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The influence of the Medici family on the artwork of the Renaissance
Medici's influence on the Renaissance
Lorenzo di medici and renaissance
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Cosimo di Medici
Cosimo di Giovanni de Medici was given the title Pater Patriae of Italy at his death and was also known as the primus inter pares. He was the founder of the Medici dynasty, who were during the Renaissance the de facto rulers of Florence. Even though Cosimo Medici was a powerful man, he was not an official ruler. Medici’s government also consisted of a council who would many times resist the laws that Medici put forth. This paper will look at the accomplishments of Cosimo di Medici.
Cosimo di Medici was born on the 10th of April, 1389 in Florence. His parents were Giovanni di Bicci de Medici and Piccardo de’ Bueri. He also had a twin brother Damiano, who died as an infant. They were named after the saints Damian and Cosmas
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When he died in 1429 he left them 179, 221 florins and two-thirds of the profit from the bank and many acres of land that surrounded Florence. (Burckhardt). Cosimo had much influence over the country of Florence due to the amount of wealth that he had. However, he did not hold any office as he liked to keep the illusion that he was not buying votes and that the country was a democracy. He was described as such "Political questions are settled in [Cosimo 's] house. The man he chooses holds office... He it is who decides peace and war... He is king in all but name.” (Taylor-Fritsch). However, while he may have seemed to be a king in all but name. Cosimo was a rather modest man despite his wealth and the money he spent on entertaining his guests. He worked long hours, dressed in modest clothing, ate and drank simple foods. Most importantly to the people of Florence, he was always accessible to them no matter their …show more content…
Eventually when he was broke Cosimo allowed him to borrow any amount of money he would like as long as he promised to leave his collection of books to him (Burckhardt). At Niccoli’s death Cosimo inherited 800 manuscripts. (Durant). Most of these manuscripts were given to the monastery of San. Marco, and the Fiesole Abbey. The rest remained with Cosimo. In regards to Fiesole Abbey, Cosimo had been told by his book finder Vespasiano to give up the idea of finding and purchasing books as the ones that were worth buying were not easy to obtain (Burckhardt). He advised him to use a copyist instead. Cosimo agreed to pay him by the day and Vespasiano hired 45 copyists to work beneath him. They delivered to Cosimo 200 volumes in only twenty-two months
“I’ll be out of here and away from all you knaves for one time anyway, as not a month will pass before you’ll see whether I’m nobody or a somebody.” The story of Bianco Alfani reflected the nature of 14th century Florentine society where, as Alfani remarked, the election to public office could make or destroy a person. In late 14th century and early 15th century Florence, decreased population and expanding commerce provided a favorable environment for ambitious individuals. The real life examples of Buonaccorso Pitti and Gregorio Dati demonstrated the positive role of ambition in Florence. Pitti, a nobleman had an extremely successful career, partaking in military campaigns, holding public office in Florence and being an ambassador to foreign courts. Gregorio Dati, the grandson of purse venders, engaged in commerce, rising in social standing which culminated with his election to public office. Holding office was a definitive sign of success and recognition in Florence. In contrast was the tale Bianco Alfani, a deemed man unworthy of office. As told by Piero Veneziano, Alfani was the chief jailor in Florence who was duped into believing he had been named captain of the town of Norcia. Alfani publicly made a fool of himself, spending all his money and creating a great fanfare over his supposed appointment. Comparing the lives of Pitti and Dati to the story of Bianco Alfani illustrates how economic and social change in 14th century Florence produced a culture centered on reputation and commerce. For men like Pitti and Dati, who flourished within the constraints of Florentine society, their reward was election to office, a public mark of acceptance and social standing. Those who were ambitious but failed to abide by the values o...
The Medici’s were a prominent family in the Renaissance, who ruled Florence from 1434 to 1737. They are regarded as being one of the most powerful and richest families in the whole of Europe. The Medics used this great status and wealth to develop an improved Florence, one that was significantly influenced by the Renaissance. The Medici family can most certainly be regarded as the significant heroes of the Renaissance. This is due to their significant promotion and patronage in the arts, in turn bringing focus back to the antiquities, a major importance during the Renaissance period. Furthermore, the Medicis can be considered the great heroes of the Renaissance, due to their significant influence of Renaissance Humanist thinking. On top of this, although the Medici family were allegedly corrupt and supposedly paid many bribes in order to become so powerful, they still focused on benefiting the heart of the Renaissance- the city-state of Florence- and should thus not be considered the great villains of the Renaissance, but instead the heroes.
U Mcllvenna, Scandal and Reputation at the Court of Catherine de Medici, University of Sydney
Lorenzo De Medici can be considered as one of the most influential men of the 13th century. His work in political affairs and administration were renowned in all Italy and his family could count on him in every aspect. Lorenzo was also a promoter of a new period called Renaissance. He was one of the first “mecenate” to explore this new way of art. In this project, I will concentrate how he developed art in Florence, giving a clear example through an Artist of that period that was working for him: Sandro Botticelli. His work “The Spring” is a well-defined example of what we can call “art in the Renaissance”, in particular for the Italian Renaissance.
