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Gender roles in other plays
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For many years women in the Mexican town of Juárez had been kidnapped, raped, and murdered. Yet, many people are not aware of this massacre and Ruben Amavizca-Murua production Women of Juarez brought light to a subject in which not many talk about. This play was performed in the Burnight studio theater located on the campus of Cerritos College, and ran for approximately six days. The main message for this play was to inform the audience of how women were and being murdered and sexualized for the last several years and till this day some of the victims family members are still searching for answers and even their lost loved ones. The director Minerva Garcia captures the brutality of the death of a young women name Maritza and their family struggle …show more content…
When Maritza wakes up her body language gives a sense of who she is, a responsible and flamboyant young women. Her overall performance had such dynamic energy throughout the show that the audience completely enjoyed. Her Mother Rosario Lopez who is played by Marlene Marquez made the play hard to believe, her vocal quality was too over the top. Marlene’s cries and yells were exaggerated loud which made the play less pleasing for the house. Chayo Lopez was portrayed by Rebecca Valenzuela her execution of her character suited her well, She developed movement that showed she was the youngest and the less motivated before she even began speaking. When Maritza went missing as an audience you felt the growth of her character due to the way she vocalized and expressed herself. Chris Amador played the husband of Rosario and the father of their two daughters Maritza and Chayo. As he performed with Rosario their relationship seemed to convey an uncomfortable atmosphere towards the audience due to Marlene Marquez’s overreactions during scenarios, Chris seemed to be quite …show more content…
The setting of the play was early 2000’s. The way the kitchen was arranged, bed and the clothes washer gave the house the suggested setting. Unfortunately, the walls of the the house were made to look like bricks but the kitchen wall seemed to be missing the painted bricks, which made the setting look unfinished. The lighting for this production was excellent. The color of the show seemed to fit the play very well. The start of the play they had very vibrant colored lights illustrating the setting of a club which made it more believable. There was many hues of red used throughout the show, when the women were being kidnapped in the club also when Maritza was being kidnapped endless red lights were going on and off . The red tied everything together which helped remind the audience what is important and
Can a girl living under a dictatorship with very little freedom, grow up? That girl's name is Anita de la Torre, the main character from the novel by Julia Alvarez. Anita lives in a big compound along with all of her relatives. They live together with all their cousins and have fun at the pond or the gate of the compound. In the story, her father and uncle are involved in a plot to overthrow the evil dictator, El Jefe. By the end of the novel, Anita grows up from being a young wide eyed kid to becoming a grown up adult because of all the hardships she endures. (Good thesis statement)
outstanding achievements, or noble qualities. I'm going to tell you about a book called in the
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
in some way or another. She was naive and impulsive, but she meant well. But was she
The Hippodrome setting played a big role in the success of the play, because the seats were close to the stage, which made the audience feel more intimate with the actors. The set was filled with everyday electronics and video games that were popular with today’s generation, and it was good way to capture the attention of the younger audience. The costumes worked for the actors because they were outfits that teens and young adults would wear, which made it easier to relate to the characters. The lighting for the production was awesome because it went well with the sound effects. For example, when Ian was doing a simulation for his new job, he set off a missile and when it exploded the lights changed from blue to red to symbolize seriousness of the situation.
The lighting along with the music becomes dim and depressing when Doris reminisces because they also need to reflect her mood. There is also a great use of blackouts in the play. The blackouts represent a
In the play, red was used to accent everything from the characters’ costumes to elements in the background, and the blood. Although red was heavily used, there was a difference in the shades of red throughout the play. For example, the curtain that draped Johanna’s window, was a bright red, while the on-stage blood was a deeper red. There was also a noticeable red-orange lighting casted over the stage during intense turning points in the play. In the film, the color did serve an important role, but it did not heavily influence the body of work, like in the play. Aside from Mrs. Lovett’s clothing in the film, the color showed up mainly during the scenes were blood was needed. The blood was darkened, watery and oozed. This darkened mess, was portrayed in this way in order to emphasize the deaths in the movie, which made each scene a little more
The lighting was also very effectively used to show the coming and going of cars on the set. The reflection of lights on the front door of the house were used resemble those of an automobile. Even the final scene had just enough absence of light that the shadows of the characters could be seen sitting around the dinner table and praying by candlelight. At the very end of the performance the candles were extinguished consuming the set in blackness in turn signifying the end of the production.
