People use masks to conceal what they don't want others to see. In William Shakespeare's Twelfth Night characters use masks to conceal who they really are. Viola conceals herself as a eunuch to work as a servant for Duke Orsino. Malvolio tries to manipulate others to give him sympathy but begins to self deceive himself instead. Sir Andrew refuses a duel and doesn’t know how to properly introduce himself to a women. Hes not as smart and tough as he says to be. Characters in William Shakespeare's Twelfth Night carefully use their masks to manipulate, to self deceive and protect others.
Viola decides to conceal herself as a eunuch to manipulate Duke Orsino into believing Viola is really a eunuch. Viola has just discovered the place she arrived in is called Illyria, she had no idea where she was after the shipwreck. “Conceal me what I am, and be my aid for such disguise as haply shall become the form of my intent. I’ll serve this Duke; Thou shalt present me as an eunuch to him”(Shakespeare 1.2.53-56). Viola would like to work for countess Olivia but she is mourning over the death of her brother. Viola decides to disguise herself as a eunuch named Cesario, and work for the Duke. Viola has mixed emotions about her new look but she knows it is the right thing to do to be able to keep her true identity a secret. “Be you his eunuch,
and your mute I’ll be. When my tongue blabs, then let my eyes not see”(1.2.62-64). The sea captain she meets after she washes up on shore tells her that it is a good idea to become a eunuch. This is because Duke Orsino cannot have any female servants.The captain tells...
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...ow through with the duel. Sir Andrew was begging Cesario not to continue with the duel. He even offered Cesario his horse. His own personal belongings because he was afraid. Sir Andrew is definitely not as tough as he claims to be.
Characters in William Shakespeare's Twelfth Night carefully use their masks to manipulate, self deceive and to protect others. It is proven that Viola successfully portrait herself as a eunuch. Also it is proven that Malvolio self deceives himself and tries to manipulate others to get sympathy because of this. Finally it is proven that Sir Andrew is an idiotic liar who thinks he’s better than what he really is. If you were a character in William Shakespeare's Twelfth Night. Would you conceal yourself? Manipulate and self conceive others including yourself, or just be you?
Works Cited
William Shakespeares Twelfth Night
...le knowing their identity, so that they do not have to face the judgments of others. "Man is least himself when he talks in his own person! Give him a mask and he'll tell you the truth!" (Velvet Goldmine).
In William Shakespeare’s, Hamlet, Hamlet pretends to act mentally unstable around Claudius (the King) and Polonius, emotionally blackmails Ophelia, and gives false information to his friends Rosencrantz and Guildenstern. Hamlet uses antic disposition, emotional blackmail, and misinformation in order to better manipulate those closest to him. This eventually causes the audience and those around him to lose trust in
When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
‘Man is not what he thinks; he is what he hides’ Andre Malraux was a 20th century French novelist in the 1900’s who constructed this simple quotation that simply explains how characters hide things in Hamlet. Characters in Hamlet hide the truth through their actions and words. Good morning and welcome to the Shakespearean conference, I am honoured to be here to speak about such an intriguing play. Four hundred years ago William Shakespeare created another one of his famous tragedies. This was the time before democracies when people believed in witchcraft and supernatural powers. The ironic thing about these beliefs is even though we have developed into a modern democracy we still have the same moral dilemmas. The royalty were abusing their
A mask is a covering worn on the face or something that disguises or conceals oneself. All the characters in Shakespeare's Hamlet hide behind masks to cover up who they really are, which contridictes a main idea, expressed by the fool, Old Polonius, "To thine ownself be true" (Polonius - 1.3.84). All the characters share strengths and triumphs, flaws and downfalls. Instead of revealing their vulnerabilities, each of them wears a mask that conceals who they are and there true convictions. The masks brought about feelings such as fear, hatred, insanity, indecisiveness, ambitiousness, and vengeance all of which contribute to the tragic ending of the play. Shakespeare reveals the idea of the masks in the first lines of the play, "Who's there" (Barnardo - 1.1.1). "Nay, answer me. Stand and unfold yourself" (Fransisco - 1.1.2).
Viola, alone in a strange land, disguises herself as a man in order to gain access to Duke Orsino's palace. She plays the role of Orsino's servant, Cesario, to be near him for she knows that he is the man who can help her in Illyria. On first hearing Orsino's name, Viola says: "Orsino! I have heard my father name him: He was a bachelor then." This reaction suggests that Viola already respects Orsino as a ruler before she begins to love him.
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
As in most comedies, William Shakespeare's Twelfth Night extensively. uses disguises, masks and mistaken identities to add to the comical nature of. the play. Viola's disguise as Orsino's page, Cesario, becomes crucial to the action in the play. Without this important element, the action in the play would slow down dramatically, making the story much less intriguing.
For any young female, this would be a devastating situation to be thrown into, and viola was no exception. Apart from having to deal with the loss of her brother, she also had to find a way to survive in illyria. Perhaps this is where the resilience in viola's nature is first shown instead of breaking down and mourning bitterly the death of her loved one, she immediately devises a plan to disguise herself as a male and serve duke orsino.
How Shakespeare Explores the Theme of Deception and Self-Deception in Twelfth Night Deception is the use of deceit that deceives everyone around you including yourself. It is the fact or state of being deceived. It can be a ruse or a trick in disguise, which deludes, giving a sense of indirection. It’s a misleading falsehood. One can deceive by running away from even their true self either physically or mentally.
The liminality in performing Twelfth Night lies in sexual ambiguity on the stage. It enables a boy actor to play viola's role and disguised as a boy who is wooing another boy who plays a female role . The audience sees no more than a p...
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Viola's male masquerade also calls attention to the more general theme of masking. As Cesario, Viola suggests that things are not always as they seem, that identities are protean, that self-deception rivals self-knowledge and that only Time can untie complicated "knots." Coppelia Kahn points out that the cross-dressing in Twelfth...
...disguise to add comic effect by encouraging humour of an audience via the ‘theories of laughter’. Comic effect is accurately demonstrated by Shakespeare’s incorporation of confusion, disorder and farce. However, it can be concluded that Shakespeare’s use of mistaken identity and disguise was for the purpose of more than just for comic effect, but to highlight the audience more serious topics and challenge social norms and values of the period. Ironically, it can be inferred that Shakespeare has masked his underlying purpose of mistaken identity and disguise with comedy.