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What are the effects of disobedience
Effect Of Disobedience
What are the effects of disobedience
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The Vantage of Lysander
A Midsummer Night’s Dream tells the story of a young woman named Hermia who defies her father’s orders to marry a wealthy, noble man named Demetrius for the man she loves. Facing death as a consequence of her disobedience, Hermia is convinced by her love, Lysander, to elope with him into the forest in the night. Here, Lysander and Demetrius find themselves under the effects of a fairy-induced love spell, causing both of them to love Helena. In the opening scene, Lysander is trying to prove to Egeus that he is just as propitious of a marriage prospect as Demetrius. “My love is more than his, my fortunes every way as fairly ranked, if not with vantage, as Demetrius,” he claims. Not only is he just as wealthy and respectable as Demetrius, but also there is vantage to choosing Lysander – vantage meaning “advantage, benefit, profit, gain” (OED, “vantage”, noun, sense 1a). “And – which is more than all these boasts can be – I am beloved of beauteous Hermia. Why should not I then prosecute my right?” (1.1.100-105). In the scenes following this quote, Lysander and Demetrius illuminate, through their actions, the vantage Lysander is referring to: the purity of his love for Hermia, his respect for a woman’s body and sexuality, and Demetrius’
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unreliability as a suitable husband. Although Demetrius and Lysander appear to be equally favorable candidates based on their wealth and social status, one notable difference is the way they treat the woman they are fighting over. It is obvious that Demetrius sees Hermia as his property, demanding the “crazed title to [his] certain right” (1.1.92). He is not even slightly concerned about her happiness or well-being. He even goes so far as to threaten to slay the man she loves so he can have her for himself, exposing not only his selfishness but a nature of violence as well (2.1.190). Lysander’s love and respect for Hermia shows in the way he addresses her. His tone is soft and gentle, never condescending. Although he wishes to sleep next to her in the wood, he respects her objection and promises to be faithful to her (2.2.51-58). Another clear “vantage” of choosing Lysander to marry Hermia is Demetrius’ opposite approach to situations like the one above.
Unlike Lysander, Demetrius is not willing to take “no” for an answer. This is expressed not only in his persistent demands to marry Hermia, but also in his interaction with Helena in the woods. “You do impeach your modesty too much, to leave the city and commit yourself into the hands of one that loves you not; to trust the opportunity of night, and the ill counsel of a desert place, with the rich worth of your virginity,” (2.1.214-219). This line, if his previous actions had not done so already, reveals the true character of Demetrius: an arrogant, violent, selfish
misogynist. It is also mentioned in the play that Demetrius was formerly involved with Helena. “For ere Demetrius looked on Hermia’s eyne, he hailed down oaths that he was only mine, and when this hail some heat from Hermia felt, so he dissolved, and showers of oaths did melt, (1.1.242-245). If he so easily lost interest in Helena by seeing another woman who doesn’t even reciprocate his desires, how could he be trusted not to repeat the same pattern? In addition to his lies as well as his threat to rape her, Demetrius speaks to Helena as if she is less than human. “Tempt not too much the hatred of my spirit; for I am sick when I do look on thee,” (2.1.211-212). He then threatens to “leave [her] to the mercy of wild beasts”, further exhibiting his violent nature (2.1.228). It is never explicitly stated why Egeus favors Demetrius so, although it can be assumed that Lysander never had a chance to prove his worth. While Egeus sees in Lysander an insubordinate that attempts to woo his daughter into rebellion with flattery and material gifts, he fails to see Lysander’s merit as well as the vices of Demetrius. Through his acts of love and respect, Lysander proves (out of Egeus’ sight) that he is capable of providing the same material benefits as Demetrius, with the vantage of emotional and personal support.
Lysander tells Theseus that Demetrius "Made love to … Helena, And won her soul.” Helena says that before Demetrius looked upon Hermia, "He hail'd down oaths that he was only mine.” In an attempt to win back some of Demetrius's affection, Helena tells him of Hermia's plan to meet in the wood and elope with Lysander.
