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Marxist theory bourgeoisie and proletariat
Marxist theory bourgeoisie and proletariat
Ernest Hemingway style of writing
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Every story can be viewed in several different ways, and one of these different ways of viewing stories is Marxism; Marxism consists of the political and economic theories created by Karl Marx; its posits and oppositional relationship between the Proletariat, the working class, and the capitalist Bourgeoisie, those members of society that own the means of production. Marx believed that the government exploited its power to oppress the laboring masses for the benefit of the wealthy white portion of society. Ernest Hemingway, an American novelist and short story writer in the twentieth century, wrote many short stories during his lifetime, one of them being “The Doctor and the Doctor’s Wife”, which can be viewed through the Marxist lens. This short story consists of several Native American log workers, the Proletariat, and the wealthy white citizens of the society (in this story, the Doctor), the Bourgeoisie. The story follows the Doctor’s day as he interacts with the log workers and later, with his family. Ernest Hemingway, in his short story “The Doctor and the Doctor’s Wife”, blurs the lines of distinction between the Bourgeoisie and the Proletariat to show that the Marxist concept of different social classes is not completely true.
First, Hemingway blurs the lines between the Bourgeoisie and the Proletariat and utilizes the characters’ interactions to make the distinction between the two groups
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Interactions and dialogues between the Doctor and Dick Boulton as well as racial tensions between the Native Americans and the wealthy white citizens are just a few ways Hemingway conveys the hazy lines of distinction between social
Revolutionary-era America produced many amazing things such as the swivel chair and the flatboat. But none is greater than Thomas Paine’s The Crisis and Patrick Henry’s speech. These Revolutionary writers are well known for their handiwork and their contribution to the American revolution. Their use of allusions and charged words caused patriotism to swell within the colonies, which in turn, gave rise to the revolt against British tyranny.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Hemingway's characters in the story represent the stereotypical male and female in the real world, to some extent. The American is the typical masculine, testosterone-crazed male who just ...
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Fred Wright, Lauren's instructor for EN 132 (Life, Language, Literature), comments, "English 132 is an introduction to English studies, in which students learn about various areas in the discipline from linguistics to the study of popular culture. For the literature and literary criticism section of the course, students read a canonical work of literature and what scholars have said about the work over the years. This year, students read One Flew over the Cuckoo's Nest, by Ken Kesey, a classic of American literature which dates from the 1960s counterculture. Popularized in a film version starring Jack Nicholson, which the class also watched in order to discuss film studies and adaptation, the novel became notable for its sympathetic portrayal of the mentally ill. For an essay about the novel, students were asked to choose a critical approach (such as feminist, formalist, psychological, and so forth) and interpret the novel using that approach, while also considering how their interpretation fit into the ongoing scholarly dialogue about the work. Lauren chose the challenge of applying a Marxist approach to One Flew over the Cuckoo's Nest. Not only did she learn about critical approaches and how to apply one to a text, she wrote an excellent essay, which will help other readers understand the text better. In fact, if John Clark Pratt or another editor ever want to update the 1996 Viking Critical Library edition of the novel, then he or she might want to include Lauren's essay in the next edition!"
The Marxist theory “is the belief that the struggle between social classes is a major force in history and that there should eventually be a society in which there are no classes” – Karl Marx In the book “The Handmaid’s Tale” by Margaret Atwood there are significant examples of the Marxist theory because of the way social classes are represented, how religion is manipulated in the society, and what values the text reinforces in the reader.
Through this brief anecdote, Hemingway presents the readers the social dilemma of male domination over his counterpart. The women's fight for equality changed some "old traditions" but there are still many Jigs in our society that shouldn't be treated as inferiors. Women are the most beautiful beings in life, but they are not to be possessed ,but loved and admired.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
In the past centuries, health care was the responsibility of individuals and their own families but today Medicine comes to be an institution only as societies are more productive and people take on specialized work. At the same time as people become dependent on governments and organizations to provide them their health care and insurance, here is the problem. Social conflict analysis points out the connection between health and social inequality. Following the ideas of Karl Marx, we can match health to the operation of capitalism. Most attention has gone to three main issues: access to medical care, the effects of the profit motive, and the politics of medicine.
middle of paper ... ... This story supplies the reader with insight into Hemingway's personality and controversial themes. Works Cited Baker, Carlos. Heard.
Earnest Hemingway’s work gives a glimpse of how people deal with their problems in society. He conveys his own characteristics through his simple and “iceberg” writing style, his male characters’ constant urge to prove their masculinity.
...emingway are able to enhance the meaning of their work and provide extra credibility and realism into their plot. Fitzzgerald takes a rejection from his life and uses that idea to expand off from to write a social commentary on the corruption of the American Dream by the old-rich of the Eastern United States. Hemingway takes actual events from his life and used that as a basis for the plot of his novel. This enhanced the theme by describing the effect of World War I on Hemingway's generation.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.
In his popular 1926 novel, The Sun Also Rises, Hemingway illustrates how war plays a huge role in the real world and character identity. Although the novel features a fresh literary style, enjoyable dialogue, and beautifully constructed meaning, “nothing leads anywhere in the book, and that is perhaps the real point of it” (Young). The characters that Hemingway creates rarely mention the war; nevertheless, it affects everything they do and say. Jake Barnes, the protagonist of the novel, suffers from an emasculating war wound that results “in his frustrated love for an Englishwoman whom time and misfortune have driven into alcoholism, promiscuity, and self-destructive irresponsibility” (Sanderson). Participation in the war is seen as a major conflict as Jake’s impotence renders it impossible for him to have a relationship with Brett Ashley. Along with them, Jake’s friends have also lost their self-identity during the war; in effect, they are always agitated, itinerant, and searching for a constant change of scenery. While they favor to live in America rather than Europe, they have detached themselves from their home country and made themselves expat...