This implies that young women that work for maquiladoras were assumed to be immoral or lose by the media which in turn implied that it was alright for them to be brutally murdered because they brought it to themselves. Theoretically, the femicide construct shows a social phenomenon which led to the crimes against the young girls and women; they are linked to a patriarchal system which predisposes to a lesser or greater degree that the women should be killed (murdered). Furthermore, this idea may also be extended to the American girls also whereby the authorities blame Irene for becoming kidnapped. Furthermore, the novel’s recurring idea suggests that the Mexicans are deeply involved in religion but they are also chaotic because they are unable to solve the madness caused by the
The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.
The main character in “Woman Hollering Creek” is Cleόfilas Enriqueta DeLeόn Hernández, a woman who leaves her home in Mexico to marry a man, Juan Pedro Martinez Sánchez, in Texas. Flowing behind Cleόfilas’ new house in Texas, is a stream named Woman Hollering. Cleόfilas imagines her marriage to be filled with joy and love. To Cleόfilas’ surprise, Juan Pedro is a vile husband that is both physically and verbally abusive. Cisneros brings attention to a recurrent issue within the Chicana community. According to The University of Texas Health Science Center at San Antonio, “The majority of abused women, (75%) of Mexican-American women reported spousal abuse”
The lighting is used as colour symbolism through Priestley’s decision to imitate the emotions in the act, ‘the lighting should be pink and intimate until the Inspector arrives, and then it should...
A very important stage direction is the colour and brightness of the lighting, Priestley used this dramatic device very well. At first the lighting is described as ‘pink and intimate’. This shows a ‘warm’ and ‘joyful’ atmosphere. Although the audience get the idea that there is just a screen covering up their secrets, so they are actually looking through ‘rose tinted glasses’ and that there’s more to it than what meets the eye.
The novel begin because the heroine, Minerva "Min" Dobbs, a overweight, 33-year-old actuary, is dumped with the aid of her boyfriend, David. He is dissatisfied that she has refused to have sex with him; she's indignant that she is now without a date to her sister's upcoming wedding ceremony. Min retreats to one nook of the bar to be comforted by her two satisfactory buddies, Bonnie and Liza. At the opposite stop of the bar, David reveals acquaintance Calvin "Cal" Morrisey and his buddies. Cal has a recognition as a girls' man and a person complete of luck, who has by no means misplaced a bet. David bets Cal $10,000 that he can't get Min into bed inside a month. Cal refuses to simply accept the guess, however does receive a $10 wager that he can get Min to go to dinner with him. Unbeknownst to Cal, Min has overheard the communique
The background is covered in dim shadows. It could also be symbolic that they're in a dark place in their life at the moment. The scene has two planes: one focuses on the table and couple and the other focuses on the girl and the background. The heads of the family create a perfect triangle and another triangle is the girl in the middle with the two candles on each side. It creates a triangle within a triangle. The scene is a combination of high key and low key lighting.The high key lighting is primarily focused on surface of the cloth and the candles; it's very bright and the candles bring some light to all three of the character's faces. The characters are then washed with some light shadows on their clothing and the rest of the shadows stick to the background. The colors are generally made up of blue and neutral colors. The walls are blue and the windows are neutral; the man is wearing a blue shirt while the girl is wearing a gray one. The woman is wearing pink and the table is white; it contrasts against them. The colors and dim lighting set the mood to be tense and/or stressful. The left third is the woman, and she seems more