Spectrum of Wrongness: Medea v. Jason Jason is culpable for his decision to leave his family in Euripides’ Medea, however, the murder of his children by Medea is heinous. This does not mean that Medea is right to kill her children. Although it is true that Jason broke his oath, there is no justifying Medea’s actions. The children are a product of a power-hungry couple and they should not face the wrath of Medea because of their father's infidelity. Even before Medea thought of killing her children, she exclaims, “You horrible children, of a mother who hates you / goddamn you with your father / and the whole house go to hell” (Euripides 81-83). In Medea’s perspective the children are guilty by association, but they are not responsible for their father’s actions nor should they be held accountable for them. Medea goes back even further to convey how bloodthirsty she is when she recounts her history with Jason. Medea explains, “After betraying my father and my home / Then I killed Pelias” (Euripides 482-485). This proves that Medea is ambitious and deceitful for Jason before he divorces her. It did not matter that Jason broke his …show more content…
Even though Medea’s crime are despicable, Jason is also a despisable character. When he encounters Medea for the first time in the play, he says, “Even if [Medea] hates me / I could never think badly of [Medea]” (Euripides 462-463). It is easy for Jason to say these kind words because he is not the one being abandoned for another spouse. He also undermines Medea again after she recites how she helped him in on the Ship Argo. Instead of giving her any credit or appreciation, Jason confesses, “since you make such a mountain of it, I think that Kypris, god of love, was the savior” (Euripides 525-526). It is not enough to leave Medea for another woman while allowing her and her children to be exiled, but Jason also felt the need to discredit her contribution to his
Standards that women are held accountable and judged for while men it is acceptable for this behavior. In Medea 's situation, to prove her love to Jason she did whatever she needed to do to be with him and did not let anyone step in her way. She gave birth to two boys which would continue Jason 's bloodline however, that was not enough for Jason as he left Medea for his new Glauce. Jason 's main priority was to gain higher social status that leads to title, money, and land as well as having children as his legacy. Within Sappho she states, “Why am I crying? Am I still sad because of my lost maidenhead?” (Sappho, 36). After losing her virginity, she lost insight of her vision which she wanted her future to be as she received mistreatment from society including her relationship with her lover changing. In that result, within their situations they were incapable of maintaining their relationship with their lovers as well as love and sex not being enough to endure life
Later in the story, our sympathy transfers from Medea to Jason. Her revenge turns immoral, leaving readers with a sense of uneasiness. It is not so much the fact that she kills Creon and his daughter, but the fact that she slays her children in cold-blood.
Jason acknowledges that he will never become king if he stays married with Medea because of the greek’s being scared of her dark soul
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
Euripides had two disastrous marriages to unfaithful wives (Monogan). Thus, his general descriptions of destructive women, as in Medea and Phaedra, could be attributed to this. In the specific case of Medea, where there is a clear theme of adultery, there is a projection of his wives onto Jason and himself onto Medea. However, rather than writing a play about a male protagonist who had unfaithful wives, like a literal project of his life would be, Euripides inverts the gender roles in Medea. This could be due to the subordinate nature of women during the time, so the fact that his wives were the ones who were unfaithful to him was emasculating to a point of a figurative castration of Euripides. Thus, he describes Jason as unfaithful to Medea, but in reality, he is describing his now feminine self interacting with the unfaithful man that is actually a reflection of his
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
From when Medea first reflects on meeting Jason to the end of the story, her emotions toward him change immensely. Although it is clearly obvious that Medea is not mentally well, the fact still remains that this is a normal range of emotion for someone who went through all she did with Jason. The ups and downs of love have been played and replayed throughout centuries of drama and human life.
Medea is outraged that she sacrificed so much to help Jason, only to have him revoke his pledge to her for his own selfish gain. She asks him whether he thinks the gods whose names he swore by have ceased to rule, thereby allowing him to break his promise to her. Medea vows to avenge her suffering by destroying Jason's new family and his children. When Jason curses his wife for her murdering at the end of the play, she says to him, 'What heavenly power lends an ear / To a breaker of oaths, a deceiver?
Both men are unfaithful to their partners, though not in a `moment of weakness,' but premeditated, instilling jealousy in their spouses. Neither of them meets the strengths of character expected in their day. Jason displays no physical strength, valour or bravery. Indeed, Medea accuses him ...
Courageous, powerful, and reckless, Medea left her home without her father's blessing to accompany Jason to the land of Corinth, after using her magic powers to slay the dragon that guarded the golden fleece. She also killed her own brother to slow Jason's chasers. For a while, Medea and Jason lived in harmony in Corinth where they had two children. Later, Jason left Medea for Kreon's daughter. She became grief-stricken at her loss and filled with rage at Jason's betrayal. This, is explained by her nurse during the prologue in World Literature Volume A (pg697), "she'll not stop raging until she has struck at someone",
Betrayal has been a problem for mankind for as long as mankind has existed, but what exactly is betrayal? Many authors, psychologists, and philosophers alike have tried to answer that very question with no success. Certain types of betrayal can be beneficial, but more often than not betrayal causes an unfortunate series of events to follow it. One of the greatest examples of this comes from Greek Mythology and the story of Jason and Medea. Jason and Medea lived together as a married couple and had children together, Jason then betrayed Medea by throwing her aside and claiming they were never married. As revenge Medea then killed their children and fled. There are several different types of betrayal. There is betrayal of/by society or the exectutives of the country, betrayal of/by those close to you, and betrayal of/by yourself.
In The Medea, Medea gives up her home, murdered her brother and tossed the pieces of his corpse and betrays her family to escape with her lover Jason. Against her father's wishes she helps Jason recover the Golden Fleece. Afterwards, Medea and Jason fall in love, get married and Medea gives birth and raises two sons. Unfortunately, Jason abandons Medea and marries King Creon's beautiful daughter. Medea alternates her role from a lover and partner in crime to an obsessive prideful monster. Me...
In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways. One of the things she does to help their cause is bring about the death of her own brother. Certainly this is a woman who would sacrifice anything for her husband. Weigel records the fierceness of Medea's passion in his critique: "As a woman of passion, Medea is wholly committed to Jason as the object of her emotional life, whether in love or hate. When she loved Jason she did not hesitate to kill her brothe...
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.