Mina Loy's feminism in her poetry 1882-1946 Mina Gertrude Lowy, [Mina Loy] was born in 1882 in London. Her foremost interest was art, and she studied painting in Munich for two years after leaving school at 17. On her return to London, she continued art classes, Loy moved from Victorian England to impressionist Paris, to futurist Florence, to bohemian Greenwich Village and back to expatriate Paris during her long career. Painter, poet, actress, playwright, feminist, mother, designer, conceptual artist - her array of talent and experience make it difficult to place her exactly in any one artistic group. Literary Modernism was one of the few eras in the history of American literature in which writers and artists openly sought, through their own inventive projects, to produce social and economic commotion. Mina Loy, whose work is now being rediscovered with the recent republication of The Last Lunar Baedeker and recent publication of a biography was one of the more radical intellectual and writers of her time. Mina's first published work appeared in 1914 as the result of her New York acquaintances, in Alfred Steiglitz's magazine Camera Work and in Carl Van Vechten's Trend. "Aphorisms on Futurism" and her poems roused great responsiveness in New York bohemian elite, and when a group of poets, disaffected with the editorial policy of Harriet Monroe's Poetry magazine--decided to set up a new academic journal, Mina Loy was their rallying point. The new magazine, Others, appeared in 1915, with Mina Loy's "Love Songs" significantly exhibited. The poems were much talked about in New York avant-garde circles. The text used intimate material from her personal life and was blunt to the point of being scandalous. Three Moments in Paris ...
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...depicting them spiritual, ethereal or dominant. What is amazing about Loy and her writings is her persistence on openly enjoining the political with the creative and the creative with the political. Loy understands art as an influence spot in which social change and commotion could be performed. It is Loy’s aim to familiarize her readers with her revolutionary poetics, particularly her theories on the coercive nature of language and to study a historical instant in which artists and literary theorists like Loy still believed peaceful revolution could be achieved through artistic expression. References http://www.poetrypreviews.com/poets/poet-loy2.html http://www.cwru.edu/artsci/engl/VSALM/mod/wolkowski/paper.html http://jacketmagazine.com/05/mina-iv.html http://www.english.uiuc.edu/maps/poets/g_l/loy/bio.htm http://www.ags.uci.edu/~clcwegsa/revolutions/Buchanan.htm
“Levertov 's American poetic voice was, in one sense, indebted to the simple, concrete language and imagery, and also the immediacy… The quotidian reality we ignore or try to escape…Levertov revels in, carves and hammers into lyric poems of precise beauty. Levertov was aware of the themes and styles being portrayed around her but supported her own writing skills. (Editors)“In contrast with the generally favorable criticism of her work, commentators tend to view the socio-political poems with a degree of distaste, often noting that they resemble prose more than poetry” (Editors). Levertov showed two contrasting styles in her poetry, yet she wrote in support of the modernist
In this paper, I plan to explore and gain some insight on Audre Lorde’s personal background and what motivated her to compose a number of empowering and highly respected literary works such as “Poetry is Not a Luxury”. In “Poetry is Not a Luxury”, Lorde not only gives voice to people especially women who are underrepresented, but also strongly encourages one to step out of their comfort zone and utilize writing or poetry to express and free oneself of repressed emotions. I am greatly interested in broadening my knowledge and understanding of the themes that are most prominent in Lorde’s works such as feminism, sexism and racism. It is my hope that after knowing more about her that I would also be inspired to translate my thoughts and feelings
The growth of one woman interferes with one man’s idea of being able to conquer Woman. The two main characters of the book Ladies’ Paradise named Denise and Mouret have a unique sense of love, if it really even is “love.” She is very shy and unattainable while he is charismatic and lives a greatly successful life. Her unordinary attitude creeps into Mouret’s mind, causing him to desire her at an extreme amount. Mouret is not able to conquer Denise in the same way that he does women in his department store which defeats his conquest of Woman. The idea of feminism is prominent throughout the novel since Denise is such an independent character and does not give into Mouret’s power immediately. She briefly gives Mouret a new set of eyes, allowing
In the preceding poem, one can see the artistic style come through her composition. The best representation of that particular idea comes from the author Donald Thackrey when he says:
At first glance of her title, Mina Loy’s “Feminist Manifesto” sounds as if it will proceed to be a feminist’s take on how to acquire gender equality. The feminist movement was a progressively rising organization, made mostly of women, who dedicated their lives to liberate society of patriarchal supremacy. Although Loy writes a manifesto about feminism, she does not define herself as a feminist. In fact, she, as well as many other women who did consider themselves to be feminists, married and produced children of their own. So, how could Loy compose an argument for feminists, if she did align not herself with them or define herself as feminist? Because she is a woman, and she is also tired of hearing the false perceptions of women being thrown around; she rejects the
In Vladimir Nabokov's Lolita, the overruling drive of the narrator, Humbert Humbert, is his want to attest himself master of all, whether man or woman, his prime cravings, all-powerful destiny, or even something as broad as language. Through the novel the reader begins to see Humbert’s most extreme engagements and feelings, from his marriage to his imprisonment, not as a consequence of his sensual, raw desires but rather his mental want to triumph, to own, and to control. To Humbert, human interaction becomes, or is, very unassuming for him: his reality is that females are to be possessed, and men ought to contest for the ownership of them. They, the women, become the very definition of superiority and dominance. But it isn’t so barbaric of Humbert, for he designates his sexuality as of exceptionally polished taste, a penchant loftier than the typical man’s. His relationship with Valerie and Charlotte; his infatuation with Lolita; and his murdering of Quilty are all definite examples of his yearning for power. It is so that throughout the novel, and especially by its conclusion, the reader sees that Humbert’s desire for superiority subjugates the odd particularities of his wants and is the actual reason of his anguish.
