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The outsider camus analysis
The outsider camus analysis
Characterisation in the stranger by albert camus
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In the novel The Stranger, by Albert Camus, readers see Meursault as a product of a meaningless and hollow society, from the materialistic conditions to the incapacity for reflectiveness or desire. Readers find Meursault, in chapters three and four, to be lacking the consciousness of his own self and environment, demonstrating Meursault’s indifference to any larger sense of natural law. In the midst of the heat Meursault is found guilty of everything: his strange personality and apathetic nature along with his crime. The acknowledgement of the guilt occurs when the doorkeeper testifies, “… that [Meursault had] declined to see [his] Mother's body, [Meursault] smoked cigarettes and slept, and drunk cafe au lait. It was then [Meursault] felt a
Part I of The Stranger begins with Meursault's attendance at his mother's funeral. It ends with Meursault on the beach at Algiers killing a man. Part II is concerned with Meursault's trial for that same murder, his ultimate sentencing to death and the mental anguish that he experiences as a result of this sentence. Several curious parallels emerge here, especially with regard to Meursault's perception of the world.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
Race relations is a constant effort of identifying with one another. However, it is difficult to identify with another race when one is not able or willing to know about the other. While Charlie and Tshembe both have experience with Western culture, there still remains a sense of ignorance between the two. Despite Charlie's desire to build a bridge between himself and Tshembe, their relationship doesn't extend beyond the superficial higher level. Part of this is due to their own stubbornness, but there are many other factors to their broken relationship. Charlie's and Tshembe's ignorance of each other's culture and individual personality remains constant not because it cannot be overcome, but because of their unwillingness to admit and shed their own ignorance.
Life has been defined as the property or quality that distinguishes living organisms from dead organisms and inanimate matter, manifested in functions such as metabolism, growth, reproduction, and response to stimuli or adaptation to the environment originating from within the organism. Further, that very definition from the Webster's dictionary says nothing when it comes to the everyday experiences one faces throughout a lifetime. The experiences one faces makes, breaks, and shapes us into how we act and live. T.S. Eliot's poem "The Hollow Men" portrays a world in which humans lack connections to each other and to G-d. Similarly, the main character, Meursault, from the short novel The Stranger, by Albert Camus, represents a man who does not feel any condition to anyone or anything. Meursault seems not to have a sense of emotion for the occurring actions in his life, and as a result, Camus pictures him as a senseless man. Many people in society go through life-breaking crisis that takes them several weeks even months to get over, meanwhile Meursault goes through some of the most immense problems during his life, yet he shows little emotion to ward his reality.
Steven Truscott, age 14, was sentenced to the death penalty for a schoolmate’s murder, providing little to no evidence then, and still 48 years later. In 1959 Truscott was known and referred to as Canada’s youngest death-row inmate following a short 15-day trial contributing no substantial evidence against him. The evidence that was used to convict Truscott was the forensic evidence given by John Penista, which was later on proven incorrect. Many witnesses came out on what happened the night of Lynn Harpers death but none of these testimonies were included in the original police report.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
Do friends exist? The answer to that would be yes, and the fact is, true friends do exist. There are people out there who become so close their lives and goals are intertwined, and forever together. Yet the majority of friends last only a few years, and some are those who use others for their benefit. For example through the character of Raymond, Albert Camus displays the negative influence “friends” play on one’s actions and future. Raymond plays a large role in the conviction of Meursault during the trial, as he influences many of the decisions made earlier in Meursault’s life. Meursault is influenced negatively by Raymond leading to his death sentence as illustrated through the peer pressure implied on Meursault to testify against Raymond’s mistress, the aggressive implication of Meursault to use violence against the Arab, and when Raymond describes Meursault as “a pal”, which leads to the death Meursault is sentenced to.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
Life is often interpreted by many as having meaning or purpose. For people who are like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, written in 1942, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, this protagonist lives on through life with this indifference, and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but that people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like Meursault, is indifferent to everything.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.