Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Significance of Nora in A Doll's House
How Nora Is Depicted In A Doll'S House
How Nora Is Depicted In A Doll'S House
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Significance of Nora in A Doll's House
Marriage Without Love in Henrik Ibsen's A Doll's House
In his play, 'A Doll?s House,' Henrik Ibsen shows a marriage built only on appearances, and not love. Both Nora the wife, and Torvald the husband, pretend they are in love throughout the story. However, love should be patient and kind, and their love is anything but that. Nora treats her husband as a father figure. Her feelings towards Torvald are more about dependence than love. Torvald treats Nora like a child or a pet. He gets very angry and frustrated with Nora, and he does not truly love her. True love is perfect, not angry, controlling, and dependent as Nora and Torvald are to each other.
Throughout the story, Torvald is constantly angry with Nora. He also tries to control everything she does. At the beginning of the story, Torvald accuses Nora of eating sweets. He says to her, ' Surely my sweet tooth hasn't been running riot in town today has she?'(Ibsen 874). He continues to pester her after she denies it several times. Later on Nora tells Kristine, ??. Torvald had forbidden them. You see, he?s worried they?ll ruin my teeth?(Ibsen 883). If Torvald really loved Nora, he would not care about petty things like that. If he truly loved her, he would not care if her teeth were ruined. He likes Nora for her looks and beauty, not her personality or character. Not only is he controlling of Nora, but also very angry towards her. When he finds out about her taking out a loan to save his life, he explodes on her. Torvald says to her, ? Oh what an awful awakening! In all these eight years- she who was my pride and joy ? a hypocrite, a liar ? Worse, worse ? a criminal?(Ibsen 916). Torvald does not truly love Nora if he can speak to her that way. Even after he say...
... middle of paper ...
...t based on true love.
Bibliography:
Works Cited
Gosse, Edmund. ?Ibsen?s Social Dramas.? The Fortnightly Review (January 1, 1889): 107-21. Rpt. in Twentieth-Century Literary Criticism 37. Eds. Kepos. Detroit: Gale, 1991. 220-221.
Isben, Henrik. ?A Doll?s House.? Making Literature Matter. Eds. John Schilb and John Clifford. Boston: Bedford/ St. Martin?s, 2000. 872-921.
Salome, Lou. ?Ibsen?s Heroines.? Black Swan Books (1985) 42-55 Rpt. in Twentieth-Century Literary Criticism 37. Eds. Kepos. Detroit: Gale, 1991. 226-231.
Scott, Clement. ?Review of a Doll?s House.? The Theater (July 1889): 19-22 Rpt. in Twentieth-Century Literary Criticism 37. Eds. Kepos. Detroit: Gale, 1991. 221-222.
Shaw, Bernard. ?The Quintessence of Ibsenism.? B.R. Tucker (1891): 82-86 Rpt. in Twentieth-Century Literary Criticism 37. Eds. Kepos. Detroit: Gale, 1991. 225-226.
Durbach, Errol. A. A Doll's House: Ibsen's Myth of Transformation. Boston: Twayne, 1991.
“A Doll House.” Literature: A Portable Anthology. Ed. Janet E. Gardner, Beverly Lawn, Jack Ridl, and Peter Schakel. Third edition. New York: Bedford/St. Martin’s, 2013. 850-908. Print.
Ibsen, Henrik. "A Doll House." The Bedford Introduction to Literature: Reading, Thinking, and Writing. By Michael Meyer. 9th ed. Boston: Bedford of St. Martin's, 2011. 1709-757. Print.
Ibsen, Henrik. A Doll's House. Literature and the Writing Process. Elizabeth Mahan, Susan X Day, and Robert Funk. 6th ed. Upper Saddle River, NJ: Prentice, 2002. 916-966.
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
Rogers, Katharine M. (1985): ‘‘A Doll House in a Course on Women in Literature,’’ in Approaches to Teaching Ibsen’s A Doll House, Shafer, Yvonne (ed.). New York: Modern Language Association, p.82.
Ibsen, Henrik. A Doll House. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 1999. 1564-1612.
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
Ibsen, Henrik. A Doll House. Lives Through Literature: A Thematic Anthology. Ed. Helane Levine Keating et al. 2nd ed. New Jersey: Prentice Hall, 1995. 782-838.
In Ibsen's "A Doll's House", there are many clues that hint at the kind of marriage Nora and Torvald have. It seems that Nora is a type of doll that is controlled by Torvald. Nora is completely dependent on Torvald. His thoughts and movements are her thoughts and movements. Nora is a puppet who is dependent on its puppet master for all of its actions.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
The play A Doll House (1879), by Henrik Ibsen, has a realistic feel that compels the reader to identify with the main characters and the situation that they find themselves facing. The wife, Nora, is in all but one scene, and nearly all the scenes occur in a single room. She is the main character, and it is her unraveling and self-discovery that the reader is spectator to.
Henrik Ibsen catches the world off guard with his play A Doll House. The world is in what is known as the Victorian era and women and men have specific roles. The way the story unravels takes the reader by surprise. Ibsen wanted to write a play that would challenge the social norms and that would show the world that no matter how hard they press, they would not always win. Ibsen uses society’s customs, deception, and symbolism to keep the reader on their feet and bring them a play that they would never forget.
In Henrik Ibsen's "A Doll's House", the subject most important to the story is marriage. "Until death do us part" well, not always. Everywhere one looks, divorce is plaguing society. The treasured marriage vows have become nothing but a promise made to be broken. A Doll's House is a prime example of a relationship that didn't work. To keep a marriage alive and well it must hold onto certain qualities: love, communication, trust and loyalty. With these qualities, any marriage is bound to work.