and Sadness. They helped Riley as she moved away from
Throughout the entire movie the lighting of the movie was a very dim low light affect. This gave the movie a dark cynical feel to it. The movie began with a dark shadow then ended in complete darkness. This particularly could entail that what’s done in the dark must come to light. The setting of the movie took place in Los Angeles. The scenes would typically shot in the dark, which is stereotypically the time that crime takes place. Billy Wilder’s use of costuming for each of the characters correlated very efficiently and helped the overall storyline. Phyllis was always portrayed on having seductive clothing such as the beginning of the movie where she was standing at the top of the stairs. This part she had only a towel on. This showed the first phase of seducing Walter. Mr. Dietrichson’s wardrobe was completely opposite from wealth, but he looked as if he was sleazy and a slob. Walter Neff was always portrayed in a suit, which shows that he was always business
Mise-en-scene is used in many different parts of the movie to help the viewers feel as if they are a part of what is going on. An example of the use of mise-en-scene and also lighting used throughout the movie is when the characters are inside the matrix. The camera has a slight shade of green on everything during the scene. This could be identified as mise-en-scene. The green lighting is used to inform the viewers that the scene is taking place inside the matrix and it could also be a form of a lighting technique. The computer code is green, also which links it to the matrix. Then it changes to a blue light when they are back in the real world. Another technique of mise-en-scene is used when Neo first enters the matrix. He is in a room that is completely solid white and appears to be never-ending. This technique is used to show that
He accomplishes this through the and mise-en-scene which is apparent in the scene where Mr. Phelps approaches the head tailor’s store. In contrast to the cleanliness of his apartment, the sepia filter visible when outdoors gives the environment a ‘dirty’ look in accordance to Mr. Phelps’ self-conscious behaviour which is only seen in public. Moreover, Mr. Phelps true personality is outgoing as he waltzes skillfully around his apartment. Therefore, the grimy view of the outdoor landscape represents Mr. Phelps’ oppressive belief that changing his appearance will gain the acceptance of others. Solanas further uses mise-en-scene to illustrate his social concern of misrepresentative appearances by positioning Mr. Phelps so only a reflection of his face can be observed. This positioning causes the audience to view Mr. Phelps as society sees him. However, a fine, almost imperceptible film of grime covering the mirror distorts his image symbolising how the face on the mirror is not really the face of Mr. Phelps. In addition to this, the second head that he tries on is almost identical to the storekeeper’s own head as if the storekeeper is pressuring Mr. Phelps to conform to what he thinks is beautiful. Therefore, Solanas expresses his concern that superficial appearance is increasingly associated with identity through Mr. Phelps’ gradual
The set that Sam designed for the various scenes in Spider-Man is realistic and makes the viewer believe they are real, although, in the wrestling scene, Sam managed to make this scene and the scenes leading up to it so realistic that the audience don’t think that they don’t have planned wrestling matches in America. Mise en scène includes this and is one of the very useful techniques, and can have an overwhelming effect on the viewer, as everything that is on the screen at any one time is there for a reason, and has a meaning. It gives the viewer information on the surrounding area or people. For example, if the kitchen cupboards are meant to be white, but are a yellowy brown colour, this could mean that the person smokes a lot, or that they aren’t very clean. This is used to its full potential in Spider-Man as the director makes sure the viewer can understand everything about Peter, and give them an idea of what they are aspiring to be. Peters room is a typical sized, single bedroom, but in it there is things you wouldn’t think Spider-Man would have in his room. Like a computer and lots of factual books, but this helps create Spider-Mans...