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Michel foucault 500 word essay
Michel Foucault philosophy
Surveillance technology
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In Michael Foucault’s “Discipline and Punish”, the late eighteen century English philosopher Jeremy Bentham's model of Panopticon was illustrated as a metaphor for the contemporary technologies of mass surveillance.
Originally derived from the measures to control “abnormal beings” against the spreading of a plague, the Panopticon is an architecture designed to induce power with a permanent sense of visibility. With a tower in the center, surrounded by cells, the prisoners can be monitored and watched at any given time from the central tower. The goal of this architectural plan was to strip away any privacy and therefore create fear induced self-regulation amongst the prisoners, with an unverifiable gaze - The prisoners can never identify when and by whom they are being observed from the tower.
In Foucault’s analysis, the concept of Panopticon is developed based on the manipulation of knowledge and power as two coexisting events. He believes that knowledge is obtained through the process of observation and examination in a system of panopticon. This knowledge is then used to regulate the behaviors and conduct of others, creating an imbalance in power and authority. Not only can knowledge create power, power can also be used to define knowledge where the authority can create “truth”. This unbalance of knowledge and power then marks a loss of power for the ends being watched, resulting in an unconditional acceptance of regulations and normalization.
In this sense, self-regulation and normalized behaviors can be achieved through imposed threat and fear of punishments and discipline. With every movement supervised and all events recorded in a system of total surveillance, violence is no longer a necessary component of social...
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Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
The theory of Panopticon by Foucault can be applied in this poem. According to Foucault, there is a cultural shift from the old traditional discipline of inmates to a European disciplinary system (314). In this new disciplinary model, the prisoners always assume that they are under constant watch by the guards and they start policing themselves. Panopticon is the process of inducing inmates to a state of conscious and ...
However, there are other critiques that take a different approach on the oppression that exists in the novel. In "Urban Panopticism And Heterotopic Space In Kafka 's Der Process And Orwell 's Nineteen Eighty-Four,” Raj Shah argues that the way in which society in novel is oppressed is not an obvious oppression but one that focuses on constant surveillance. He uses Foucault’s arguments on panopticism to describe this. Shah states, “Foucault neologizes panopticism to describe a form of power relying not on overt repression, but rather upon the continuous surveillance of a population and the consequent strict regulation of the body” (703). He explains it is the constant surveillance that strips individuals of their rights and places them under oppression. He goes on to
In “Panopticism” Foucault states, “the major effect of the Panopticon: to induce in the inmate a state of conscious and permanent visibility that assures the automatic functioning of power” (Foucault, pg. 201). The function of the Panopticon is to keep the prisoners orderly by instilling fear inside of them, this fear forces them to stay in their cells, and to remain compliant. The Panopticon is a building designed for surveillance.
The constant eye of Big Brother invades the privacy of its members. The inevitable, looming screens at every turn, in every room, serve as a reminder that every move one makes is watched. Then when it is least expected, the voice behind the screen singles out a person and screams at them; the results lead to jumpiness and high levels of stress. A study shows that being watched “can change your behaviour and choices without you realising it.” (Goldman, “How Being Watched Changes You- Without You Knowing) insomuch, the telescreens work as a deterrent against breaking the rules. Everyone is far less likely to commit crimes since subconsciously they know that Big Brother is observant and they will have very little success in escaping should they be found guilty. This guarantees that the people will be wary of their speech, behaviour and facial expressions at all times. In fact the telescreens cannot be turned off, save for some special privileges given to the Inner Party which, turn into the catalysts for arrests for nothing but supposed delusions against the government. Taking away the privacy, makes the members feel vulnerable and therefore, easier to mold to Party
Michel Foucault's "Panopticism" is based on the architectural concept of the panopticon. Foucault extended this concept to create a new sort of authority and disciplinary principle. His idea was that of the anonymous watchers hold in and has the power to influence the ones being watched. This concept is two fold – it is subject to the person being watched not being able to know when they are being watched and to the rules of society places on individuals on how they should act in a given situation. This idea can be applied to every day life, like how we set up testing rooms for students or when reading literary works such as Dracula by Bram Stoker. In Dracula, there are power differentials caused by a character or characters "seeing" what others do not and caused by societal constructions.
Foucault once stated, “Our society is one not of spectacle, but of surveillance; under the surface of images, one invests” (301). By this, he means that our society is full of constant supervision that is not easily seen nor displayed. In his essay, Panopticism, Foucault goes into detail about the different disciplinary societies and how surveillance has become a big part of our lives today. He explains how the disciplinary mechanisms have dramatically changed in comparison to the middle ages. Foucault analyzes in particular the Panopticon, which was a blueprint of a disciplinary institution. The idea of this institution was for inmates to be seen but not to see. As Foucault put it, “he is the object of information, never a subject in communication”(287). The Panopticon became an evolutionary method for enforcing discipline. Today there are different ways of watching people with constant surveillance and complete control without anyone knowing similar to the idea of the Panopticon.
