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Masculinity femininity status
Portrayal of women in american literature
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Zora Neale Hurston’s Their Eyes Were Watching God reveals the role of masculinity as well as femininity in one’s life. Janie’s various relationships develop her sense of femininity, as the different men who she becomes involved with all possess different masculine traits. The progression from Logan to Jody to Tea Cake allows Janie to find her own feminine identity due to the different hardships she endures throughout her relationship with the three men. The vast difference in characteristics of the three men emphasizes the role that masculinity plays in a consensual, reciprocal relationship, and what ideal reciprocity looks like. While men typically exude power through control and influence, women tend to find strength through inner voice and self-discovery. As a result, the men and women in Janie’s life influence her growth and development as a woman and in turn, the women reflect the varying nature of those who can be vulnerable, desire stability, and find power through their internal voice. Janie’s first true exposure to a masculine character comes during her first marriage to Logan Killicks. Logan is the first grown man who Janie interacts with romantically and Janie is unaware of a man’s role in a marriage. Janie has also disconnected with Logan and is unable to …show more content…
Janie’s mother first signifies the vulnerability that women can often suffer from. At age seventeen Janie’s mother gets raped by her school teacher and after giving birth to Janie abandons the baby and disappears. As a result, Janie’s mother represents the harsh reality that many women of the time period faced with the dominating nature of men (Kitch 69). Janie’s mother ultimately makes the decision to leave Jody with Nanny because she does not know what to do with her newborn baby. Janie’s mother thereby reflects the often vulnerable nature of
Scene: Janie’s loneliness, desire for marriage and naive nature leads her to an ill-advised, and as a result brief, marriage to an older man named Logan Killicks. This demonstrates both her love longing and her lack of experience with love. Still, terrible as the marriage is, it is a learning experience.
Zora Hurston’s novel “Their Eyes Were Watching God” depicts the journey of a young woman named Janie Crawford’s journey to finding real love. Her life begins with a romantic and ideal view on love. After Janie’s grandmother, Nanny, soon grows fearful of Janie’s newfound sexuality and quickly marries Janie off to Logan Killicks, an older land owner with his own farm. Janie quickly grows tired of Logan and how he works her like a slave instead of treating her as a wife and runs away with Joe Starks. Joe is older than Janie but younger than Logan and sweet talks Janie into marring him and soon Joe becomes the mayor of an all African American town called Eatonville. Soon Joe begins to force Janie to hide not only her
Though Janie had three marriages in total, each one drew her in for a different reason. She was married off to Logan Killicks by her Grandmother who wanted her to have protection and security. “Tain’t Logan Killicks Ah wants you to have baby, its protection.” (Hurston 15) says Janie’s grandmother when Janie said she did not want to marry Logan. Though Janie did not agree with her grandmother, she knew that she just wanted what’s best for her. Next, she married Joe Starks, Janie was unsatisfied with her marriage to Logan so Joe came in and swept her off her feet. Janie did not like the fact that Logan was trying to make her work, so Joe’s proposition, “You ain’t never knowed what it was to be treated like a lady and ah want to be de one tuh show yuh.” (Hurston 29) was too good to pass up, so she left Logan and married Joe. Janie’s last marriage was to Tea Cake. Fed up after having been treated poorly by Joe, Janie finally found someone who liked her for who she was. “Naw, ...
As Janie is growing up she has to learn to accept her Nanny’s belief of how a woman is supposed to live in society. Nanny grew up in slavery so she believes that the role of men is to support his wife financially. Nanny thinks Janie should marry a man according to how successful he is and Janie should keep up the household responsibilities. Janie’s grandmother said, “Ah been waitin’ a long time, Janie, but nothin’ Ah I
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
The next man Janie has to lean on is Joe Starks. He was a kind of salvation for Janie. He was a well-dressed black man who had worked for “white folks” all his life and had earned enough to travel to a place where black people ran the town. Janie met Joe while she was still married to Logan. She wanted to leave Logan, but I do not think she would have if Joe had not come along. Joe convinced her that He would be better for her to depend on by telling her, “Janie, if you think Ah aims to tole you off and make a dog outa you, youse wrong. Ah wants to make a wife outa you.”(p.28) Janie took this invitation as a way to leave Logan without losing the dependency she needed.
