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Identity in literature
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In the story, Miranda Over the Valley by Andre Dubus, Miranda’s life falls apart along with the baby she planned to have. She deteriorates after the abortion that she did not choose to have. Also, she doesn’t feel a kind of freedom her parents told her she would. Rather we see, among other things, an inability to love and a loss of the positivity she once had in her life, which quickly turns into a more dismal attitude towards life. Miranda loses her identity of who she really is and transforms into someone completely different.
The large part of Miranda that deteriorates drastically after the abortion is her capacity to love, especially Michaelis. At first, Miranda believes that she will able to deal with being pregnant and actually having the baby with
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Miranda’s idea of love at the beginning of the story is clear when she is talking to her roommate, Holly, and they discuss actually going through with marriage and having a baby. Miranda says, “I love him…my first one. You mean the first one I made love with…that’s not what it means to me ”. Miranda explains to Holly that even though it is the first guy that she has had sex with, she loves him and it’s not because she hasn’t been with other men. Also, she says how she wants to be owned, disagreeing with Holly. But after the abortion, her love for Michaelis changes completely. For example, when Miranda was talking with Brian, she says, “I used to love him”. On top of that, she explains while in Michaelis’s apartment “she gave them her lips as she might have given coins to a beggar. She could feel nothing except that it was strange for him to cry; she did not believe she would ever cry again; not for love.” Miranda’s idea of love altogether adjusts from where she has sex with Michaelis only once and seems as if it is her destiny to spend her life with him making a family, to having loveless sex with him at the end and leaves
She sees her father old and suffering, his wife sent him out to get money through begging; and he rants on about how his daughters left him to basically rot and how they have not honored him nor do they show gratitude towards him for all that he has done for them (Chapter 21). She gives into her feelings of shame at leaving him to become the withered old man that he is and she takes him in believing that she must take care of him because no one else would; because it is his spirit and willpower burning inside of her. But soon she understands her mistake in letting her father back into he life. "[She] suddenly realized that [she] had come back to where [she] had started twenty years ago when [she] began [her] fight for freedom. But in [her] rebellious youth, [she] thought [she] could escape by running away. And now [she] realized that the shadow of the burden was always following [her], and [there she] stood face to face with it again (Chapter 21)." Though the many years apart had changed her, made her better, her father was still the same man. He still had the same thoughts and ways and that was not going to change even on his death bed; she had let herself back into contact with the tyrant that had ruled over her as a child, her life had made a complete
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
...manic depressive state which leads her to her suicide. She no longer has a will to repress any untold secrets from the past or perhaps the past. Since she has strayed far from her Christian beliefs, she has given in to the evil that has worked to overcome her. She believes she is finally achieving her freedom when she is only confining herself to one single choice, death. In taking her own life, she for the last time falls into an extremely low mood, disregards anyone but herself, and disobeys the church.
Baby narrates her story through her naïve, innocent child voice. She serves as a filter for all the events happening in her life, what the narrator does not know or does not comprehend cannot be explained to the readers. However, readers have reason not to trust what she is telling them because of her unreliability. Throughout the beginning of the novel we see Baby’s harsh exposure to drugs and hurt. Jules raised her in an unstable environment because of his constant drug abuse. However, the narrator uses flowery language to downplay the cruel reality of her Montreal street life. “… for a kid, I knew a lot of things about what it felt like to use heroin” (10). We immediately see as we continue reading that Baby thinks the way she has been living her life is completely normal, however, we as readers understand that her life is in fact worse then she narrates. Baby knows about the impermanent nature of her domestic security, however, she repeatedly attempts to create a sense of home each time her and Jules move to another apartm...
In Sarah’s Key by Tatiana de Rosnay, there is a central theme of past choices determining future sorrow and loss created through the use of symbolism which appears multiple times in both Sarah and Julia’s individual journeys. Although Julia listens to the pleas of Bertrand pushing for the abortion of the fetus as a baby would ‘kill him,’and be the end of their marriage, Julia chooses to reject his request. She had the baby prematurely but nevertheless was happy.“This child meant so much to me. I had fought for her. I had not given in. She was my victory.” Her happiness came at a price however as shortly after the birth Bertrand summoned up the courage to tell Julia that he loved Améle and that there would have to be a divorce. The baby symbolizes
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
influence all her life and struggles to accept her true identity. Through the story you can
Shakespeare uses symbolism in this scene to help create meaning and emotions from the audience, in the form of archetypes. The symbol of Miranda’s virginity, symbolizes Miranda’s purity and innocence. Miranda
The theme of this story is feminism. Having gone through postpartum depression herself, Gilman?s story was strongly personal. During the time period that she wrote it, woman?s rights were limited. The character in this story felt she knew ways to recover herself from her depression, or ?baby blues?. Baby blues also known as postpartum depression is a form of severe depression after pregnancy delivery that requires treatment. Women may feel sadness, despair, anxiety, or irritability. The woman from the story wanted to get well and wanted to work. However, as a woman she was forbid by her husband to do this. Instead she was isolated from society, from being able to work, do the things she loved, or take care of her baby.
