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Nature in literature
Why is it important to talk about nature in literature
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Mortality and death are constantly present throughout the Lord of the Rings trilogy. Doom and fate are inescapable motifs, as Tolkien presents the question of where the journey of life leads to in the end. In the poem “I sit beside the fire and think,” Bilbo not only reflects upon his own journeys, he also recognizes that the journey goes beyond himself and continues even after his life ends. Furthermore, Bilbo’s poems connect to one another as the poem “The Road” is alluded to in “I sit beside the fire and think” when he mentions “the door” in order to indicate a circular flow of life. Death is a necessary part for life. When a life ends, there is the space for another to begin. However, the current situation of Middle-earth in the novels, sets up an ambiguous future for the upcoming generations. Tolkien ends the novel without a clear indication that either good or evil will prevail. Through his poetry, Tolkien reinforces a theme of the Lord of the Rings trilogy that although an individual’s journey and life must eventually end to make way for the future generations, the natural world will continue on, and those generations will carry the same burden of their ancestors of continuously fighting good versus evil.
In the poem “I sit beside the fire and think,” Bilbo reminisces on his past journeys and expresses disappointment that he will not be able to go on the next adventure. His journey has come to the end, thus all he has left to do is to sit and think of all that he saw. Tolkien uses an anaphora with the beginning line, “I sit beside the fire and think,” in order to emphasize the warm and comfortable environment in which he reminisces. The atmosphere in which he reminisces is a reflection of the happiness he feels towards ...
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...egan, and the purpose of the journey is pondered. Tolkien’s work carries the argument of why God created mankind mortal, and on the road and during the journey, the purpose and destination is not always clarified. These questions that Tolkien presents do not always have an answer. He is neither a real pessimist nor optimist in the ending, instead he is realistic that there will always be the possibility for evil in the world. Past generations can attempt to rid the world of evil to make the future a better place, but it is inevitable that each generation will have to continue the fight for good. Tolkien recognizes the necessity of mortality and death in his poetry so that life can continue on in others. The end of one life or journey is always the beginning of another.
Works Cited
Tolkien, J.R.R. The Lord of the Rings. Boston: Houghton Mifflin Company, 2004.
Within J.R.R. Tolkien’s The Hobbit, Tolkien uses the character of Bilbo Baggins to reveal to the reader the constant struggle between heroic and anti-heroic qualities within Bilbo and ourselves.
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
This theme of death giving meaning to life is prevalent throughout the Odyssey. Hell is death, heaven is now, in life, in the field of time and action.
A person should live life without fearing death and think of death as a pleasant rest. In the poem Bryant says, "When thoughts/Of the last bitter hour come like a blight/Over thy spirit,"(8-15). This quote implies when a person fears death he should listen to nature. He also states, "So live, that when the thy summons come to join/The innumerable caravans, …Thou go not, like a quarry-slave at night, /Scourged to his dungeon."(73-78). He explains here that a person should live life without fearing death. In the following lines the poet states, "approach thy grave, /Like one who wraps the drapery of his couch/About him, and lies down to pleasant dreams."(79-81). By this quote the author is saying a person should think of death as a plea...
Bilbo Baggins’ hobbit hole is his happy home, where for fifty years he was content to stay to avoid the dangers and uncomfortableness of the outside world. Through the novel, it is home he most often thinks back to, and ultimately where he has to leave in order to go on his adventures and grow. His attachment to his home can be contributed to three factors; it’s physical comforts, its protection from the outside world, and its representation of social standing. The hobbit hole, the narrator tells us, means comfort (11), and it explains to us the comfortable furniture, the pantries full of food and closets full of c...
One of the recurring themes throughout The Hobbit is Tolkien’s manifestation of morality through his inherently good and evil characters. Although, some characters narrowly balance the line of good and evil through portraying characteristics such as greed, the hobbits represent naturally altruistic and peaceful characters. The protagonist Bilbo’s rational nature and willingness to compromise through his selfless transfer of the Arkenstone to Bard and the Elvenking further highlights Tolkien’s portrayal of a simple and sensible twentieth century Englishmen in a fantastical setting. Even though he risks his promised sum of the treasures, Bilbo chooses to work as a peacekeeper to opt for a more sensible way of solving a problem. Therefore, the dialogue between Bilbo, Bard, and the Elevenking is a manifestation by Tolkien of the moral high ground of hobbits and their rational and peacekeeping nature, which impresses the men and elves to award their trust and honor to the hobbit.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
In the contract of life, there are numerous requirements. Every living being must be able to reproduce, practice homeostasis, consume energy, and adapt. However, there is one component of life that facilitators don’t include in their lesson plans: death. While all living organisms must have the ability to perform certain tasks in order to be considered living, all life must come to an end. Death is not a matter of if, but when. Many humans share a common fear of losing a loved one, yet authors utilize death to convey a profound meaning within their novel. In the first paragraph Bill Barich’s novel, Laughing in the Hills, he uses the inevitability of death to supply the reader with insight on the theme of his writing.
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
Because I could not stop for death” is a poem written by Emily Dickinson. In this poem death is personified as a suitor coming to take the speaker for a ride in his carriage. Death Is looked upon as someone who is kind. This poem is being told in three stages first as life then death and then the afterlife. On their carriage ride, the speaker sees the stages of life, and so it goes from being a child to adulthood, and then death. Finally, we come to the end of the poem where the speaker now has a new place to call “home,” which is her grave; however, it is not a place where she will always remain, because life is eternal.
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
Many people find it hard to imagine their death as there are so many questions to be answered-how will it happen, when, where and what comes next. The fact that our last days on Earth is unknown makes the topic of death a popular one for most poets who looks to seek out their own emotions. By them doing that it helps the reader make sense of their own emotions as well. In the two poems “Because I Could Not Stop for Death” by Emily Dickenson and “Do Not Go Gentle into That Good Night” by Dylan Thomas, the poets are both capturing their emotion about death and the way that they accepted it. In Dickenson’s poem her feelings towards death are more passionate whereas in Dylan’s poem the feelings
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
There are three stages of life that are presented very well in the poem “Because I could not stop for Death.” According to Dickinson the first stage of life is “We passed the school, where Children strove” (Dickinson 219). This means that the children are still young, innocent and have yet to mature. The second stage that describes the circle of life presented by Dickinson is “We passed the Field of Gazing Grain-“ (Dickinson 219). This presents the “grains” as humans who are maturing and are now in the presence of adulthood. The last stage of life presented is “We passed the Setting Sun-“ (Dickinson 219). As the sun sets it disappears and the moon is shining along with the stars, just like that, when the death occurs a person disappears and becomes one of the stars and starts shining from above as they have gone to heaven. This can also be interconnected with religion, as in many cultures it is believed that when a person dies, they become one of the stars and shine down upon us, watching us like a guardian angel. The people who have reached darkness is not standing next to god in heaven as they have reached the end of their life cycle. Humans forget that slowly but gradually they are maturing and before it is noticed death is at our doorstep, and Dickinson predicts this in her