Nathaniel Hawthorne, a Dark Romanticism novelist, and Susan Gaspell, a Modernism author, both portray a story of mystery and a death that devastates many. “The Minister’s Black Veil'' by Nathaniel Hawthorne is about a priest who wears a black veil. Many of the people in this town are puzzled as to why this priest wears a black veil. Even after his death, people are still unaware of why he wears it all these years. “Trifles: A Play in One-Act” by Susan Glaspell is about a murder investigation at a farmhouse. The police are there, along with their wives, who know more about what happened than their husbands. Hawthorne and Glaspell have correspondences in their stories including the death of an important character, a secret, and expressive similes. …show more content…
The play “Trifles: A Play in One-Act” is about the murder of Mrs. Wright's husband at their farm. This death is being investigated to find evidence of what happened to the husband. This is a story that is within the Modernism genre, containing elements that make it about how men treated their wives. Mr. Hale starts to talk to Mrs. Wright wondering “Why, what did he die of?’ ‘He died of a rope around his neck” (Glaspell 2). The death is unexpected, unlike the Ministers. The Minister goes throughout his life with a black veil and never takes it off. He becomes older and never finds the need to show his face to anyone and stays confined with his disclosing black veil. After he dies, the grave lays on the ground and “Mr. Hooper’s face is dust; but awful is still the thought that is mouldered beneath the black veil” (Hawthorne 13). These two deaths both happen for a reason in these stories, except in different ways. One is an outright murder and the other is due to the death of an old age. They are both important to the story, but one is more tragic than the other. The death of Mr. Wright is a consequence of murder by someone and is intentional by the possible
In the passages “Sinners in the Hands of an Angry God” by Jonathan Edwards and “Minister’s Black Veil” by Nathaniel Hawthorne are both powerful text. Edwards used more of an effective style to get his point through. He used a harsh and blunt tone to prove the God is a powerful man and can strike at any time but does not. This is why his text is better that Hawthornes.
The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.
Gothic Literature is a style of writing that Hawthorne and Edgar Allan Poe excelled at. This type of writing showcased elements of fear, mystery, and horrifying events that were meant to leave you with chills. And of course, to express death. These two authors knew what they were doing when it came to conveying all those elements. Nathaniel Hawthorne’s writing represents the mysterious side of Gothic literature and incorporates some fear. Within the story of “The
The Minister’s Black Veil was written by Nathaniel Hawthorne. The story was published in 1836. Nathaniel Hawthorne was born in 1806 in Salem Massachusetts. He has an ancestor named John Hathorne, which was a judge in the Salem witch trials that was never repented for his actions. Nathaniel changed his last name from Hathorne to Hawthorne to hide his relations. He graduated from Bowdoin College in 1825. His fiction works were considered part of the dark romanticism. His themes often center on morality, sin, and redemption (Clendenning).
There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.
Everyone masks themselves with false pride while covering up who they really are. No one is truly and utterly honest with others or even themselves. Such is the case of Mr. Hopper, a pastor who Hawthorne portrays in The Minister’s Black Veil. The story follows his life as a minister who wears a black veil over his face everywhere he goes. Hawthorne uses metaphysical characterization of the black veil in Mr. Hopper’s life to prove that pride causes Christian leadership to be ineffective. Hawthorne shows that pride causes Christian leadership to become ineffective because it creates a false idea of control, it disfigures the proper image of man, it prevents genuine self-examination, it establishes a flaws perspective on the world, and the most
“Trifles” is a play in which Susan Glaspell manages to masterfully incorporate numerous amounts of drama; and at the same time, spin a story of murder, justice, and male superiority all into one. Glaspell writes of a woman who murdered her husband because he was to blame for her cold and lonely life. The women character's in the play, Mrs. Hale and Mrs. Peters, solve the murder, while the men, the county attorney and sheriff, try to solve the murder their own way. From the moment the three male characters, George Henderson, Henry Peters, and Lewis Hale, enter the abandoned farmhouse, the reader can begin to acknowledge the presence of a patriarchal society. The men enter first, followed by the two women. Even in the description of the women, it can be observed that they (the women), tend to keep to the side lines, and allow the men to dominate. It is seen when the men which are “much bundled up and go at once to the stove.” (595). While the women almost creep in after them. In Susan Glaspell's “Trifles" the purpose is to emphasize the importance of gender roles during the early 1900s using symbolism. Examples of symbolism that she that she uses includes, the dead canary bird, the title, and the assertion that Mrs. Wright was going to knot rather than quilt the patchwork quilt. Glaspell used symbolism as clues to the murderer's motive that only the women were able to figure out, and in turn kept the motive of the murderer a secret due to the bond of women.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Susan Glaspell wrote both Trifles and a “Jury of her Peers” two stories that are nearly indistinguishable from one another. The subtlety of Trifles is purposefully ironic, the devil is in the details of both the play and the short story. The short story takes us into a little more detail than the play, revealing things unspoken and thoughts that could not be conveyed on the stage. There are many themes of this story, the societal place of the women, justice and that details are important in solving a mystery.
