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Introduction of william wordsworth
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‘Miracle on St David’s Day’, written by Gillian Clarke in 1975, is a personal account of the author’s experiences as she visited a mental hospital. A calm peaceful mood is set at the beginning of the poem, as Gillian Clarke describes the countryside and country house. However, the poem leads straight from this gentle nature to the harsh reality of life.
‘I am reading poetry to the insane’
Gillian Clarke is at a mental institution, reading poetry to the patients as a form of therapy. Through the use of the present tense and first person, Clarke places herself within the context of the poem. This is a deliberately abrupt and final statement which gives the impression of an impossible task. However, as she reads, a man begins to rock back and forth in rhythm to the poem; he is listening and appreciating. Here there is an unexpected build up of tension as the mute man stands, silent, then begins to recite ‘The Daffodils’, word for word, just as he had learned when he was a child at school. The miracle that gave voice to this mute is one of the most well known poems in the English language, Wordsworth’s ‘The Daffodils’.
‘I wandered lonely as a cloud,
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;’
Wordsworth loved daffodils; he was overwhelmed by their beauty and whenever he was in a contemplative mood, he would think of those ten thousand.
‘They flash upon that inward eye’
The sight of the daffodils never left Wordsworth’s mind. In the same way, Wordsworth’s poem remained buried in the mind of the man in the hospital; each is reliving memories through poetry.
St. David is the patron Saint of Wales and daffodils are an emblem of the country. These symbols of W...
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...nd the silence of the flowers. Wordsworth’s ‘Daffodils’ are used throughout Clarke’s poem. In yellow open-mouthed awe they prophesize a miracle about to happen. In their waxy stillness and silence the daffodils are divorced from the surrounding world just as the patients were. Finally, they ‘flame’ in celebration of life.
The people who are in this mental home have lost their senses. This encourages me to consider abilities I take for granted and what I would do if these were suddenly taken away from me. This poem evokes sympathy in me towards these patients who are trapped inside themselves. The content of Clarke’s poem is very serious, but in the end there is a positive feel as it explores the theme of life revived. It suggests that there is hope, when all may seem lost. Most of all, I love the emotional connection that is made through the power of poetry.
William Wordsworth’s view on imagination can easily be seen in the two poems Expostulation & Reply and The Tables Turned. In these two short poems Wordsworth gives respect to the sciences; he does not look down on them. However, he does argue that ignoring nature, and by extension, imagination, would be to ignore part of what it means to be human. Another poem, I wandered lonely as a cloud, shows Wordsworth’s appreciation for imagination, as he reflects on the joy of being able to look inward and see the beauty of nature as he sees it, not as science does.
For many people, the early hours of the morning can hold numerous possibilities from time for quiet reflections to beginning of the day observations to waking up and taking in the fresh air. In the instance of the poems “Five A.M.” and “Five Flights Up,” respective poets William Stafford and Elizabeth Bishop write of experiences similar to these. However, what lies different in their styles is the state of mind of the speakers. While Stafford’s speaker silently reflects on his walk at dawn from a philosophical view of facing the troubles that lie ahead in his day, Bishop’s speaker observes nature’s creations and their blissful well-being after the bad day had before and the impact these negative thoughts have on her psychological state in terms
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
...er inner desperation for happiness that many individuals seek. In the second and third line of the piece, Plath introduces the protagonist, “Percy bows, in his blue peajacket, among the narcissi” and his ailment, “He is recuperating from something on the lung.” She then says how he comes to the field of daffodils to be happy, and in lines seven and eight, why he has come. “There is a dignity to this; there is a formality-/The flowers vivid as bandages, and the man mending.” In this she says that it is respectful to come to the field to die, because there is where he is happy and that the flowers can heal him, as seen in the simile they are “vivid as bandages”. The last stanza ends the story of Percy with, “And the octogenarian loves the little flocks./He is quite blue; the terrible wind tries his breathing./The narcissi look up like children, quickly and whitely.”
By concurring to the Italian sonnet’s rules and exploiting the room he was left to utilize, not only does Wordsworth create a poem that is both coherent and clever, he leaves the reader with a sense of communion, that he isn’t alone in the world. A brief moment of solace is sometimes all one asks for, and “Nuns Fret Not” has shown us how it’s obtained.
