Masking Ends in Deception, Much Ado About Nothing

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Masking Ends In Deception?

Shakespeare used many literary devices throughout his history to create timeless classics. Much Ado About Nothing is no exception. He used things such as themes, symbols and motifs to create this effect. Masking is the prominent motif in Much Ado About Nothing. It is seen many times over in this play. There are two kinds of masking that Shakespeare used in Much Ado. One is literal masking, this where a character actually wears a mask during the play. This is seen several times. There is also another form of masking that was used in Much Ado About Nothing, this is literary masking and this is when characters hide and/or makeup plots to put into others heads for a benefit or a cause.

In Act II, scene i, a “masked ball” was underway in a hall in Leonato’s house. This is a prime example of literal masking. In the previous scene, Don Pedro learned of Claudio’s love for Hero. Since he is the “cupid” of this story, he decides that at the ball he will mask himself as Claudio to determine if Hero’s love is returned. So while at the ball, Don Pedro, masked as Claudio, dances with Hero and says, “Speak Low, if you Speak love.” Of course she agrees, and eventually she and Claudio plan to be married the following Friday.

During Act II, scene ii, Don John sets up a plan of yet another act of masking. His plan is set up so Borachio looks to be making love to Hero, yet he...

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