Demetrius is a fool because he is unaware that his love changes through out the play. We learn from Demetrius that he has loved Helena before bestowing his affections on Hermia ( 1.1 106-107 , 242-243 ). It is not for nothing that he is termed “spotted and inconstant man'; ( 1.1 110 ). Athough at the start of the play Demetrius no longer loves Helena. ( 2.1 195 ) Demetrius says, “I love thee not , therefore pursue me not.'; ( 2.1 201 ) “Hence , get thee gone , and follow me no more.'; In Act 3 Scene 2 , Demetrius after being juiced begins to love Helena. ( 3.2 172-176 ) Demetrius says , “Lysander , keep thy Hermia; I will none. If e’er I loved her , all that love is gone. My heart to her but as guest – wise sojourned , And not to helen is it home returned , there to reamain.'; This proves how fickle he is , for he is not aware of his changing love once for Helena then for Hermia then returning to Helena with the help of the mystical father Oberon.
When Lysander is speaking to Hermia in Act I, Scene I; he is both stating a truth about the mystery of love, as while as foreshadowing the upcoming trouble in the play. Egeus has made his demands that his daughter obey him and marry Demetrius. The tension between the father and the chosen lover of his daughter has set the conflict into motion. Demetrius has left with Theseus, Hippolyta and Egeus to discuss the wedding of the Duke of the Athens. The young lovers Lysander and Hermia are left on stage and he tells her in Lines 132-134: “For aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth.” He speaks these words to comfort Hermia, but neither has any idea of the crazy night that will come in the
Demetrius received no love from Hermia who he wanted to pursue, therefore he does not have perfect happiness. At the time when Demetrius can still make rational choices of who he loves, he loves Hermia instead of Helena. In order to pursue Hermia, Demetrius requested Hermia’s father Egeus to marry to her, but she never take Demetrius as a consideration. With all of Demetrius’ efforts, Hermia totally ignores him. Compare to Lysander and Hermia’s inseparable relationship, Demetrius is unhappy by staying alone. The person he loves does not love him, and the person he does not love loves him. Demetrius is a person who knows what he wants. Throughout the play, he loves Hermia consistently until the fairy put a spell on his eyelid.
Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius? infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says ?and, Lysander, yield thy crazed title to my certain right?
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Comedy in A Midsummer Night's Dream "why do they run away? This is a knavery of them to make me afeard. "(3.1.99) This is a quote from the Shakespearean play "A Midsummer Night's Dream. " In this quote, the speaker, Bottom, is wondering why everyone is afraid of him.
Shakespeare’s A Midsummer Night’s Dream contains many dramatic elements that help readers have a greater understanding of the play. Numerous symbols, dramatic irony, figurative imagery, and allusions can be found throughout Act I, Scene I. Additional images that further represent the assortment of dramatic elements are present in the PowerPoint collage.
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
Hermia has been promised to Demetrius by her father; however she is unwilling to marry him as she is in love with Lysander. We are introduced to this theme when they visit Thesus, the figure of authority in the play, who makes it clear that women are not to have their own identity, but instead are to be ‘a form in wax’ (I.i.49), meaning that women are to exist without existing. Women were not allowed to gain an education, or have jobs of importance. This shows that Thesus (Duke of Athens) doesn’t believe that women show have power. However, in the forest, Hermia exerts her dominance over Lysander as she insists that he ‘lie further off’ (II.ii.43) so she can keep her virginity as she is less likely to be tempted into having sex with him. At the time a woman who had lost her virginity before she was married, especially to someone whom she was not betrothed, was a social sinner
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
The play shows how the ideal relationship is that in which the affections and the reasonable mind are both in harmony. At the start of the play, both Demetrius and Helena are clearly at fault. Demetrius has allowed his love for Helena to abate; she, by fawning on him, is guilty of doting, which exacerbates his dislike. An honourable man would stand by his promise and try to re-discover his love for Helena, and it is this which draws Lysander's taunt that Demetrius is "spotted and inconstant". In time, perhaps, Demetrius might reconsider Helena's merits, but in the brief ti...