Despite his position, Wordsworth can hear the “soft island murmur” of the mountain springs. As “five long winters” suggests, Wordsworth is cold and dreary—London, we must remember, is a bitter place. He longs for the islands: the sand, sun, and warm waters that those murmurs suggest. The coldness of winter could be brought about by Rebecca’s distance from her brother; they had been, at the time of the poem’s writing, separate for five long years. But he can hear reconciliation coming just at the edge of hearing: he can spot the horizon of friendship. But no sooner does friendship appear in the poem than it is thwarted by these lines:
William Wordsworth rejected all the traditional assumptions about the proper style, words, and subject matter for a poem during the Romanics period. When explaining his writing Wordsworth said, “There will be found in these volumes little of what is usually called poetry diction; I have taken as much pains to avoid it as others ordinarily take to produce it.” (Marshall) Because he took such a different approach to his writing, many people criticized his poems. Literary critic Harold Bloom said, “The fear of mortality haunts much of Wordsworth’s best poetry, especially in regard to the premature mortality of the Imagination and the loss of its creative joy.” Wordsworth does in fact express fear of mortality in the poems The World is too much with us, London, 1802, The Prelude, and Lines composed a Few Miles above Tintern Abbey.
I Wandered Lonely as a Cloud – An Analysis I chose the poem "I Wandered Lonely as a Cloud" by William Wordsworth because I like the imagery in it of dancing daffodils. Upon closer examination, I realized that most of this imagery is created by the many metaphors and similes Wordsworth uses. In the first line, Wordsworth says "I wandered lonely like a cloud. " This is a simile comparing the wonder of a man to a cloud drifting through the sky. I suppose the wandering cloud is lonely because there is nothing up there that high in the sky besides it.
...ty of the daffodils. The powerful effect that they have on his mind and body snap him out of depression and cause him to experience such a strong and powerful joy. This poem shows the powerful affect nature can have on the emotions of a person.
His poem recognizes the ordinary and turns it into a spectacular recollection, whose ordinary characteristics are his principal models for Nature. As Geoffrey H. Hartman notes in his “Wordsworth’s poetry 1787-1814”, “Anything in nature stirs [Wordsworth] and renews in turn his sense of nature” (Hartman 29). “The Poetry of William Wordsworth” recalls a quote from the Prelude to Wordsworth’s 1802 edition of Lyrical ballads where they said “[he] believed his fellow poets should "choose incidents and situations from common life and to relate or describe them.in a selection of language really used by men” (Poetry). In the shallowest sense, Wordsworth is using his view of the Tintern Abbey as a platform or recollection, however, this ordinary act of recollection stirs within him a deeper understanding.
It is this moment of recollection that he wonders about the contrast between the world of shadows and the world of the Ideal. It is in this moment of wonder that man struggles to reach the world of Forms through the use of reason. Anything that does not serve reason is the enemy of man. Given this, it is only logical that poetry should be eradicated from society. Poetry shifts man’s focus away from reason by presenting man with imitations of objects from the concrete world.
An element of poetry in William Wordsworth's poem, “It is a Beauteous Evening, Calm and Free” is Diction. His descriptive words such as, “beauteous” “calm”, “free”, “breathless”, “adoration”, “tranquility”, “thunder” and “solemn” are words that conjure up a powerful feeling in the readers mind.
William Wordsworth. “Lucy Gray.” English Romantic Poetry .Ed. Stanley Appelbaum. New York: Dover Publications, 1996. 33 – 4.
When a man becomes old and has nothing to look forward to he will always look back, back to what are called the good old days. These days were full of young innocence, and no worries. Wordsworth describes these childhood days by saying that "A single Field which I have looked upon, / Both of them speak of something that is gone: The Pansy at my feet Doth the same tale repeat: Whither is fled the visionary gleam? Where is it now, the glory and the dream?"(190) Another example of how Wordsworth uses nature as a way of dwelling on his past childhood experiences is when he writes "O joy! That in our embers / Is something that doth live, / That nature yet remembers / What was so fugitive!" (192) Here an ember represents our fading years through life and nature is remembering the childhood that has escaped over the years. As far as Wordsworth and his moods go I think he is very touched by nature. I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." (193) Not only is this showi...
In William Wordsworth’s poems, the role of nature plays a more reassuring and pivotal r ole within them. To Wordsworth’s poetry, interacting with nature represents the forces of the natural world. Throughout the three poems, Resolution and Independence, Tintern Abbey, and Michael, which will be discussed in this essay, nature is seen prominently as an everlasting- individual figure, which gives his audience as well as Wordsworth, himself, a sense of console. In all three poems, Wordsworth views nature and human beings as complementary elements of a sum of a whole, recognizing that humans are a sum of nature. Therefore, looking at the world as a soothing being of which he is a part of, Wordsworth looks at nature and sees the benevolence of the divinity aspects behind them. For Wordsworth, the world itself, in all its glory, can be a place of suffering, which surely occurs within the world; Wordsworth is still comforted with the belief that all things happen by the hands of the divinity and the just and divine order of nature, itself.