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China cultural anthropology
China cultural anthropology
Chinese traditional culture
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In the novel Memoirs of a Geisha by Arthur Golden is based on a beautiful 9 year old girl named Chiyo. The novel tells her story of being sold to a geisha house with her elder sister due to the poverty she is living with back home. A geisha house, is a house full of young “bachelorettes” who are being prepared into becoming a wife. However, her story is a bit different. For her, she is forced into serving all others without receiving nothing back to her for her work. This is due to the house’s ruling hierarchy, which is used to determined is she has “high enough quality” to serve the clientele. These clients included men to come to the house and pay for the women’s conversation, song and dance. This requires Chiyo to have some “training”, and after years of this training, she than becomes Sayuri, a geisha of tremendous beauty and influence. In this novel an exploitation of women is vividly occurring. Geishas are always connected with sexual favours, things such as her virginity are up for sale and men who are interested in taking it, go through a ceremony and pay a lot in order to take it. …show more content…
Parents who are living in dirt poor communities must sacrifice selling their young girls to become a geisha’s. This shows the lack of value females have in this novel. Women in the house are given different jobs based on the seniority they have in the house. These range from, serving, such as Chiyo does, to being prostitutes in exchange for a handsome pay. This proves that if women aren’t being used as sexual desires, they will be stuck behind closed doors, cooking, cleaning and serving those around her, proving stereotypes
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
The House on Mango Street characterizes a community of girls and women restricted in their movements within the barrio. The roles of these girls and women are translated through the eyes of a child. When women in the barrio are confined, they can become a victim of abuse due to male domination. Women are confined to interior spaces in addition to their domestic roles as daughters, wives, and mothers. They live inside the barrio, but desire to escape and live outside the barrio.
Nisa: The life and Words of a !Kung Woman was written by an incredible anthropologist, Marjorie Shostak. While doing research and anthropological field-work in the Dobe regions of Africa, she studies women, Nisa, above all, who grabs her attention from the !Kung tribe. Marjorie Shostak does research and studies their culture, language, rituals, practices, and different aspects that make this specific culture so interesting to read about. The author narrates her interviews, observations, and analyses of the !Kung tribe from her field-work. Sexuality and the controls on sexual behavior are important aspects that Shostak describes as Nisa, a phenomenal woman in her culture experiences.
Sandra Cisnero’s The House on Mango Street is an well-incorporated story told through vignettes shorts sections that piece by piece fit into a puzzle and reveal a theme. This unique story is about a disadvantaged young Chicana girl, named Esperanza, growing up in a poor neighborhood where she feels she does not belong. She does not like what she experiences, and constantly searches for a new future. As Esperanza grows and changes throughout the book, she realizes that women in her culture are treated unfairly, and makes a conscious choice not to fall into the same trap as the women around her.
The House on Mango Street is the tale about a young girl named Esperanza who is maturing throughout the text. In it Esperanza documents the events and people who make up Mango Street. It is through this community that Esperanza’s ideas and concepts of the relationships between men and women are shaped. She provides detailed accounts about the oppression of women at not only the hands of men who make up Mango Street but also how the community contributes to this oppression. As the young girls and women of Mango Street try to navigate the world they must deal with a patriarchal society that seeks to keep them confined. By growing up in this environment where women are confined Esperanza seeks desperately to depart from Mango Street for fear
In this role, because of her sex, the woman is seen as an object. Traditionally women have been viewed as the weaker sex and because of this stereotype we see women imaging an inferior person, bowing under oppression from men. Perhaps this role is most vivid in the life of Sally in The House On Mango Street. " Sally doesn't tell about that time he hit her with his hands just like a dog, she said, like if I was an animal" (Cisneros 92). We are left to believe that Sally is being abused physically as well as emotionally and sexually.
According to Michelle Sugiyama, author “Of Woman Bondage: The Eroticism of Feet in The House on Mango Street” — the women of Mango Street are expected to be obedient and dependent on men. Their female roles which are deeply rooted beliefs are cultured into their minds and no matter what, they must adhere to such expectations without a question. For example, Sally, who portrays the role of an obedient daughter and must be compliant with her father, as well as Esperanza’s mother, who “could’ve been somebody . . . [because she] was a smart cookie” (90) yet she became dependent on her husband, conforming to her traditional female role, and compromising her dreams for the family’s greater good. However, when the male figures leave, die, or in general — absent, the women suffer because they do not provide for the family. Since men — again, with their superior gender role — are the ones who go to work and provide for the family, the women — with their inferior gender role, must stay at home, look after the children and make tortilla rolls. The women must abide by the gender role that the society perceives as the norm and indeed, male dependency is the
This story was used to teach the folly of women who thought they could survive without men. They were dependant on the nearby village, and weren't very well organized. They were much better off sticking to their own place in society. But as I said, not all depictions were bad. Some were quite nice, too.