Leonard, K. D. (2009). African American women poets and the power of the word. The Cambridge Companion to African American Women's Literature, 168-187.
Largely throughout the history of the United States of America, women have been intimately oppressed by their spouses in collusion with a patriarchal society. The Realist literary period saw no exception to this oppression of women. The Realist period, which lasted approximately from 1865-1910, involved many injustices on women, women’s rights, and equality. Males were supreme to females throughout this period, and women were denied many basic freedoms, including the right to vote. Women were regarded as frail, unequal, and inferior. However, the marginalization of women in this period did not go without protest. Women began to have an active voice on issues pertaining to their own rights as the end of the Realist period neared. Headways into women’s rights were made in this period around the turn of the century. “The Yellow Wallpaper” by Charlotte Perkins Gillman chronicles the oppression and deteriorating sanity of Jane, who is being confined in a room by her physician and husband. This story is critical in telling of the oppression and subordination of women to their husbands throughout the 19th and early 20th centuries. “The Story of an Hour” by Kate Chopin depicts a frail woman, who dies after a fright from her husband, who she believed was dead. The Awakening by Kate Chopin details the life of Edna Pontellier, who seeks individualism and life away from the control of men. Edna Pontellier assists in representing the audible and vociferous women’s rights movement that arose towards the end of the 19th century. American women in the Realist literary period encountered three elements that defined their societal status: oppression, inequality, and activism.
The situation of women in our society has always been a source of debate. The term feminism is required at the end of the 19th century to serve the collective aspiration of women to gender equality in a society hitherto subject to the rule of man. Historically, there are prejudices and acts about women that led to discrimination of these. In legal terms, as in the world of work and family, it is in the second half of the twentieth century that is affirmed and implemented new rights for women. From then on, it is not only in term of legal equality, but also equality of opportunity that raises itself the question of relations between men and women. I will be comparing and contrasting “You Leave Them” written by Mona Simpson with the short story composed by Kate Chopin, “The Story of an Hour.” Throughout these stories, both authors clearly express a common theme of feminism. By focusing my essay on the theme of feminism, I will first analyze the authors’ past experience and then associate how it contributes in both of their short stories. I will finish my essay by describing how authors respond to the absence of men’s vision.
For many years, a political, culture, or economic movement aimed at establishing equal rights and legal protection for women. Feminism involves political and physiological theories concerned with issues of gender difference. Feminism seeks to achieve equality and social rights for women in all key areas, which includes education, personal economic, employment, and cultural sphere of human endeavors. Women's rights is an issue that not many people cover, but affects every woman's lives. There are both pros and cons to this issue. Men, social media, and people’s perspectives are all relating to this issue.
The purpose of this research project is to see who is considered a feminist, and why, in the eyes of three women and three men. To see what they believe the behaviors, ideologies, beliefs, and values of a feminist is. The participants have been interviewed and given questions towards feminism found in the textbook "The Psychology of Women" by Margaret Matlin. I chose to do this particular study because there seems to be a lot of controversy about just the word feminism. There are so many mixed beliefs about it. This seems like the perfect study to really see what women and men think about it, at least six participants think about it.
Chimamanda Ngozi Adichie is a Nigerian author who has received numerous awards and distinctions. Her main argument is that everyone should be a feminist not because of our gender, but because it is what is right. Adichie has been featured in Beyonce’s song, “Flawless”, spreading awareness to the idea of feminism. “We Should All Be Feminists” is a book about her experiences in Nigeria, where men are more powerful than women. The intended audience of the passage is each and every person residing in heavily patriarchal societies. Hesr thesis is “we should all be feminists”.
Elegy in a Country Courtyard, by Thomas Gray, can be looked at through two different methods. First the Dialogical Approach, which covers the ability of the language of the text to address someone without the consciousness that the exchange of language between the speaker and addressee occurs. (HCAL, 349) The second method is the Formalistic Approach, which allows the reader to look at a literary piece, and critique it according to its form, point of view, style, imagery, atmosphere, theme, and word choice. The formalistic views on form, allow us to look at the essential structure of the poem.
Feminism, what is it and how did it developed? Feminism is a women's right movement and it’s goal may differ by era it is found but one continuity is to seek equality for women after a certain perceived. Thus it certainly did not developed overnight nor did it stayed the same throughout the ages. Feminism empowers women against oppressive sexism but what is the definition of the word “women”? Some define the word “women” by sex while others define ‘women” by gender. Sex and gender may seem similar yet they are different which can exclude some people if the only one of those definition is used. Sex is the physical and biological aspect that differentiate men and women by reproductive organ shape while gender is a social construction that assign feminine roles to women and masculine role to men. If you define women by sex you exclude male to female transgendered people and infertile women while if you used gender to define women you exclude “masculine” women. In reality the definition of women is most likely inclusive of both sex or gender as it includes those that are biologically women (but may not conform to the gender role) or gender (which includes those who self identify as female). For such a simple term it requires a bit of thinking and by answering who is a women we also get the answer of who benefits from feminism.