In the Renaissance, some aspects of medicine and doctors were still in a Dark Age. Outbreaks of disease were common, doctors were poor, medicine was primitive and many times doctors would kill a patient with a severe treatment for a minor disease! But, there were other sections where medicine and the use of medications improved greatly. This paper is written to illustrate the "light and dark" sides of medicine in the Renaissance.
“The Prince”, by Niccolo Machiavelli, is a series of letters written to the current ruler of Italy, Lorenzo de’ Medici. These letters are a “how-to” guide on what to do and what not to do. He uses examples to further express his views on the subject. The main purpose was to inform the reader how to effectively rule and be an acceptable Prince. Any ruler who wishes to keep absolute control of his principality must use not only wisdom and skill, but cunning and cruelness through fear rather than love. Machiavelli writes this book as his summary of all the deeds of great men.
Michelangelo di Lodovico Buonarroti was born on March 6, 1475 in Caprese, Tuscany. His dad was Lodovico di Buonarrotto and his mother was Fracessca Neri. Michelangelo was also the second of five brothers. His mother was not capable of raising Michelangelo so his dad let a stonecutter’s wife raise him. Sadly, Michelangelo’s mom died when he was six (Bonner Par. 1-13).
The Medici family is officially in power. It is 1434 and the House of Medici has been looked up to since the 13th century, but now the Medici family is influencing major change. Due to the family’s support in arts and humanities the Renaissance has taken place. During the renaissance civilians primary focus was the idea that everyone should be educated and participate in arts and science. This change in the way people thought was influenced by the Medici family. The Medici family flourished financially in the 1400’s and continued to gain power politically in the 14th century. Several members of the Medici family created success for the
Francis was born at Assisi in Umbria in the early 1180’s. His fath er was Pietro Bernadone, a very wealthy cloth merchant. His baptized name was Giovanni but it was changed to Francesco. Francis received a decent amount of schooling as a child although he did not show much interest in it. He was very spoiled and did not want to go into his father’s business. He had high status, was handsome, wore fine clothing, and was very well known with the people of Assisi.
The idea of the Renaissance Gentleman. Just as it is false to see the Renaissance as a simple and sharp contrast with the Middle Ages, as did Michelet and Burckhardt, neither should it be seen as all of one piece. After the age of civic humanism came the dominance of the Medici in Florence, and in those contacts made with eastern scholars when the Council of Florence was attempting the reconciliation of the Eastern and Western Churches (a last effort to stave off the menace of the Turk) Cosimo de'Medici had been attracted to the figure of Plato. So there came his patronage of Marsilio Ficino and the birth of the Platonic Academy. Ficino became the disciple of Plato, and an advocate of neo-Platonism. Perhaps coincidentally, but as befits a court, the contemplative ideal began once more to gain over the active one. It was transmitted potently to Europe by a book that mirrored one of the noblest of Italian courts, that of Urbino. This was Baldassar Castiglione's Il cortegiano/The Book of the Courtier). Published in 1528 (that is, after the Sack of Rome, 1527) it has a nostalgic vision of the civilisation nurtured in Urbino from the time of Federigo da Montefeltro, in one of the most beautiful of princely palaces. Apart from offering in its close the neoplatonic idea to Europe, it recommended not so much the status of the courtier, as the ideal of the gentleman. There is no other comparable book that encapsulated the ideals of the Italian Renaissance, and its European success ensured the diffusion of the message. (Penguin Hutchinson Reference Library Copyright (c) 1996 Helicon Publishing and Penguin Books Ltd)
Caravaggio was born as Michelangelo Merisi da Caravaggio in Milan on September 28, 1571. He is the only child of Fermo Merisi and Lucia Aratori. His father was a household administrator and architect-decorator to the Marchese of Caravaggio. Around 1576 the family moved to Caravaggio to escape a plague in Milan, but not long after they left in 1577 Caravaggio’s father died and in 1584 his mother died. In the same following year of 1584, Caravaggio became an apprentice of the Lombard painter Simone Peterzano (Caravaggio Biography). Then in 1588 with no money and shelter Caravaggio left for Rome. In Rome he work as an assistance to many painter that were not as talented like him.In 1595 Caravaggio was determined to make his own way and began selling his artwork through a seller. Caravaggio paintings soon caught the attention of Cardinal Francesco del Monte, who idolized his art work (Caravaggio).
It would be a lie to say that Giovanni de’ Medici was the first in his f...
The social conditions that contributed to the style of the Baroque are of particular importance, as well. During these years, it was very common for the rulers of that time to hold absolute power over their people. Some will call it the “age of absolutism”. Because of this, many common people never really experienced the benefits of this era. This was reserved for the wealthy and well-connected in that society. The politics of the day were driven b...
During the time 1469, a child by the name of Niccolo Di Bernardo Del Machiavelli was born .Some may know him as an Italian philosopher, humanist, or a evil minded fellow associated with the corruptness of totalitarian government. In Machiavelli’s home state Florence, he introduces the modern political theory. Hoping to gain influence with the ruling Medici family Niccolo wrote a pamphlet call The Prince (Prezzolini).
"Famiglia De Medici: The Extraordinary Story Of The Family That Financed The Renaissance." Business Insider. 6 Dec. 2013. .