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Gender roles in Literature
Gender roles in Literature
Gender issue in literature
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Edgar Allan Poe’s, “The Fall of the House of Usher,” is a representation of gender fluidity in American fiction which takes the role of both masculinity and femininity as essential to character development. Although Poe’s tale centers around male characters, the feminine persona cannot be ignored and is also a central feature in the story. The story is centered around the mysterious House of Usher and its inhabitants (Roderick and Madeline Usher). Roderick Usher (the proprietor of the house) becomes ill (both physically and mentally) and invites his friend (the narrator of the tale) to visit him. Madeline Usher (the sister and wife of Roderick) is kept in the background but becomes the main plot focus and key character towards the end of the …show more content…
When the narrator describes his reason for visiting Roderick, he (the narrator) says that the letter Roderick sent him had an “apparent heart…which allowed me (the narrator) no room for hesitation” (200). The word “heart” strongly suggests a feminine quality in Roderick’s writing. Moreover, when the narrator meets Roderick, he (Roderick) greets the narrator with a “vivacious warmth” (202) and the narrator describes Roderick as having “an eye large…lips somewhat thin… but…surpassingly beautiful curve; a nose of a delicate Hebrew model…silken hair” (202-203). Physically Roderick exhibits many female characteristics such as a warming personality and possessing “silken hair.” However, even though Roderick exhibits a feminine appearance a duality between masculinity and femininity within Roderick is noted through his “large” eye and “thin” lips (typically masculine traits) and the fact that up until the end of the story he is the dominant character making decisions for the household (such as inviting the narrator to visit). Despite this, Roderick displays other typically feminine traits such as artistry and interest in romantic novels. For example, the narrator notices Roderick’s “fervid facility of his impromptus” (206) when playing the guitar which shows his musical prowess. In addition, Roderick has a passion for reading romantic novels such as “Mad Trist of sir Launcelot Canning” (213). Both qualities show a gentle and creative side to Roderick that is generally feminine in nature. Ultimately the role of Roderick being the sole masculine identity of the household is blurred and unclear because he is associated with many feminine
The story starts out with the narrator riding up to an old and gloomy house. He stresses that the overall persona of the house is very eerie. The reason he is at this house is because he received a letter from an old friend by the name of Roderick Usher. Roderick and the narrator were intimate friend at a young age but they had not spoken to each other in several years. The narrator examined the house for a great time as he rode toward the house, he noticed that the house had been severely neglected over time. That the house’s beautiful woodwork and Gothic type of architecture have not been maintenance to any degree since he had last seen it.
The ability of women to carry children gives them an aspect of control over the continuation of humanity in gothic stories which is explored throughout Edgar Allen Poe’s, The Fall of the House of Usher. Roderick Usher’s deteriorating mental health can be considered a result of his twin sister, Lady Madeline’s, impending death. Due to their inferred incestuous relationship, Usher’s family lineage is dependent upon a child conceived by himself and Lady Madeline which is pointed out by Roderick himself that her death “would leave him the last of the ancient race of the Usher’s” (Poe 4). The power of Lady Madeline’s death in the cessation of the Usher house is reflected in the immediate decline of Usher’s mental condition, as it is recognised that immediately after her decease “the luminousness of his eye had utterly gone out” (Poe 8). A woman’s role in humanity as the carrier of children and birth giver is a significant power that underlines many tales of gothic fiction and is seen as a force that must be controlled. The fear of loss, not only of Lady Madeline but of the Usher house in its entirety, reflects the substantial power of the feminine. The consequent entombment of Usher’s sister can be seen as a result of Roderick’s angst and attempt to ignore the repercussions of her death. The oppression of women in gothic stories is in the
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.
Incest is an issue throughout the story and Poe constantly used symbolism in the story to relate back to incest. Poe uses symbolism to expose character traits throughout the story, from the very beginning we see that Roderick is a very unusual being that has many odd habits. "The most insipid food was alone endurable; he could wear only garments of certain texture; the odors of all the flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did...