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
The first man that Janie is dependent on is Logan Killicks. Her marriage to Logan was partially arranged by her grandmother, Nanny. Nanny felt the need to find someone for Janie to depend on before she died, knowing that Janie would no longer be able to depend on her. This is the only time that Janie is relying on herself to get by, she cannot rely on nanny because nanny had no idea what she was going through as a young girl. Janie doesn't want to marry Logan then is coaxed into it by Nanny, who felt God was allowing her to live only enough time to find someone to protect her. "Tain't Logan Killicks Ah wants you to have, baby, it's protection. ...He done spared me...a few days longer till Ah see you safe in life."(p.15) After Nanny passes away, Janie depends on Logan, and despite her dislike for him, continues to stay with him. Logan only sees her as a servant to him, and doesn't want her anywhere other than the house, ."..mah wife don't know nothin' `bout speech makin'. Ah never married her for nothin' lak dat. She's a woman and her place is in de home."(McGowan) Janie would have left him immediately if it wasn't for her dependence on him, and the need to find someone on whom she could depend before moving on.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the main character, Janie, struggles to find herself and her identity. Throughout the course of the novel she has many different people tell her who she should be and how she should behave, but none of these ideas quite fit Janie. The main people telling Janie who she should be is her grandmother and Janie’s 3 husbands. The people in Janie's life influence her search for identity by teaching her about marriage, hard work, class, society, love and happiness. Janie's outlook on life stems from the system of beliefs that her grandmother, Nanny, instils in her during her life.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
& nbsp;   ; Second, Janie sees Logan Killicks' perception of marriage. In the beginning it appears to Janie that Logan is a very nice gentleman, who is. constantly treating her well. However, as time goes on, Janie sees Logan's the "true colors" of the.
Logan sticks to the masculine stereotype roll. He believes that women are in the relationship to cater to any need of their husband. Being the male and the superior one in the relationship, he should be able to live an easy life without much worry. In the beginning of chapter 4, Janie has a flashback of what Logan told her about his last wife a couple months prior. “..."If Ah kin haul de wood heah and chop it fuh yuh, look lak you oughta be able tuh tote it inside. Mah fust wife never bothered me ‘bout choppin’ no wood nohow. She’d grab dat ax and sling chips lak uh man. You done been spoilt rotten." So Janie had told him, "Ah’m just as stiff as you is stout. If you can stand not to chop and tote wood Ah reckon you can stand not to git no dinner. ‘Scuse mah freezolity, Mist’ Killicks, but Ah don’t mean to chop de first chip." “(Hurston 25). Janie believes that marriage consists of both husband and wife doing a little of everything to get the work done. Later in chapter four, Logan calls Janie outside to help her out in the barn. “..."You don’t need mah help out dere, Logan. Youse in yo’ place and Ah’m in mine." "You ain’t got no particular ...
In Their Eyes Were Watching God, Zora Neale Hurston portrays the journey of Janie Crawford as an African American woman who grows and matures through the hardships and struggles of three different marriages. Although Janie is an African American, the main themes of the novel discusses the oppression of women by men, disregarding race. Janie gets married to three different men, aging from a young and naive girl to a mature and hardened women near the age of 40. Throughout the novel, Janie suffers through these relationships and learns to cope with life by blaming others and escaping her past by running away from it. These relationships are a result of Janie chasing her dreams of finding and experiencing true love, which she ultimately does in the end. Even through the suffering and happiness, Janie’s journey is a mixture of ups and downs, and at the end, she is ultimately content. Zora Neale Hurston utilizes Janie’s metaphorical thoughts and responses of blame and escape, as well as her actions towards success and fulfillment with her relationship with Tea Cake, to suggest that her journey