Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Kurt Vonnegut character analysis in slaughterhouse five
Consumerism in fahrenheit 451
Kurt Vonnegut character analysis in slaughterhouse five
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the novel Slaughter House-Five, Kurt Vonnegut, challenges the thinking of American society by incorporating the element of satirizing materialism and the worship of objects as an inadequate source of meaning for life. The theme of materialism arises often in the text and can be interpreted as a delightful purpose of life for many characters that are all commonly corrupt and discontented. Billy Pilgrim, a World War II veteran who was in the city of Dresden when the destruction of Dresden occurred, seems to have a different outlook on how life is structured and what really matters. Although like most other characters Billy himself too gets ridiculed by Vonnegut’s subtle satire on materialism. After the war Billy is an optometrist and is living reasonably well in a Georgian home in Ilium. Residing in the city of Ilium where the General Forge and Foundry Company is, safety goggles are high in demand and Billy says, “Frames are where the money is” (Vonnegut 24) referring to how the profession can result in having a high income. Talking about the optometry business in general, it brings in a good about of revenue because when patients receive eyeglasses, the tendency for your vision to fluctuate increases and you have to keep going back to get new frames with your new prescription. This also refers to the materialistic aspect and how certain individuals have to always have the newest, in this sense referring to the newest frames. He was making over sixty thousand dollars a year, gave his wife stylish gifts, and drove and Cadillac. Despite having all of these possessions, “Billy’s home was empty” (Vonnegut 61) Materialistic dependencies are a distraction from compassionate ideals that are focused more around social aspects of relatio...
... middle of paper ...
...are rather very cheap sometimes, they usually contain commercial and mass produced items that aren’t unique and anyone can have. From worthless items people can build a value that essentially covers up the underlying problem but by finding satisfaction in that illogical idea gives them a comfort zone for a limited amount of time till they find a better item to put their importance in. This phenomenon itself on its own creates a chase, chase after the everlasting circle of materialism. The distinguished grasping item is then given to Billy and he tries to compose a purpose of life out of it as well. “And the crucifix went up on the wall of Billy Pilgrim” (Vonnegut 39) Even though it meant valuable to Bill’s mother, she doesn’t keep it. Billy doesn’t care much about it because he isn’t so religious and this item that mattered so much once has become a piece of scrap.
Slaughterhouse-Five is a story of Billy Pilgrim 's capture by the Nazi Germans during the last years of World War II. Throughout the narrative, excerpts of Billy’s life are portrayed from his pre-war self to his post-war insanity. Billy is able to move both forward and backwards through his life in a random cycle of events. Living the dull life of a 1950s optometrist in Ilium, New York, he is the lover of a provocative woman on the planet Tralfamadore, and simultaneously an American prisoner of war in Nazi Germany. While I agree with Christopher Lehmann-Haupt that Slaughterhouse-Five effectively combines fact and fiction, I argue that the book is more centralized around coping.
Within the novel Slaughterhouse Five, by Kurt Vonnegut, the character Billy Pilgrim claims to have come “unstuck” in time. Having survived through being a Prisoner of War and the destruction of Dresden during World War II, and having been a prisoner used to clear away debris of the destruction, there can be little doubt that Pilgrim’s mental state was unstable. Furthermore, it may be concluded that Pilgrim, due to the effects of having been a Prisoner of War, and having been witness to the full magnitude of destruction, suffered from Post-Traumatic Stress Disorder, which caused him to review the events over and over during the course of his life. In order to understand how these factors, the destruction of Dresden and ‘PTSD’, came to make Billy Pilgrim “unstuck” in time, one must review over the circumstances surrounding those events.
"In Slaughterhouse Five, -- Or the Children's Crusade, Vonnegut delivers a complete treatise on the World War II bombing of Dresden. The main character, Billy Pilgrim, is a very young infantry scout* who is captured in the Battle of the Bulge and quartered in a Dresden slaughterhouse where he and other prisoners are employed in the production of a vitamin supplement for pregnant women. During the February 13, 1945, firebombing by Allied aircraft, the prisoners take shelter in an underground meat locker. When they emerge, the city has been levelled and they are forced to dig corpses out of the rubble. The story of Billy Pilgrim is the story of Kurt Vonnegut who was captured and survived the firestorm in which 135,000 German civilians perished, more than the number of deaths in the bombings of Hiroshima and Nagasaki combined. Robert Scholes sums up the theme of Slaughterhouse Five in the New York Times Book Review, writing: 'Be kind. Don't hurt. Death is coming for all of us anyway, and it is better to be Lot's wife looking back through salty eyes than the Deity that destroyed those cities of the plain in order to save them.' The reviewer concludes that 'Slaughterhouse Five is an extraordinary success. It is a book we need to read, and to reread.' "The popularity of Slaughterhouse Five is due, in part, to its timeliness; it deals with many issues that were vital to the late sixties: war, ecology, overpopulation, and consumerism. Klinkowitz, writing in Literary Subversions.New American Fiction and the Practice of Criticism, sees larger reasons for the book's success: 'Kurt Vonnegut's fiction of the 1960s is the popular artifact which may be the fairest example of American cultural change. . . . Shunned as distastefully low-brow . . . and insufficiently commercial to suit the exploitative tastes of high-power publishers, Vonnegut's fiction limped along for years on the genuinely democratic basis of family magazine and pulp paperback circulation. Then in the late 1960s, as the culture as a whole exploded, Vonnegut was able to write and publish a novel, Slaughterhouse Five, which so perfectly caught America's transformative mood that its story and structure became best-selling metaphors for the new age. '"Writing in Critique, Wayne D. McGinnis comments that in Slaughterhouse Five, Vonnegut 'avoids framing his story in linear narration, choosing a circular structure.