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
Judith Butler’s concept of gender performativity suggests that there is a distinction between “sex, as a biological facticity, and gender, as the cultural interpretation or signification of that facticity” (Butler, 522). Performing certain actions that society associates with a specific gender marks you as that gender. In this way, gender is socially constructed. Alfar defines the societal expectation of women as the “constant and unquestioning feminine compliance with the desires of the masculine” (114). Considering Macbeth from a modern perspective and taking this distinction into account, it is necessary to determine if the play is concerned with sex or with gender. Before the action of the play even begins, the audience is warned that “Fair is foul, and foul is fair” (1.1.11). The first scene of the play casts the world of Macbeth as a land where everything is opposite or disordered. This line at the very start of the play cautions audiences to not take the play at face value because things are not always as they appear to be. Because of this, “all the binaries become complicated, divisions blurred. Thus the binary nature of gender identities, male/female, is eliminated” (Reaves 14). In the world of Macbeth, the typical gender constructions are manipulated and atypical. If the play does not deal with sex, the qualities of Lady Macbeth cannot be applied to all women but rather, representative of society’s construction of gender, “the patriarch, and the limited, restrictive roles of women” (Reaves 11). Within this reading of Lady Macbeth, Shakespeare’s examination and questioning of gender construction allows modern day readers to recognize the enduring relevance of
In the short story, “The Fall of the House of Usher” by Edgar Allen Poe, diction is extensively used to create an air of suspense. Poe’s use of diction along with symbolism contributes to establishing a mood of despair. By using symbolic comparison between the Ushers and their house, the story’s suspense builds and the characteristics of the Ushers are portrayed. Poe’s cunning tactics are evident in the way he achieves a story of both suspense and horror.
Initially, Lady Macbeth is introduced as a dominant, controlling, heartless wife with the ambition to achieve kingship for her husband. These words are characteristics of today’s woman. She does not let her husband run her life, but instead, a modern woman seeks the best for both herself and her husband. This weak, unsure, and unstable condition of Lady Macbeth, which is only revealed towards the end of the play, displays the characteristics of a woman from the Elizabethan times. However, the audience begins to see hints of this hidden nature by the way Macbeth addresses her.
The story of Lady Macbeth throughout Macbeth is one unlike those of its time in its unusually forward-thinking portrayal of a woman with thoughts and actions which would have been considered indecent. This is seen through the representation of her relationship with Macbeth and how they interact. It is also illustrated through Lady Macbeth’s morals and their effect on how she acts and reacts in situations which would weigh heavily on most peoples’ conscious. Her power-hungry attitude is one often reserved for men, especially in this era of literature. All of these factors create a character in Lady Macbeth which is dissimilar to the classic portrayal of women in the seventeenth century.
In the following essay I will seek to establish the construction of feminine gender roles in ‘Game of Thrones’, the HBO television adaptation of George R. R. Martin’s series of novels ‘A Song of Ice and Fire’, which is played out in the fictional kingdom of Westeros. Consequently I will analyse these feminine gender roles from a materialistic viewpoint and discuss how a number of characters, principally female (since we will see how patriarchy is the favoured practice in Westeros), both conform to and reject preconceived ideas of gender performance and representation. To begin with it is necessary to establish an understanding of what ‘gender’ is. “Gender is the range of physical, biological, mental and behavioral characteristics pertaining to, and differentiating between, masculinity and femininity. Depending on the context, the term may refer to biological sex (i.e. the state of being male, female or intersex), sex-based social structures (including gender roles and other social roles), or gender identity” (Urdy 1994). Martin himself acknowledges De Beauvoir’s (1973) suggestion that gender is unnatural, ‘a social construction’, “I regard men and women as all human- yes there are differences, but many of those differences are created by the culture that we live in, whether it is the medieval culture of Westeros, or 21st century western culture” (Salter 2013). The characters portrayed and developed in ‘Game of Thrones’ are no different in that they too are subject to the culture that has been created around them and the experiences by which they progress “as De Beauvoir puts it, consciousness exists one’s body, which, in the context of ...
In Edgar Allan Poe’s short story, “The Fall of the House of Usher,” exhibits an accurate representation of the Gothic genre. Edgar Allan Poe’s work presents itself as mystifying because of the way he is able to confuse and muddy up the concepts to his readers. Poe incorporates the disappearance and reappearance action of the characters throughout the short story as well as an eerie feeling to represent the Gothic genre. Poe also uses the literary device, Gothic double. However, critics of Poe’s work have considered that some of his short stories are a parody of the Gothic genre. They are both equally represented throughout the short story. Furthermore, “The Fall of the House of Usher” is a the best of both worlds.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.
Characters in Macbeth frequently dwell on issues of gender. Lady Macbeth manipulates her husband by questioning his manhood, wishes that she herself could be ?unsexed,? and does not contradict Macbeth when he says that a woman like her should give birth only to boys. In the same manner that Lady Macbeth goads her husband on to murder, Mac...
A Critical Analysis of The Fall of the House of Usher There are three significant characters in this story: the narrator, whose name is never given, Roderick and Madeline Usher. The narrator is a boyhood friend of Roderick Usher. He has not seen Roderick since they were children; however, because of an urgent letter that the narrator has received from Roderick which was requesting his assistance in alleviating his malady, the narrator makes the long journey to the House of Usher. Roderick and Madeline Usher are the sole, remaining members of the long, time-honored Usher race. This might suggest incestuous relationships throughout the Usher family tree.