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Mental illness and oppression in literature
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Mental Breakdown In Charlotte Perkins Gilman’s story, “The Yellow Wallpaper”, there are three main factors that lead up to the mental breakdown of the narrator. The narrator in this story is a woman who wants more from life than being a housewife. These factors are, her “nervous depression” (p.1670) in the beginning, the lack of contact with anyone but her husband throughout their stay at the colonial mansion, and the fact that she is locked in a room with such an eerie feeling. These three factors combined is enough to cause anyone have a mental breakdown. To begin with, the nervous depression that the narrator is suffering from starts the process of the mental breakdown. Her husband, John, says that “there is really nothing the matter with …show more content…
one but temporary nervous depression – a slight hysterical tendency” (p.1670). This statement leads the narrator to believe she is even crazier because her husband is saying she is not sick, when she knows she is, and then treating her as if she actually is sick. To make matters worse, the narrator is not allowed to be around her baby, she expresses this when she says, “It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous.” (p.1672) Next, the lack of contact with anyone but her husband, and Mary, the nanny makes her feel neglected and stir crazy. The narrator expresses her want to “go and make a visit to Cousin Henry and Julia” (p.1674), but John told her she “wasn’t able to go” (p.1675). This type of control causes the narrator to lose her sense of self. She constantly has her husband has given her a “planned prescription for each hour in the day.”(p.1671), and all she wants is to do is live her life and have some freedom to write when she pleases. The narrator feels like writing would be beneficial to her mental state, and that it would help her express her feelings and become well, but having to hide the fact that she is writing exhausts her. Finally, the nursery that the narrator and John are staying in is awful.
From the barred up windows, to the “smouldering unclean yellow, strangely faded by the slow-turning sunlight” (p.1671) wallpaper. The bars on the windows make the narrator feel as if she is trapped and cannot escape the awful torture of the wallpaper. Aside from the bars on the windows, the wallpaper is the main aspect that feeds into the narrator’s nervous depression, and causes her to experience a complete mental breakdown. The troubles all started when the narrator started following the pattern and noticing every twist and turn in the design. It then progressed to her seeing a woman behind bars in the pattern. Next, it became lifelike to her, “The faint figure behind seemed to shake the pattern, just as if she wanted to get out.” (p.1675). Finally, when the narrator reaches the utmost of her mental breakdown she begins tearing off the wallpaper in hopes of freeing the woman trapped inside, only to discover she is the woman behind the pattern. “I suppose I shall have to get back behind the pattern when it comes night, and that is hard.” (p.1680) I believe by this point the narrator feels that her husband has controlled her so much, that it is like being trapped in a pattern, with no way
out. When all aspects of this story come together, it is no wonder the narrator had a mental breakdown. In the 1890’s when this story was written, the man in the relationship had all the power. Women were seen as housewives, and that was it. The narrator in this story had a great mind before her nervous depression, and was discouraged from working so much that she completely lost control. In this time period the suppression of women was a major factor in everyday life.
In everyday day life we go through changes and sometimes we even break down to the point we do not know what to do with ourselves, but in Charlotte Perkins Gilman’s short story” The Yellow Wallpaper” the narrator is an obsessive person. The story focuses on a woman who is going through postpartum depression and has had a nervous breakdown. Her husband John moves her into a home where he wants her to rest in isolation to recover from her disorder. Throughout her time in the room the narrator discovers new things and finally understands life.
The irony between the two characters shows us how the narrator has a false sense of how a marriage should be. “John laughs at me, of course, but one expects that in a marriage” (Gilman 478). It is ironic because in a healthy, normal marriage, no one expects for a husband to laugh at his wife, but the narrator finds it to be completely normal. The narrator truly believes that her marriage is normal and that everything is fine, when in fact her husband has tricked her into going to an abandoned insane asylum in hopes of curing her. Another ironic moment is when John’s course of treatment backfires. John believes that taking his wife to an old asylum and locking her in a bedroom will be the cure for her for her depression, but it does the complete opposite. The narrator states, “I’ve got out at last, in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back” (Gilman 489). Both John and his sister believed that by isolating the narrator she would eventually become sane, but they failed to realize what was really wrong with her. John’s state of ignorance and his stubbornness lead him to misjudge the situation a...
The pattern on the wallpaper represents to the narrator and to the reader the male-dominated society that is depriving the narrator of her freedom. For the narrator, on a personal level, the pattern on the wallpaper represents the actions of her husband, doctor and her husband's sister to keep her locked in the room and idle. While these people are ostensibly attempting to aid the narrator, they are in effect imprisoning her i...
The short story “Yellow Wallpaper, “written by Charlotte Perkins Gilman in 1892, narrates the story in the first person through parts, as if they were entered as a memoir. She is a woman who is going through a type of paranoiac post-partum depression, after the birth of her child. It can also be observed also a type of bipolar disorder in her. The impact of the classic The “Yellow Wallpaper” is huge, the shock of its truth is unpredictable. Gilman’s suffering suffocates everyone around her. She is locked up in a bedroom, as she describes in one of the passages that she writes, seeing “barred windows for children” and “rings and things on the wall.” Clearly it can be seen
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
The Yellow Wallpaper is a popular book when discussing psychology in the late nineteenth century. The author, Charlotte Gilman, wrote her experience of mental illness through her narrator. Gilman suffered with depression after giving birth and she never fully recovered from it. (Gilman 95). The narrator is depicted as a woman who has been diagnosed with what was called a nervous disorder. Her husband, a psychologist, gave her several different tonics and other substances that are supposed to make her better. She was also put on bed rest meaning that she was not able to work or do anything that would tire her out. She is told to go and rest several times during the story and it is evident that her ‘psychosis’ gets worse when she is forced to stay in her room and rest for the majority of her days and all night. She begins to see women in the pattern of her wallpaper and she becomes obsessed with it. The narrator becomes very protective of her wallpaper and gets almost jealous when she sees her sister-in-law looking at it and touching it. She even says “no person touches this pa...
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.