(Flynn 1996, 28) One important aspect of his analysis that distinguishes him from the predecessors is about power. According to Foucault, power is not one-centered, and one-sided which refers to a top to bottom imposition caused by political hierarchy. On the contrary, power is diffusive, which is assumed to be operate in micro-physics, should not be taken as a pejorative sense; contrarily it is a positive one as ‘every exercise of power is accompanied by or gives rise to resistance opens a space for possibility and freedom in any content’. (Flynn 1996, 35) Moreover, Foucault does not describe the power relation as one between the oppressor or the oppressed, rather he says that these power relations are interchangeable in different discourses. These power relations are infinite; therefore we cannot claim that there is an absolute oppressor or an absolute oppressed in these power relations.
As each person feels alone and alienated under big brother’s watchful eye, they have no choice but to build the only relationship and bond they can, with that of their oppressor. The knowledge that the thought police watches the citizen’s every move influences the masses towards a “norm” of a constant state of fear and discipline resulting in utmost loyalty to Big Brother. Also, because people have no idea when they’re being watched, they learn to behave as if always under scrutiny. This transforms people into their own forms of a panoptic gaze, policing their own thoughts and actions from the fear of possible surveillance. Foucault refers to it as “ becoming the bearers of our own oppression”.
Michel Foucault’s essay, “Panopticism”, links to the idea of “policing yourself” or many call it panopticon. The panopticon is a prison which is shaped like a circle with a watchtower in the middle. The main purpose of the panopticon was to monitor a large group of prisoners with only few guards in the key spot. From that key spot, whatever the prisoners do they can be monitored, and they would be constantly watched from the key spot inside the tower. The arrangement of panopticon is done in excellent manner that the tower’s wide windows, which opened to the outside and kept every cell in 360-degree view. The cells were designed so it makes impossible for the prisoners to glances towards the center. In short, none of the prisoners were able to see into the tower. The arrangement of cells guaranteed that the prisoner would be under constant surveillance. This is the beauty of the panopticon that anyone can glance at the cells from the tower but no prisoners can see the tower. The prisoners may feel like someone is watching, and know the he or she is powerless to escape its watch, but the same time, the guard in the tower may not be looking at the prisoners. Just because the prisoners think that someone is watching them, they will behave properly.
In Michel Foucault’s Discipline and Punish, he examines the role of the panopticon in the prison system in the eighteenth century. The panopticon was a method to maintain power and to ensure good conduct amongst prisoners. The panopticon is described as a central tower where one in power can oversee the surrounding area. Surrounding the center tower are cells containing prisoners. The inmates aren’t able to communicate with one another. Also, the prisoners are unable to distinguish whether it is a guard on duty watching their every move. The architectural design of the panopticon gives guards or those in power the upper hand. As a result of the prisoners being unable to determine whether someone ...
Theory: Michel Foucault argues a number of points in relation to power and offers definitions that are directly opposed to more traditional liberal and Marxist theories of power. Foucault believed that power is never in any one person's hands, it does not show itself in any obvious manner but rather as something that works its way into our imaginations and serves to constrain how we act.... ... middle of paper ... ... Giddons, A. (2007). The 'Standard' of the 'Standard'.
Sarah Snyder Professor Feola Gov’t 416: Critical Theory Assignment #2 On Foucault, “Truth and Juridical Forms” Michel Foucault may be regarded as the most influential twentieth-century philosopher on the history of systems of thought. His theories focus on the relationship between power and knowledge, and how such may be used as a form of social control through institutions in society. In “Truth and Juridical Forms,” Foucault addresses the development of the nineteenth-century penal regime, which completely transformed the operation of the traditional penal justice system.
“Power is exercised only over free subjects, and only insofar as they are free. By this we mean individual or collective subjects who are faced with a field of possibilities in which several ways of behaving, several reactions and diverse compartments may be realized.” (Foucault)
At this point we can determine the purpose of Foucault’s question, “what is critique”? Foucault’s definition of critique provides a tool to find cracks in power-knowledge relationships by analyzing the genealogy of a power knowledge relationship. Foucault states “we have to deal with something whose stability, deep rootedness and foundation is never such that we cannot in one way or another envisage, if not its disappearance, then at least identifying by what and from what its disappearance is possible” (65). Foucault believes that using his method of critique a power and knowledge relationship is not permanent. Questioning and knowledge can be used to remove the leash from authority.