Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The Doll's House by Katherine Mansfield
The Doll's House by Katherine Mansfield
The Doll's House by Katherine Mansfield
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The Doll's House by Katherine Mansfield
“A story comes to you; it isn’t like you choose it. You have no real control.” Mary Downing Hahn has been a part of my childhood ever since I learned how to read. Finding new stories from her in my school’s library brightened my day. From The Doll in the Garden to All the Lovely Bad Ones she has brought out the scary stories for young audiences to enjoy. Mary Elizabeth Downing was born on December 9, 1937, in College Park Maryland. She was the first child of foreigner Kenneth Downing and Anna Sherwood. She was often left with her delusional grandmother in her early years who had terrible hallucinations. Downing Hahn disliked her grandmother who moved in after her birth. In her autobiography, Downing Hahn described her grandmother as “A strange and frightening person. Given to morbid ramblings about sin and death.” She made her early childhood miserable. Because of her grandmother, Hahn was on edge everywhere she went. Making it hard for her to make friends. At the time she was not interested in writing, but rather illustrating. When her mother’s friend gifted her a four-volume set of A.A. Milne’s stories and poems she filled in blank spots of the pages with her own sketches. …show more content…
She learned to love reading and no one could take a book away from her when she began reading. Her mother often scolded her for not playing with the neighborhood kids. She made a few friends with girls her age. They often talked about the hottest band members and the trend of the year. She met her husband in college and when she became pregnant she decided to drop and take care of her family. Hahn wrote small stories in her free time. Her grandma’s need to tell her about ghosts and death helped with the story making process. She states in her autobiography that you need to be scared of everything in order to write a scary story. When she was forty-four years old Hahn suffered a stroke. Many ideas for books spawned from her
When most people think of Texas legacies they think of Sam Houston or Davy Crockett, but they don’t usually think of people like Jane Long. Jane Long is known as ‘The Mother of Texas’. She was given that nickname because she was the first english speaking woman in Texas to give birth.
Jane presents one aspect of woman in The Waking collection (1953): Ross-Bryant views Jane as a young girl who is dead. The poem expresses concern with the coming of death. This poignant elegy is presen...
Misery, trauma, and isolation all have connections to the war time settings in “The Thing in the Forest.” In the short story, A.S. Byatt depicts elements captured from both fairy tale and horror genres in war times. During World War II, the two young girls Penny and Primrose endure the 1940s Blitz together but in different psychological ways. In their childhood, they learn how to use gas masks and carry their belongings in oversized suitcases. Both Penny and Primrose suffer psychologically effects by being isolated from their families’ before and after the war. Byatt depicts haunting effects in her short story by placing graphic details on the girls’ childhood experiences. Maria Margaronis, an author of a critical essay entitled “Where the Wild Things Are,” states that “Byatt’s tales of the supernatural depend on an almost hallucinatory precision for their haunting effects.” The hallucinatory details Byatt displays in her story have an almost unbelievable psychological reality for the girls. Penny and Primrose endure the psychological consequences and horrifying times during the Blitz along with the magical ideas they encounter as children. As adults they must return to the forest of their childhood and as individuals and take separate paths to confront the Thing, acknowledge its significance in their childhoods, and release themselves from the grip of the psychological trauma of war.
Once upon a time there was a story called "The Gingerbread Man" and a little girl who loved to hear the story every night at bedtime. Each night at bedtime, the little girl's kind father would tell the story to his little girl. He knew how much his daughter loved the story and so he was happy to tell the story over and over and over again, well ... almost. One night when the dad, whose name was Jon, was asked for the fifty gazillionth time to hear "The Gingerbread Man" story, a funny thought occurred to him. This time he would instead tell the story of the Stinky Cheese Man making it up as he went along. Well the little girl was certainly surprised by the new twist on her favorite tale. Instead of protesting and insisting that her dad go back to telling the story the way she'd always known and loved it, she simply laughed and listened contently to this new version which she proceeded to request night after night. Little did Jon Scieszka know, but his gift for re-inventing bedtime stories would lead to many more adventures in story telling. That's right, "The Gingerbread Man" story was not the only story twisted by Mr. Scieszka. With the help of his side-kick and illustrator Lane Smith, Jon Scieszka has made an entire book out of his unusual versions of favorite fairy tales. Perhaps you'd like to hear the tale?