Susan Glaspell’s most memorable one-act play, Trifles (1916) was based on murder trial case that happened in the 1900’s. Glaspell worked as a reporter, where she appointed a report of a murder case. It was about a farmer, John Hossack who was killed while he was asleep in bed one night. His wife claimed that she was asleep next to him when the attack occurred. No one believed in her statement, she was arrested and was charged on first degree murder.
In Susan Glaspell’s play Trifles a man has been murdered by his wife, but the men of the town who are in charge of investigating the crime are unable solve the murder mystery through logic and standard criminal procedures. Instead, two women (Mrs. Hale and Mrs. Peters) who visit the home are able to read a series of clues that the men cannot see because all of the clues are embedded in domestic items that are specific to women. The play at first it seems to be about mystery, but it abruptly grows into a feminist perspective. The play Trifles written by Susan Glaspell can be considered a revolutionary writing in it its advocacy of the feminist movement.
Gothic writing is related to a style of fiction that deals with the mysterious or grotesque; Nathaniel Hawthorne’s “The Ministers Black Veil” is classified as a dark romantic work because it contains the themes of sin, guilt, and looking at the darker side of human life. He had trouble from his early life, his dreary adulthood, and his fascinations with common man. His early and more unsuccessful work is from his silent and productive years.
Many define drama to be a literary work that is to be performed in front of an audience. But to truly define drama one must comply with its themes in order to understand it fully. Drama is a form of art that is visually presented. It displays key characteristics of human emotions to give deeper meaning to what is being presented. Sometimes drama brings out what a person is truly feeling through a tragedy play or a play portraying good fortune. Drama plays are sometimes taken out of real life instances to extend the controversy of the event or elevate the excitement of the situation. Much like in Susan Glaspell’s “Trifles”, where a woman is being put on trial for killing her husband. Trifles are small insignificant things that can be ignored. Women are being ridiculed in this drama due to their lack of voice in society; however their superiority is shown through their keen eye for evidence. Symbolism in this play acts as a precursor to predestined events that take place. It can be observed by looking at anything that has specific significance to a scene, which Mrs. Hale and Mrs. Peters methodically point out. The unfinished quilt, the strangled bird, and fruit are the symbols that give insight what really happened between Mr. and Mrs. Wright, and what went wrong during their marriage to result in such a dreadful end.
The play “Trifles” by Susan Glaspell is type of murder mystery that takes place in the early 1900’s. The play begins when the sheriff Mr. Peters and county attorney Mr. Henderson come to attempt to piece together what had happen on the day that Mr. Wright was murder. While investigating the seen of the murder, they are accompanied by the Mr. Hale, Mrs. Hale and Mr. Peters. Mr. Hale had told that Mrs. Wright was acting strange when he found her in the kitchen. After taking information from Mr. Hale, the men leave the women in the kitchen and go upstairs at seen of the murder. The men don’t realize the plot of the murder took place in the kitchen.
Throughout “Trifles” by Susan Glaspell, the setting, stage set, societal norms, and symbolism within the play all contribute to our understanding of the wife’s central conflict. With the guilt of killing her husband, Mrs. Wright develops an internal conflict within herself. This conflict is exacerbated throughout the play due to these factors.