Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gender essay thesis
There are various opinions regarding when the gender debate begins. Some believe it commenced with the completed work by Jean de Meun’s Roman de la Rose (1269, 1278). The work is the product of two authors with the first 4000 lines written by Guillaume de Lorris between 1269 and 1278 and the remainder by Jean de Meun. The first quarter of the story, which belongs to de Lorris, is an allegorical account of a young man’s experience with courtly love. Some critics describe the second half as “anti-Guillaume” due to its critique of courtly love and attack on women. Thelma S. Fenster and Clare A. Lees cite Christine de Pizan's participation in the querrelle de la Rose (1401-04) in the late fourteenth and early fifteenth centuries where she responds
Christine De Pizan’s work in The Book of The City of Ladies pioneers a new genre of feminist literature that exposes a time period from the perspective of its female population. Due to this, De Pizan justifiably earns the title of a revolutionary author. However, to say that De Pizan revolutionized the conditions of women in the medieval ages and onward is an overstatement. In her book, De Pizan critiques sexist arguments in order to defend women against misogyny. The change that De Pizan presented in medieval culture was gradual because she was attempting to amend people’s perspectives on women rather than offer any institutional rectifications. She worked to establish that women can be just as mighty as men, and thus, they are not innately inferior. However, her goal was not to ensure that women have equal access to exercise and pursue their virtuous roles. Therefore, if observed
In sixteenth century France, women were not independent and treated as equals as they are today. Women didn’t have much of or any identity of their own apart from their husbands, let alone any importance outside of their household duties; meaning, women didn’t have a voice within the home or publicly. Bertrande’s decision to go publicly to trail with the accusations of Arnaud being an impostor was a huge deal to the rest of the family; all of Martin’s family except for his uncle believed Arnaud was none other than Martin Guerre. This was pressure for Bertrande, to no longer go forward with the accusations against Arnaud. Determined, independent, honourable and brave were all qualities that Bertrande had shown through the actions she had taken to fight what she believed was the truth in the process of pursing the impostor. Bertrande proved women could stand up for themselves and not just stand behind their...
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Naivety as well as the longing to fit into society with a loving man and stable, well-to-do peasant family deceived an honorable woman. Bertrande de Rols’ young marriage had difficulties from the start. With the guidance from family, the Catholic Church and Basque customs, Bertrande attempted to follow the sixteenth-century expectations for women, but was misled by her own fear, loneliness and catastrophic past.
Marie de France’s “Lanval” is a Breton lai dominated by themes common to 12th century literature, which through its exploration of love, erotic desire, wealth, gender and community, tells the story of a young knight who finds himself caught between two worlds: his lover’s and his own. Forced to separate these societies by a warning in which his lover states, “do not let any man know about this…you would lose me for good if this love were known” (Lines 145-148), Lanval must keep his love a secret and exist apart from the Arthurian world into which he was born. Consequently, romantic love between Lanval and his fairie queen exists conditionally, that is upon Lanval’s physical and emotional isolation. This restriction suggests that romantic love, as described in terms of erotic desire and physical/emotional devotion throughout “Lanval,” is unsuited for existence in the mundanity of Arthurian society. Therefore, Lanval’s solitude is necessary for his maintaining his relationship with the fairie queen, a fact that suggests the incompatibility of romantic love with Arthurian society, as Marie depicts it.
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: U of Chicago P, 1991.
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
The Myth of the Latin Woman: I Just Met a Girl Named Maria, an essay written by Judith Ortiz Cofer, discusses the racial stereotypes Cofer struggles with as a Latin woman who travels across America. Throughout her life, Cofer discusses her interactions with people who falsely misjudge her as a Latin woman. Additionally, Cofer mentions other Hispanic women she has met in her life, who also suffer with racial assumptions. Although several people would disagree with Cofer and claim that she is taking racial remarks too seriously, racial stereotyping is a significant issue that should not be overlooked in our society. People should not base someone’s worth by their outward appearance or their ethnic background.
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
Her chief arguing points and evidence relate to the constriction of female sexuality in comparison to male sexuality; women’s economic and political roles; women’s access to power, agency, and land; the cultural roles of women in shaping their society; and, finally, contemporary ideology about women. For her, the change in privacy and public life in the Renaissance escalated the modern division of the sexes, thus firmly making the woman into a beautiful
The Maya were an advanced society, rich and full extraordinary architecture with great complexity of patterns and variety of expressions, that flourished in Mesoamerica long before the arrival of the Spanish in the sixteenth century. They were skilled architects, building prodigious cities of primarily of limestone that remain a thousand years after their civilization fell into decline. Greatness and Grandeur was the signature of all Mayan cities, from the terminal pre-classic period and continued until the abandonment of all the city states by the beginning of the ninth century. The Maya built pyramids, temples, palaces, walls, residences and more. The limestone structures, faced with lime stucco, were the hallmark of ancient Maya architecture.
Renaissance Humanism became increasingly concerned with the self and the fashioning of the self. In Il Cortegiano (The Courtier), published in 1528, Conte Baldassare Castiglione's ideal courtier is an exponent of the latter. The education or the self-fashioning of the courtier involves almost everything under the sun. Therefore, as the courtier must learn the proper skills of war, he must also learn how to love. Love, the deportment of the courtier towards court-ladies, keeps recurring in the conversation in the court at Urbino during the discourses of all four nights and the many controversies generated by Gaspar Pallavicino, Lord Julian, and Bernard Bibiena all involve love and culminate ultimately in Pietro Bembo's inspired Platonic exposition.
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
The first source, Christine de Pizan’s book ‘The Treasure of The City of Ladies’ contains a handful of sections on how differing demographics of women, elderly, young, property owning, should behave in order to cultivate a virtuous character and play the role of mediator between conflicting parties. It should be mentioned that this is definitely a prescriptive source, not an accurate portrayal of what was actually happening at the time, simply an ideal of what the author wanted to be happening and potentially observed. The document addresses women of middle and lower class in how they should be forging relations with both other women and men as a demographic. It has been contended that medieval shared “striking” similarities in experiences with class despite other cultural differences. Christine herself was a famous intellectual in the 13th c...
The Woman in Love, a section taken from Simone de Beauvoir’s The Second Sex, describes her theories on men and women in love and the vast differences and purposes they think love is for. This book was published in 1949, and with this in mind we can understand the way she describes women as the weaker sex and how dependent women are on men. In the beginning of the text she states that “The word ‘love’ has not all the same meaning for both sexes, and this is a source of the grave misunderstandings that separate them...love is merely an occupation in the life of the man, while it is life itself for the woman(683).” This first quote from this chapter is important because it really outlines what she is about to get at throughout the entire...