She was a writer who suffered from Lupus. Her father died of the same illness when she was thirteen. Her Catholic beliefs reflected in her work, as well as the implementation of violence and darkness ironically used in her short stories. The titles in the stories give the readers an idea that the stories are the opposite of what the titles really state. She uses metaphors and similes to describe the characters and the settings of the stories. Each story relates to the darkness of the characters: people with racial prejudice, ignorance, and evil. Each story ends in a tragedy. The use of irony allows her to transport a meaning to each story that is not easy for readers to understand.
Stephen King’s, “Popsy” and “Graveyard Shift” are two short stories that bring the real-world fears into contact with fictional or imaginary fears. Stephen King, born in 1947 in Portland, Maine, has become one of the most famous and notorious horror story writers of the past century. “Popsy” was written in 1993 as part of Mr. King’s short story collection “Nightmares & Dreamscapes”. This short story can be impactful to people through a sense of fear and justice to those who do wrong. “Graveyard Shift” was written in 1970 and was first published in Caviler Magazine but was later added to King’s short story collection “Night Shift” in 1978. The relevance of this story to society, is through a sense cruel and morbid poetic justice. Both “Popsy”
I choose to do my biographical paper on Margaret Higgins Sanger, because I admire the work that she done and that is continuing to be done, because of her. She was one of eleven children born to Michael and Anne Higgins; a Roman Catholic working-class Irish American family; on September 14, 1879, in Corning, New York. Margaret’s father a man of the bottle and one who enjoyed talking politics, rather than earning the money needed to take care of such a large family, therefore she spent most of her life in poverty. While I think her father had an impact on the person Margaret grew up to be; it was her mother that really shaped her into the person she was. Along with the eleven children she birthed, Anne also had many miscarriages, Margaret believed that it was the many pregnancies that took a toll on her mother's health and contributed to her early death at the age of 40. (BIO, 2014)
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
She has a secret dream of writing romance novels that no one, except her teacher, Mr. P, had known about. The book explains, "People just don 't live and hide in basements if they 're happy" (Alexie 39). Mary was not happy where she was at, she would not let anyone read her pieces of writing. Skip downing states in his article, “ Victims are people who do not feel they are in control of the outcomes in their lives” (Downing 42). The way she acted made it seem like she was not confident in what she had been doing. Victims, like Mary, feel they are stuck and that they have to support which makes their ability to reach their goals fall short. Mr. P explains, "She always thought people would make fun of her" (Alexie 37). All this has shown that being in the basement and not pursuing her dreams had taken a toll on her. Mary never acted different than
Like Esther, Joan Gilling grew up in the same small town; she also won the writing competition and was sent to New York to work for the same magazine. Joan was also very conscious about how the world identified her as an individual. She didn’t want to conform to what society sa...
...ary devices covered in this paper cannot even begin to cover the entirety of a great short story. The point of view, the symbolism, and the setting are just a few things that make these stories so memorable. The ability of Shirley Jackson to make a reader question the way society allows as normal with its traditions, families, and customs causes the reader to think that this can happen anywhere. Charlotte Perkins Gilman makes the reader wonder throughout the story is she crazy or is she possessed. The ability to make the reader sit white knuckled holding the book is amazing and the writing styles of Charlotte Perkins Gilman and Shirley Jackson will forever go down in literary history.
Richard Matheson, an acknowledged writer of the 20th century, may seem as a simple horror artist who creates stories to scare his target audience. However, many of Matheson’s stories contain meaningful topics that relate to modern day issues. This can be seen through the works “Button Button”, “Nick of Time”, and “No Such Thing as a Vampire”.
Examining James’s tale closer, it becomes certain that the narrative is constructed in such a demanding way that the reader is almost certain to fall in love with the governess. Even though this implied love is challenged in the events of the story, the governess’s tale leads the reader back to compassion for her misery. One can even say that sympathizing with the governess allows the reader to accept uncertainty, thus accept the terror. This terror comes from not knowing what the governess has done, this terror outwardly haunts her to the day she died. But the governess did not let go even after her death, she passed on her horrific tale to Douglas, who in return became haunted. And presently, the tale comes to haunt its readers. This vicious circle of terror is never ending, and will continue to terrify many readers. Neither the governess, nor the reader can know if Miles was saved or just evi...
One evening, Byron challenged all of his guests to write a more thrilling ghost story than the one he had read aloud, Samuel Taylor Coleridge’s Christabel. This is a French translation of German ghost stories (E. Ty). Mary took this challenge seriously and she told a similar story leading to her later
Five years later her father retired from his job to take care of all of the children and happened upon Lazarus’ poetry notebooks. After reading them and taking a great liking to them, he carried the poems off without Lazarus’ consent and had them published for private circulation. When Lazarus was informed, her poems had already received much praise so, adding t...