Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Reality and Fantasy in A Midsummer Night's Dream
Disorder in a midsummer nights dream
Society in a midsummer nights dream
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Reality and Fantasy in A Midsummer Night's Dream
In William Shakespeare’s A Midsummer Night’s Dream, the various settings provide a distinct contrast of many elements of the play. Athens and a neighboring forest — the two main settings of the play — represent order and disorder, as well as reality and fantasy. Within Athens, the palace of the Theseus and Quince’s house (the setting of Act 1 Scene 2) represent different social classes. Additionally, the time of the year provides a setting for festivities. Athens is an ancient city well known for its law and order. In Athens, the young lovers, Hermia and Lysander, desire to be together; however, Hermia’s father, Egeus, forbids it. As dictated by the society, Egeus has power over his daughter, and she is to do as he says. Theseus, as the Duke, says to Hermia, “To you, your father should be as a god” (1.1). To further depict the order …show more content…
Athens, as the word of humans, represents reality. In the play, the mundane and normal Athens is overshadowed by the mysterious and magical forest, which depicts fantasy. In the forest, the fairies, specifically Robin Goodfellow, are mischievous and perform varying fantastical things, such as turning Bottom’s head into that of an ass donkey or using the nectar of a flower to make people fall into and out of love with each other. In the forest, the characters also feel distant from reality, and constantly feel as if they are in a dream. For example, upon waking one day, Lysander says, “Half sleep, half waking. But as yet, I swear, / I cannot truly say how I came here” (4.1). Demetrius, waking soon after Lysander, says “are you sure / That we are awake? It seems to me / That yet we sleep, we dream.” (4.1). Bottom, after getting the donkey head removed, says, “I have had a most rare / vision. I have had a dream past the wit of man to say / what dream it was”
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
Anointing Lysander’s eyes , he leaves, thinking he did his bidding. Helena finds Lysander sleeping, and, without seeing Hermia, she awakes him.... ... middle of paper ...
Throughout A Midsummer Night’s Dream by William Shakespeare, there are multiple analyses that one can follow in order to reach a conclusion about the overall meaning of the play. These conclusions are reached through analyzing the play’s setting, characterization, and tone. However, when one watches the production A Midsummer Night’s Dream directed by Michael Hoffman, a completely different approach is taken on these aspects, leading to a vastly different analysis of the work. Though there are many similarities between the original written play A Midsummer Night’s Dream by William Shakespeare and the on-screen production of the aforementioned play which was directed by Michael Hoffman, there are differences in setting and
A Midsummer Night's Dream is a festive comedy. The play takes place in June and this is a bewitched time. In the spring the custom is to celebrate the return of fertility to the earth. During this time the young people spend the night in the woods to celebrate. Shakespeare uses the greenworld pattern in this play. The play begins in the city, moves out to the country and then back to the city. Being in the country makes things better because there is tranquility, freedom and people can become uncivilized versus when they are in the city and have to follow customs and laws and behave rationally.
Lysander calls Demetrius a?spotted and inconsistent man?, indicating Demetrius? fickleness towards women, that he is flirtatious and flawed. Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius. infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says?and, Lysander, yield thy crazed title to my certain right?
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
Throughout A Midsummer Night’s Dream the theme of conflict with authority is apparent and is the cause of the problems that befall the characters. It also is used to set the mood of the play. The passage below spoken by Theseus in the opening of the play clearly states this theme.
In William Shakespeare’s “A Midsummer’s Night Dream” two worlds are contrasted throughout the play. The Athenian state is governed by order, law, and reason; the forest or Fairy world lies within the realm of the imagination where anything is possible. While both worlds run parallel in the play, their inhabitants are influenced by one another. Their rulers, Theseus and Oberon, play critical roles in the events of the story. Theseus acts compassionately with a sense of duty, order and respect; his initial rulings for Hermia provide the exposition for the comedy (May 75). Oberon acts compassionately as well, but acts on a whim and resorts to trickery if it suits his desires; his actions direct the complication in the plot (May 75). Their personalities are characterized by how they attempt to help the young lovers, how and why they make decisions and how they interact with their loved ones and subjects. The rulers’ similarities govern the reasons behind their actions; their differences contribute to the success of the story.
Order and disorder is a favorite theme of Shakespeare. In A Midsummer Night's Dream the apparently anarchic tendencies of the young lovers, of the mechanicals-as-actors, and of Puck are restrained by the "sharp Athenian law" and the law of the Palace Wood, by Theseus and Oberon, and their respective consorts. This tension within the world of the play is matched in its construction: in performance it can at times seem riotous and out of control, and yet the structure of the play shows a clear interest in symmetry and patterning.
Shakespeare creates a situation in which two pairs of young lovers, Lysander and Hermia, are forced to elope from the oppressive authority of their Elders, here we see Lysander asking Hermia to flee to the woods, “there gentle Hermia may I marry thee; and to that place the sharp Athenian law cannot pursue us” Freedom is not permitted in Athens, therefore the two lovers plan to escape into the woods. Hermia has two options given from her oppressive father, ‘either to die the death, or to abjure for ever in society of men’. She disobeys his commands. Shakespeare uses images to reflect Athens, and to magnify and to solidify Lysander and Hermia’s love for each other, which is strong and cannot be broken, without the use of magic. ‘Withering on a virgin thorn, grows, lives, and dies in single blessedness’.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
The three major themes in "A midsummer nights dream" that, Shakespeare heavily contrasts is, by using three groups of extremely different
The two locations of Shakespeare's A Midsummer Night's Dream are essential to the development of the plot; although their presentation relies wholly on the characters we meet there, their adventures and their descriptions of these places. The main Plot of A Midsummer Nights Dream is a complex jumble that involves two sets of couples (Hermia and Lysander, and Helena and Demetrius) whose romantic cross-purposes are complicated By their entrance into the play's fairyland woods where the King and Queen of the Fairies (Oberon and Titania) reside and the folk character of Puck or Robin Good fellow ( http://www.britannica.com/eb/article-9000181/A-Midsummer-Nights-Dream>.. The incidents that take in the play and the film are really the key factor in the story, the play writer orders them in such a way that threes a hint of foreshadowing, yet he doesn't divulge enough in the incidents to let you know ...
A Midsummer Night’s Dream portrays magic through many places in the text. Magic is a key component to the plot of the story. Magic can make a problem disappear, or it can intensify the problem. There are many reasons magic is powerful, but one of the main ones is because not everyone understands it. Magic in one way or another affects everyone in A Midsummer Night’s Dream, but the perspective with which each character views magic is different. The power of magic is something that is hard to understand, even those who use magic often cannot fully understand magic because in many ways it is irrational and inexplicable.