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Critical analysis on Dr Faustus
Critically comment on the conclusion of Dr faustus
Critically comment on the conclusion of Dr faustus
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Marlowe's Doctor Faustus
In Faustus' first speech in Act 1, my main feeling towards Faustus was
not sympathy but irritation. I became aware of Faustus' arrogance and
his impatience with ordinary learning, particularly with his referral
to law as 'a petty case of paltry legacies.' He also constantly refers
to himself as 'Faustus', reminding himself of his own importance.
Other aspects of Faustus' character are revealed in the descriptive
language he uses. He is 'ravish'd' by magic, and is 'glutted' with
learning. These adjectives show a very sensual personality.
The good and bad angels represent the two different sides of his
personality, one side urging him to sell his soul for magic and the
other urging him to remember that heaven is 'his chiefest bliss'.
Faustus seems to be a very worldly character in his first speech but
when he speaks of what he will do with his 'heavenly' powers, they are
very small goals. Faustus shows his true colours as a student when he
tells Cornelius and Valdes that he will 'fill the public schools with
silk' and make 'the Rhine circle fair Wittenberg'. These aims show his
loyalty to his home and to his students. In the first scene, the main
thing I notice about Faustus is his naïvety. He does not realise the
horrors of hell, partly through his determination not to believe in
it, and partly through Cornelius' and Valdes' influence, as they give
him the magic books with no warning as to their power.
After Faustus summons Mephostophilis, he seems to quite flippant
towards holy things, and even orders the devils to change. He tells
Mephostophilis to 'return and old Franciscan friar, that holy shape
becomes a devil best'. The first thing Faustus does when he summons
Mephost...
... middle of paper ...
...s ironic as she is conjured, and a devil. Faustus' pleading
becomes increasingly desperate and he says he would give up everything
for being saved. Even 'that I had never seen Wittenberg, never read
book'. His very last offer to Lucifer is 'I will burn my books!' This
shows his desperation as this would be the ultimate sacrifice for
Faustus, the ultimate scholar.
Throughout the play, my sympathy for Faustus varies in intensity. I
feel most sympathy in the final scene, when he wishes to repent, but
cannot. However, it is difficult to conjure up much sympathy for
Faustus as he brought his fate on himself. He had opportunities to
redeem himself and rejected them time and time again. He cannot be
classed as a tragic hero as he has too many faults. Faustus is
arrogant, vain, materialistic, and naïve. All these characteristics
eventually lead to his downfall.
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
Faustus, too, is a superior being. He consciously removes the yoke of academia, and exerts his free will. After freely entering into his contract with Lucifer, he repeatedly considers repenting. When he calls on Christ to help "save distressed Faustus' soul," the evil trinity of Lucifer, Belzebub, and Mephostophilis appear, possibly to tear him to pieces. Under duress, he vows, "never to name God or pray to him." However, with only one-half hour left on earth, he calls on God. Faustus, forever the horse trader, tries to strike a deal with God. He asks God, for Christ's sake and blood, to limit his time in hell from a thousand to a hundred thousand years.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
Faustus sells his soul for what he believes to be limitless power, with the full logical, as opposed to emotional, knowledge as to consequences of such a transaction. He knows the stakes of his gamble with the ...
Dr Faustus is a short play written by Christopher Marlowe. The play is a masterful insight into the paradoxical soul of mankind and its ironically self inflicted corruption. The play could be classified as a theological allegory. It can be assumed that the play specifically speaks to the religious motivations of the time, but can be adapted to the present as well. Marlowe portrays Faustus’ ambition as dangerous; it was the cause of his demise. Perhaps Marlowe used the theme of over-ambition as a warning to the audience, who would be likely to be wary of ambition - it was looked down on as a negative personality trait in Christian England (Calvinism) (Munteanu, Class notes). An on going theme within the story is the corruption of a soul which is played out through the use of religious beliefs. Specifically, the use of the seven deadly sins is a precursor to man kinds self inflicted death. Marlowe uses sin, redemption and damnation to get his point across to the audience. The sins that Marlowe specifically uses are those of: pride, covetousness, wrath, envy, gluttony, sloth and lechery. Theses sins are colourfully displayed through the character traits of Dr Faustus. In the process we view them and can adapt them to our own lives and how they are all parts to the corruption of our souls.