The Secret Life of Geisha is a documentary film about the hidden life of geisha women in Japan. Geisha are Japanese women who entertain man through dance and singing, the term geisha as defined by the film means, “artist”. The film discusses the history of geisha, from their first appearance in the 1600s and through the major historical year of Japan from Meiji Restoration to World War II. In the 1800s, the West were confused between the image of geisha and prostitutes. The image of geisha throughout history have been clouded by prostitutes. As stated in the film, “Geisha wears her OB as the sash tied in the back”, and “Prostitutes wears their OB in the front”, beyond this distinction the geisha are the presence of a select elite, unlike prostitutes geisha livelihood isn’t exactly sex. The major period of change in terms of the roles and status of geisha was when the group of Samurai warriors began a rebellion against the Shogun's government, they used the tea house as a meeting space and with the support of geisha, the disaffected Samurai defeated the ruling of Shogun. It was 1868 when the geisha were allied to the most powerful group of people of that time, the Samurai. Another transition was the most important historical transition of
...ime. Majority of the women in the novel overcame the tough traditions of women treatment in ancient Chinese culture. The ancient Chinese culture believed that women should fall under patriarchy and strict ethics. This gave women no opportunity to move up the social class ladder. Being treated poorly effected would often affect women. Women like Lindo represent the power of escaping the oppressive atmosphere. Lindo decided to leave when she saw the Huang couldn’t control her anymore. Women had to be able to find their own independent identity. Ying-Ying is an example of this since she always wished to be found by someone, but inevitably she realized that she was her solution to finding her wholeness. Today modern women can express their thoughts, independence, and creativity. Aid should be continually provided for liberating women from oppression and discrimination.
Franklin D. Roosevelt was once quoted saying, “Men are not prisoners of fate, but only prisoners of their own minds”. Within this universe of endless possibilities, it is physically impossible for anything to stay completely constant. Human beings, as a part of the universe, are no exception. Individuals are, however, able to separate themselves from the rest by their thoughts, feelings, and actions. At any given moment, they are able to change their course of existence, possess the will and mental freedom to act and perceive in a goal directed manner. In Arthur Golden’s novel, Memoirs of a Geisha, Sayuri Nitta recalls her experiences throughout her journey of becoming a geisha. Sayuri Nitta, whose original name was Chiyo Sakamoto, is a strikingly beautiful girl who grew up in an impoverished fishing
Women have been given by society certain set of duties, which although change through time, tend to stay relatively along the same lines of stereotypical women activities. In “A Doll House” and “Simply Maria” we see the perpetuation of these forms of behavior as an initial way of life for the two protagonists. Nonetheless we see a progression towards liberation and self discovery towards the development as a human being by breaking the rules of society. Such attitudes soon find opposing forces. those forces will put to the test the tenacity of these women and yield freedom and ownership for their lives which are owned by others at the start of their stories.
At one time men were expected to be loyal to their lord and women were supposed to be loyal to their husband and family. During this women were allowed to own property and even inherit family property. They were expected to control the household budget and household decisions to allow men to serve their lord. When World War II hit it marked a shift in thinking about gender roles. The Japanese society went into the past of loyalty and courage to promote war effort during this crucial time. This is when women’s duty became to only have children. Women were looked at as keepers of the nation’s household even though many women worked in factories. During this war many “unused” women were drafted to sexually service military men. Soldiers referred to these women as “hygienic public bathrooms” or even as “semen toilets.” Japan was influenced by China to take on the confucian ideals in society. Confucian society focuses on the family and the roles of the genders in the household. Men are the heads of the household; women are dependent on the men. Women were expected to marry the men their family set for them, produce kids, and oversee the house. Women became not able to own property and became “slaves” to men in every way possible. It is believed that women’s happiness in life is only to be found in marriage. In this society women were to be married between 22 through 27 and if this was not met you were considered
“Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper” (Golden pg.428). The novel, Memoirs of a Geisha, by Arthur Golden, is about a world where deception is prominent, where the main character Sayuri faces many hardships before she is able to achieve success as a Geisha. This is shown through multiple events in the novel such as, Mr. Tanaka selling Sayuri into slavery, which leads to something better as she finds love and eventually benefits from the betrayal. This is also shown through Hatsumomo, as her constant deception throughout the novel leads to Sayuri becoming the most popular geisha in Gion, eventually rendering Hatsumomo powerless, and through the betrayal