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Realism influence in the 21st century
Values of realism literature
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Recommended: Realism influence in the 21st century
Marcel Breuer
A Master in Modernism
1902 - 1981
Contents
MODERNISM
BAUHAUS
FURNITURE
ARCHITECTURE
LIFE & WORK
BIBLIOGRAPHY & CREDITS
Modernism Modernism gained form circa 1850, it proposed “new forms of art on the grounds that these were more appropriate to the (present) time. It is therefore characterised by constant innovation and a rejection of conservative values such as the realistic depiction of the world. This has led to experiments with form and to an emphasis on processes and materials. (TATE.org.uk, assessed 27 Oct 2014)
The emergence of Modernism brought about several art ideas such as realism, impressionism, symbolism, aestheticism, cubism and constructivism to name but a few, all rejecting conventional ideas and attitudes
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The Bauhaus of Nature. Modernism/Modernity, 12(2), pp. 229-251.
Arthur, J. C., 2000. Bauhaus. 1 ed. London: Carlton Books Ltd.
Droste, M., Ludewig, M. & Bauhaus-Archiv, 1992. Life and Work. In: Marcel Breuer. 1 ed. Cologne: TASCHEN, p. 149.
Hodge, S., 2011. 33 Bauhaus. In: 50 art ideas. London: Quercus Publishing Plc, pp. 132-133.
Hyman, I., 2001. Marcel Breuer, Architect. 1 ed. New York: Abrams. Inc.
TATE, no date. TATE. [Online]
Available at: http://www.tate.org.uk/learn/
[Accessed 27 October 2014].
The Late Show: Bauhaus: the face of the Twentieth Century (1994) [TV programme]. BBC 2, 17 Oct 1994.
Wolfgang, C., 2009. Introduction. In: Approaches to the Built Environment. s.l.:De Gruyter, pp. 9-15.
Image Credits / Sources:
Front Cover: Droste, M., Ludewig, M. & Bauhaus-Archiv, 1992. Life and Work. In: Marcel Breuer. 1 ed. Cologne: TASCHEN, p. 149.
Figure 1: https://shard2.1stdibs.us.com/archivesE/upload/9243/09_13/rietveld1/XXX_rietveld1.jpg
Figure 2: http://imgs.abduzeedo.com/files/articles/de-stijl/2a6cf635559f861d984566b88a647856.jpg
Figure 3: http://www.greatbuildings.com/gbc/images/cid_1250959206_bauhaus_P8062363.jpg
Figure 4:
Founded by Walter Gropius in 1919, the Bauhaus was a German art school that initiated the combination of art and crafts innovatively to produce goods for everyday use, which influenced and shaped modern life. The Bauhaus value is still effective today since we can still see the impact of the Bauhaus. For example, contemporary furniture are mostly minimalist, which is one of the values from the Bauhaus. This essay will discuss the failure of the Bauhaus in achieving its mass-produce ideal through examining three Bauhaus production, the Wassily Chair, the chess set and Model No. MT49 tea infuser. Through the aspects of artistry and utility, the Bauhaus pursued to generate reasonably priced mass-production by taking the forms and materials into
Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. 2004. Accessed October 27, 2011. http://www.metmuseum.org/toah/hd/duch/hd_duch.htm.
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin. New York: The Museum of Modern Art, 1978.
A man named Walter Gropius, who was the founder of the Bauhaus, requested Albers to teach new students, due to Albers’s extensive knowledge and background. Albers quickly rose through the ranks, and he became a professor in the year of 1925, the same year that the Bauhaus had moved to the city of Dessau. During his time there, he married Anni Albers, a stu...
The Bauhaus was a school for art, design and architecture founded in Weimar, Germany with a core objective “to reimagine the material world to reflect the unity of all the arts.” The Bauhaus intended to create products that were simple in design which as a result could be easily mass produced. The works produced by the Bauhaus were entirely diverse as there was no distinct “style.” Students began with a preliminary course that taught the basic Bauhaus theory and then were allowed to enter into specialized workshops. Throughout the years, it moved to Dessau and then Berlin and ending with the closure by Nazi soldiers. As a result of its existence, the Bauhaus had a major impact on art, design, and architecture trends throughout the rest of the century.
3. The Bauhaus had a major influence on modern art, design and architecture. Drawing from writings by and about the Bauhaus, and with reference to two or three visual examples, critically assess this influence and the ongoing relevance (or not) of the Bauhaus today.
Art is all around us. The architectural design of buildings to the ornamentation of jewelry and art is in almost everything. To those who have little prior knowledge of certain architecture styles and or influences, a building can appear, as just a building and a piece of jewelry can appear as just that. With the idea that art is everywhere there are two art styles that have heavily influenced the architecture seen in todays communities, those being Art Deco and Bauhaus. These styles represent so much more than architecture, they represent a time period and a cultural and political reform. The purpose of this paper is that one will be able to understand
In the 19th century, Creativity and manufacturing started drifting apart, and as a result the Bauhaus aimed to unite them one more time, bringing back to design for everyday life. The school had for initiative to resuscitate every single aspect of art that started to fade away; everything that contributes to the beauty of art and gives it its
So, the photographs demonstrate that the Bauhaus followers gave preference to the loose dresses and skirts with straight-cut tops that did not tend to accentuate the silhouette of a woman . They also wore straight trousers with a simple shirt and/or cardigan. Apart from that, loose-fitting suits accompanied by both a shirt and tie appeared to be essential parts of a man’s wardrobe . Hence, one cannot deny the fact that the sense of fashion was another characteristic feature of the representatives of the Bauhaus movement.
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
Neumann, Eckhard. Bauhaus and Bauhaus People; Personal Opinions and Recollections of Former Bauhaus Members and Their Contemporaries. New York: Van Nostrand Reinhold, 1970. Print.
There is not a pinpoint as to where the Modernist era began. It was a time of change and transformations. The American Dream started shifting into the idea of bigger, better and reaching for the best. Many people believe that the beginning of this era is not exactly known (American Modernism: Greenhaven 13). People believe this because there was not a big enough event to start it. Of the many changes throughout the years, this period is seen to stand out more because of how big the transformations were. Not just were there shifts in the American Dream but also in the home life and in the writing styles. This time lead to even more time periods to come where all kinds of things were changing and things were becoming more cantered around the American Dream and about art and music and freedoms. People started focusing less on religion and became more open about religion. People started to ...
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.
(Web Museum 1) Pioch, Nicolas. “Expressionism.” 16 September 2002. Web Museum: Paris. 16 November 2002 < http://www.ibiblio.org/wm/paint/tl/20th/expressionism.html>. – History of expressionism focusing on the Brücke group.
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.