who wanted to enter her life, she is left alone after her father’s death. Her attitude
Miranda is currently 4 months, 16 weeks pregnant. Miranda and her significant other both knew the doors that would open after having
After analyzing Raymond Carver’s “What We Talk About When We Talk About Love,” it is easy to see that there are several different ideas concerning true love that the characters in the story are in dispute over. Terri’s idea of real love is the most valid out of the group at the table. All of the members of the group are rather confused as to what real love is. Terri is included as one of the confused. However, I believe that she is the closest to understanding what love is. A key piece of evidence demonstrating her understanding of love is her remark to Laura and Nick. She scolds the couple for basing their relationship on physical aspects, rather than emotion or passion. Terri, like the rest of the party, is on her second marriage. Her first husband was an abusive man that beat her, and even dragged her by her ankles around their living room. Terri’s current husband, Mel, is a cardiologist that believes in spiritual love, and that between spouses, people are barren and hollow inside, and that he could be married to any other empty person without difference. Mel is rather shielded from emotion between spouses. His only real love lies with his children, unfortunately Mel allows his conflict with his ex wife to block him from calling his them. Terri does love Mel, but she reminisces about her time with Ed. Terri realizes that Ed was full of emotion, and that he was just befuddled and chaotic in his methods of sharing his feelings....
Prospero manifested to have been a caring father, and that he has taken full responsibility for her, as a proper father ought to do. On the other hand, Prospero has apparently been cautious with giving Miranda information about her past. In response to Miranda’s concerns of herself, Prospero answers; “Stay, not yet” (14, Act 1, Scene 2). “Obey, and be attentive” (15, Act 1, Scene 2), he exclaims to her in the same scene. In The Tempest, Miranda can be interpreted as a living representation of female morality. Miranda is typically viewed as completely embodying the patriarchal order of things, thinking of herself as dependent to her father. The traits that create Miranda 's femininity are the same traits that oppress her: her innocence and vulnerability are seen as the things that allow her to be manipulated by her father. Prospero 's use of Miranda as a gadget in his political revenge is expressive of the play 's sexist attitude towards women. Prospero is, to some extent, in control over her sexuality and her thoughts; According to Linley "Patriarchy 's dominance explains why so many men had such low opinions of women, treating them unsympathetically and as sex objects. " Prospero was portrayed as a patriarchal father who cared about his daughter, but he wasn 't ashamed to use her as marriage bait to get what he
This is Clegg trying to manipulate the reader into thinking that he was in the right of the actions he was doing, and Miranda was just so ungrateful. This stems back to the overarching idea of Clegg trying to paint the picture of him abducting Miranda is completely normal. But through reading the first part of the story there’s this underlying suspense added when he tries to act normal throughout the abduction situation, we know that he isn’t going to treat Miranda with “kindness” for the whole duration of kidnapping her because Miranda isn’t going to want to be kept captive against her will. Miranda tries to escape multiple times through trying to carve her way out, through trying to get attention of a car passing by, and of trying to hurt Clegg with a garden tool so she could escape. This leads Clegg at the end of the story when Miranda feels that she has pneumonia that this is just another of her tricks to escape and he leaves us with this suspenseful line “What I am trying to say is that it all came unexpected. I know what I did next day was a mistake, but up to that day I thought I was acting for the best within my rights” (120 Fowles). This is the most suspenseful line throughout the whole first part and it arises so many questions: What came
As the contractions began to grip my stomach, I realized that my life would forever be changed. Knowing the old me had to die in order for me to become a new me. After being abandon at the age of five, I grew up feeling lonely and unloved. I was filled with so much anger, malice, hurt and unforgiveness that I held against others. I didn’t have the luxury of living in a stable environment, because growing up I was always living from home to home. I had no intentions to strive for better, I had begun to allow my upbringing to be my excuse. Years of disappointment resulted in me caring less in others desire. I couldn’t love anyone because love was never shown to me, but