He creates plans to acquire the magic and what to do with them. For example, Faustus’ naturally ambitious characteristic leads him to say, “I’ll have them fly to India for gold, ransack the ocean for orient pearls” (Marlow 1.1, 109-110). Faustus goes on and on about the limitless potential he sees that the power of the supernatural can give to the world so much he asks his servants to call on the local summoners of Germany to assist him in summoning a well-known demon for their time. The demon, Mephistophilis, does not want to become Faustus’ servant, so he strikes a daring deal that the demons can’t say no to. Fasutus tells Mephistophilis to go to Lucifer and “[say] he surrenders up to him his soul, so he will spare him four and twenty years … Having thee ever to attend on me”(1.3, 317 – 320). Faustus is known amongst his peers as a well-known scholar but as well as a magician. He knows many things about life that lesser-men of his time would love to have of at least one specialty in a topic. He throws away his potential for jobs in other fields for magic which would require his soul. Faustus is not wise enough to understand he has a realm of possibilities of professions to join outside of sorcery but still gravitates towards the territory of magic and mystery. Recent studies suggest a correlation with millennials, and depression. Although more girls suffer from it and are 2 times as likely than a boy to
The relationship between Faustus and Mephastophilis creates a dynamic that is rejected by society at this time. Although Faustus is well educated, he still lacks the one thing he truly desires: someone to control him, especially in a sexual manner. When Faustus decides to give Mephastophilis his soul for servitude, Faustus proclaims: “Lo, Mephastophilis, for love of thee, / I cut my arm, and with my proper blood, / Assure my soul to be great Lucifer’s,” (I.V.53-54). The declaration of love for Mephastophilis suggests that Faustus realized that, by giving Mephastophilis his soul, he will be able to gain his desire for control through Mephastophilis acting as his servant and granting him his wishes. Faustus does not realize until the last line of the play, however, that Mephastophilis is the one who is
Christopher Marlowe, also known as "Kind Kit" and "The Muses' Darling," is most famously known for being a pioneer in English drama. Introducing blank verse, villain-heroes, and revenge dramas to the stage, Marlowe had a huge influence on other playwrights of that time including William Shakespeare.
I can go as far as saying that Faustus lusts to be God, similarly to Lucifer, considering everything he has asked for. Lucifer was envious of God before he fell from grace, and with Faustus emulating Lucifer so closely, he also matches this unnecessary envy through his actions. He is too charmed with being a God in which he says “A sound magician is a mighty God.” The fact that Faustus wants to be an equal with God has him in complete denial of God 's power. But just as how Lucifer was damned for the same desires, Faustus was destined to follow the same fate. Despite Lucifer’s damnation, it is also as if he has succeeded in someone serving him as a God, seeing that Faustus has gave himself up to
Solomon’s righteousness and virtue are the antithesis of Doctor Faustus, the title character of Christopher Marlowe’s play, “The Tragical History of Doctor Faustus.” In this story, we see a man with n...
Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.
In this essay the critical approach on (Mythological and Archetypal Approach) played a big role in forming my opinion of the signet classic book, "Doctor Faustus" It is to my knowledge that mythology does not meet our current standards of factual reality, but unlike the 16th century which this play was presented, men like Faustus saw myth as fundamental and a dramatic representation of the deepest instinctual life in the universe.
...d for an escape when all he really needs to do is look upward. Lucifer does not send Faustus to hell, Faustus sends himself by not accepting the gift of salvation that God freely offers him right up until the end. In his final hour, Faustus comes to the realization that he is getting the short end of the deal he has made with the devil and how even all the power he had possessed is fleeting in the face of eternity. Faustus' final soliloquy is a realistic look inside the mind of someone who stands on the threshold of forever and knows his destination. After reading this, one should either rejoice that he or she will not have to face the same fate as Faustus, or recognize that he or she is walking the same road and repent.
The struggle between Faustus' superego/good angel and his id/bad angel continue throughout the play and the possibility of achieving a balance doesn't seem to exist. In the society of the sixteenth century repressive moral standards prohibited a possible balance between ethical demands and human passions, causing psychological traumas as the reader can observe it in this play. Society of this time, forcing their limited understanding of God on people, caused thinkers like Faust to lose their chance for a supernatural experience with God that could have solved their questions. It would take another two hundred years until in the period of Enlightenment a new Faust, created by Goethe, would retain his noble character and conquer with reason the trivial attempts of Mephistopheles.