Vonnegut's Slaughterhouse Five as an Antiwar Novel. War can affect and inspire people to many degrees. Kurt Vonnegut was inspired by war to write Slaughterhouse Five. which is a unique book referred to sometimes as a science fiction or semi-autobiographical novel.
War novels often depict a war hero facing off against an enemy, with a winner on the other side. However, Kurt Vonnegut’s novel Slaughterhouse Five takes an opposite approach to the telling of a war story. The narrator uses the protagonist, Billy Pilgrim, to display his own anti-war sentiment. Vonnegut’s style of writing as well as his characters help to portray the effect of war on individuals and society as a whole.
Someone breaks something? So it goes. Somebody dies? So it goes. Throughout Kurt Vonnegut’s novel “Slaughterhouse-five”, “so it goes” was stated 106 times expressing the general sense of acquiescence to the way things are. The author made that the catchphrase to show that bad things that occur should be accepted, because there is nothing that can be done to change it, bringing in the idea of fate. Vonnegut made very big examples of using “so it goes” with people that went through these types of events, the Tralfamadorians that the main character Billy Pilgrim encountered, and the story from the Gideon bible that was alluded to in the novel.
The purpose of this paper is to analyze Kurt Vonnegut’s novel, Slaughterhouse-Five; providing details that indicate both Vonnegut and his protagonist Billy Pilgrim suffered from posttraumatic stress disorder (PTSD).
The book, Slaughter House-Five, written by Kurt Vonnegut, is based on the main character named Billy Pilgrim who is a little "lost" in the head. Billy is always traveling to different parts of his life and rarely in the present state. Throughout the book Billy mainly travels back and forth to three big times in his life. In each different time period of Billy's life he is in a different place; his present state is in a town called Illium and his "travels" are to Dresden and Tralfamadore. When Billy is in Illium he is suppose to have a "normal" life; he is married, has two children, and works as an optometrist. Then Billy travels back to Dresden where he was stationed in the last years of WWII and witnessed the horrible bombing. When Billy travels to Tralfamadore he is in an "imaginary" state, everything that happens to him is more like a dream. Through Billy's travels in time he shows that he is striving to find meaning in the events that happened in his life that he is afraid to acknowledge. As Billy says himself, "All moments, past, present and future, always have existed, always will exist," (1) this just proves even further that fact that Billy cannot ever forget any event in his life.
Kurt Vonnegut’s anti-war science fiction novel entitled, Slaughter House Five otherwise known as “The Children’s Crusade” or “A Duty Dance with Death,” is a classic example of Vonnegut’s eccentric and moving writing capabilities.Originally published in 1969, Slaughterhouse-Five pays tribute to Vonnegut’s experiences in World War Two, as an advanced scout in the 106th infantry division, a prisoner of war and witness to the firebombing of Dresden on February 13th, 1945 in which 135,000 people were killed, making it the greatest man-caused massacre of all times.This novel illustrates the cruelties and violence of war along with the potential for compassion in human nature and all that it encompasses.
Kurt Vonnegut’s background had an endless influence upon his writing. In his early years, Vonnegut was a private in the 106th infantry division in World War II. He and five scouts were caught behind enemy lines, and then captured. They were held POWs and were beaten on various occasions. In 1945, they witnessed the fire-bombing of Dresden, Germany. Kept during this time in a slaughterhouse, this is part of the inspiration for Slaughterhouse-five. After being released from the Slaughterhouse, Vonnegut called Dresden “utter destruction” and “carnage unfathomable”. This distressing time in his life led to one of the many themes of Slaughterhouse-five which is that nothing good can come from war and a massacre. This theme is expressed in the story when Billy Pilgrim says “Birds were talking. One bird said to Billy Pilgrim ’Poo-tee-weet?’” After the bombing, the POWs had to gather the bodies for a mass grave and then all the remains were set on fire. Vonnegut and the other prisoners were only there for a few more months, until they were rescued. The lasting effect this awful war caused Vonnegut had significant affect upon his writing; on return to the U.S., he was awarded a purple heart.
Kurt Vonnegut is one of the favorite dark humorists of the past century. Combining humor and poignancy, he has become one of the most respected authors of his generation. For twenty years, Kurt Vonnegut worked on writing his most famous novel ever: Slaughter House Five. The novelist was called "A laughing prophet of doom" by the New York Times, and his novel "a cause for celebration" by the Chicago Sun-Times. However, Vonnegut himself thought it was a failure. He said that, just as Lot's wife turned into a pillar of salt when she looked back, so his book is nothing but a pillar of salt. Kurt Vonnegut tied in personal beliefs, characters, and settings from his life into the novel Slaughter House Five.
What is war? Is war a place to kill? Or is it a place where something more than just killing happens? War, as defined by the Merriam Webster is “a state or period of usually open and declared fighting between states or nations.” War, can also be viewed with romantic ideals where heroes and legends are born. Even the most intelligent of us hold some rather naïve notions of war. Upon reading Kurt Vonnegut’s Slaughterhouse Five, intelligent readers have been divested of any romantic notions regarding war they may have harboured.
According to Kilgore Trout, automobiles are the only enemy for human beings. They destroy the peaceful, moist and nourishing blue-green balls in the earthling planet.
Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.
“You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You are the all-singing, all-dancing crap of the world.” This is the underlying message in Fincher’s Fight Club (1999), which satirically analyzes and critiques consumerism. The films characters vividly depict society’s immersion in materialism and presents viewers with the harsh reality regarding the irrelevance of material possessions.