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The historical influence of jazz in America
The emergence of Jazz
The historical influence of jazz in America
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“Footprints” is a Jazz standard, greatly popularized by the Miles Davis Quintet. Originally composed by Wayne Shorter and released on an album of his own in 1966, the composition was quickly arranged by Miles Davis for his own group in the same year. Though still featuring Shorter on tenor sax and Herbie Hancock on piano, Miles’ quintet of two years brings a new light to the song, featuring a faster tempo with the switch to Ron Carter on bass, Tony Williams on drums, and the addition of a trumpet part played by Miles himself.
The performance demonstrates the variety of the flexible-but-not-quite-free post-bop genre with an intensity on modal jazz- something that had pioneered by Miles and was a staple of the 50s and 60s. Each player displays strong influences of modal jazz, avant-garde, and free jazz without completely submitting to any solid genre. The forms and tempos are much more free and open than more common jazz
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Both songs begin similar in style and tone, but “Resolution” begins with an extensive tenor sax solo by Coltrane himself, and “Footprints” enters with a 30 second duet by Miles and Shorter. Only then does Miles begin his own solo. This trend continues, with “Resolution” bearing multiple lengthy solos only tied together near the end, and “Footprints” featuring group performances followed by short solos. Unlike “Footprints,” “Resolution” also features a steady time signature.
There can be no doubt of the historical impact of the Miles Davis Quintet and this piece. “Footprints” introduced an extraordinary amount of new, revolutionary ideas and techniques to the jazz scene, and with the quintet’s performance it helped popularize a growing genre that would later inspire one of the most popular genres- jazz fusion. The song itself has become a Jazz standard and thus widely recognized and played by many to this
After a short introduction, Andy Baker began the concert by playing the song “Sedentary Motion” composed by Tom Garling. The style of the song was set in an easy modern Samba feel, the music lines were smooth and the chord voicings were merged to produce a gentle, yet complex conversation between sections of the jazz ensemble. As the chords were free and unrestrained, the solo performance of the tenor saxophone and trumpet were able to stand out and present their ideas. The drummer accompanied them throughout the whole song, which makes the song sound more colorful. The tempo of “Sedentary Motion” was set in an easy medium tempo, and the whole song lasted for over nine minutes.
Jazz music of the 1940’s and 1950’s was defined by a history of change since its beginning at the dawn of the 20th century. Almost every decade brought a new flavor to the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for continued change. It is important to trace the early movements in jazz to better understand the innovations of the Bebop and Cool jazz eras of the 40’s and 50’s.
“West End Blues” begins with a 12-second trumpet solo that displayed Armstrong’s wonderful range and demonstrated the syncopated styling unique
The feelings the saxophone sends during the 20 measures of the sixth chorus create a deep feeling that attracts the listener to the next piece of the song. So far, the message Jordan has sent has been undesirable and depicted through the failures of a country that denies its people of color. The extended saxophone solo represents a turning point in the song and in the way African American began to think. Throughout the entire song up until the 6th chorus, the saxophone, although vital to the music, is simply an instrument that is part of the ensemble. During its solo the saxophone takes its own identity and becomes appreciated for what it is throughout the song, a vital instrument in the song and band. During the 9th chorus the saxophone solo is repeated again, however this time it is only 6 measures which distinguishes it from the 8 measure refrain and 12 measure
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
Kenton, Stan(ley Newcomb)." New Grove Dictionary of Jazz. Ed. Barry Kernfeld. New York: St. Martin's Press, 1994.
the world was immeasurable, leaving more than two thousand compositions. Ellington left behind a legend, all which started the day he stepped into the Cotton Club. If it
The musical events Miles Davis created during his so-called electric period (1969-1975), are acts of constant exploring in c...
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
...nt from lower pitch sound to high pitch, showing various pitches they can make. They differed in style when they went solo. Ron Eschete mixed high and low pitch sound very irregularly and each tone seemed very distant like Monk?s style. Todd Johnson rhythm and tone was more smooth and close to each other, giving impression of cool jazz style. The other element is a swing feeling. This can be described as a feeling that makes you want to dance, clap your hands, of tap your feet. During the concert, as I looked around in the audience, I could see people bobbing their heads, and tapping their feet. Due to the fast tempo, the Ron Eschete Trio?s music just made people want to dance even though it sounded smooth and mellow.
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
Teachout, Terry. "John Hammond's jazz." Commentary 122.3 (2006): 55+. Academic OneFile. Web. 16 Nov. 2011.
When a person thinks of jazz, they think they are performers who take stage and improvise their songs. Billy Strayhorn and Duke Ellington were two of the greatest jazz composers of their time. These two collaborated hundreds of productions. Ellington was known for his song Caravan featuring Juan Tizol that was written in 1936. Other musicians have recorded this song, Caravan, many times. Billy Strayhorn song he composed in 1941, Take the “A” Train, premiered in Duke Ellington’s Orchestra. This song has been recorded by other musicians more than 900 times.
middle of paper ... ... The multiplicity of visions found within Morrison’s novel mirrors the multi-instrumentation of combo jazz and various solo ‘viewpoints’ from which a tune is played by different band members (Pici). Such a non-omniscient and non-omnipotent narrator makes storytelling an ongoing development, just like it is with the jazz music.