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Meursault changes in the stranger
Meursault as an anti hero in The Stranger
Meursault as an anti hero in The Stranger
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“You will never be happy if you continue to search for what happiness consists of. You will never live if you are looking for the meaning of life.” said Albert Camus, philosopher and author of the novel The Stranger. The Stranger follows a French man named Meursault living in Algeria, his surroundings, and the series of events that ultimately leads to Meursault’s murder conviction. The Stranger illustrates a philosophy called absurdism, which refers to the belief that human tendency is to seek meaning and value in one’s life, despite the fact there is no meaning in life. Although The Stranger fixates on Meursault as an absurd hero, it is really Salamano and his relationship with his dog that truly reveals the absurdity of life.
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A quote that shows that Salamano and his dog are equal in mortality is through Camus’s description of Salamano and his dog. Meursault notices that “Perhaps through living in one small room, cooped up with his dog, Salamano has come to resemble it. His towy hair has gone very thin, and he has reddish blotches on his face. And the dog has developed something of its master’s queer hunched-up gait; it always has its muzzle stretched far forward and its nose to the ground” (92). This quote is describing Salamano and his dog as very similar in physical features. By portraying their similar looks when they are both old and approaching death, Camus is emphasizing that all beings are equal in death. Whether one is a human or an abused dog, no matter his or her choices or personality, they will die. As Salamano and his dog are both approaching death, they both look “alike” to emphasize their equal mortality. This reveals the absurdity of life, showing that our life does not matter because we will all die regardless of what we have done or who we are. Another example of absurdity is when Meursault is in prison. After losing his temper with a priest who has come to see him before he dies, Meursault lists several reasons why nothing he does really matters. During this rant, Meursault states “Salamano’s dog was worth just as much as his wife” (121). Meursault is referring to the fact that Salamano’s dog is equal not in terms of treatment, but in mortality. Throughout the story, Salamano talks wistfully about his wife and her death, showing that he does care for her when she is alive. Salamano’s dog, on the other hand, reminds Salamano of his wife’s death and his own upcoming one, and therefore Salamano treats his dog with cruelty. However, despite the differences in their lives, Meursault is emphasizing that they are worth the same, because they both will die,
Originally released in French, The Stranger by Albert Camus (published in 1942) follows the story of Meursault whom is a French man living in Algeria prior to the 2nd World War and gives his own unique perspective of the events between when he receives a telegram stating that his mother had recently pass away to when he is executed for the murder of a man only referred to as “The Arab” whom he had shot. Meursault had an interesting outlook on life and it is unclear why he feels the way he does but his tone is constantly detached, plain, and at times subtly ironic. That is the key reason this book is referred to as a panicle example of existentialism and also corresponds with the quote;
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Salamano and his dog have a strange relationship. They are always together and even look similar, but Salamano is constantly beating the dog. One would think that since the dog was Salamano’s only companion then he would treat it better. Salamano and his dog symbolize the absurdity that occurs in our everyday life.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
This passage is set before Meursault’s execution with the chaplain entering the scene, and telling Meursault that his “heart is blind”, leading to Meursault to yell and delve into his rant, and moment of consciousness. The passage has a calm in the beginning as if Meursault catches his breath from yelling previously, and he starts to reassure himself that he is not wrong for expressing his views as it went against the public’s religious beliefs, and states that this moment was so important to him that it was if his life was merely leading up to it. Why this particular scene is important to Meursault is that this is an instance where he successfully detaches himself from the world, and begins to deconstruct the world’s ideals as his rant shifts on to focusing on how nothing in life mattered. Meursault describes his gripes with the chaplain’s words as he explains his reasoning as to why the concept of a god is flawed as Meursault saw that everyone was inherently the same, with equal privileges just how often people could express them separated them. The passage continues with Meursault arguing that everyone would be faced with judgment or punishment one day, and explains why his own situation was not significant as it was no different. After that explanation the passage ends with Meursault posing the concept of everything in the world being equal both in wrongdoing and life in general, evident in his example of saying “Sala¬mano's dog was worth just as much as his wife.” Although the passage shows Meursault challenging the ethics and morals that the world around him follows, it does have instances like the end in which we see that the rant is still expression of Meursault's complex emotions, as it is unclear whether it is fear or a...
The climax of the novel The Stranger is reached when the jury declares that the main character, Meursault, is to be executed by gulliotine in the town square. The trial and its verdict are one of the important parts of the novel, as Albert Camus uses them as a metaphor to summarize the three main tenets of absurdism. Camus uses the trial and conviction of Meursault to express the absurdist ideals that truth does not exist, and human life is precious.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The jury’s attempt to place a proper verdict on Meursault is compared to mankind’s futile attempt to find order in an irrational universe. Because there is no real truth in the trial, the verdict was unfair and illogical. Camus uses his beliefs of truth not existing and life being precious to point out the absurdity of the judicial system, and suggest the abolishment of the death penalty.
The most popular topic that people talk about when they discuss “The Stranger” is Albert Camus’s Absurdism. However, associating with history background in 1940s, we can find that “The stranger” satirizes French colonists’ inconsistent behavior, and sympathizes with the native Algerian. Albert Camus uses Meursault’s life as an epitome to reflect the miserable life that Algerian have to express his political opinion implicitly.
The novel The Stranger was written by Albert Camus in 1942. The story is an example of how Camus perceives the world with his views. Camus’s views are that moral actions do not have any justification. Camus is considered an existentialist which means that he didn’t believe life had a specific meaning. Many of his beliefs are seen in this novel, as well as his other works. His beliefs began to form during his experience of World War II and after the terrors of the war; many other people believed that the human existence had no meaning. The Stranger could be classified as an existentialist novel because the protagonist of the story, Meursault, also seems to have existentialist beliefs. Meursault is a character that is very out of touch with the world. His attitude and morals were not accepted by the people of the society in the story, which leads to his death sentence.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.