In William Shakespeare’s Julius Caesar, Mark Antony pleads with his “Friends, Romans (and) countrymen” to lend him their ears in an effort to exonerate Caesar from false charges laid against him. The three main conspirators in Caesar’s murder, Brutus, Casca and Cassius portrayed Caesar as an ambitious tyrant to the Roman people. After Caesar was unjustly killed by his friends and comrades, the crowd was persuaded to believe that his death was necessary for the good of the republic. However, Antony’s oration cleverly manipulates the crowd through the use of pathetic appeals, especially enargeia, into rebelling against the assassins and mourning the death of Caesar. Caesar’s untimely and unnecessary death created a unique rhetorical moment that Marc Antony seized. Bitzer states in his article “The Rhetorical Situation” that “a particular discourse comes into existence because of some specific condition or situation which invites utterance” (Bitzer 41). According to the assassins, Caesar’s murder was necessary for the good of all the Roman citizens, who unquestioningly believed Brutus’s accusations that Caesar was ambitious and unfit to govern Rome. Marc Antony used his speech to win back the citizens and unite them in grief and outrage at Caesar’s murder. One of Marc Antony’s objectives as he ascended to the pulpit was to refute the claims of Caesar’s guilt of ambition: “I thrice presented him a kingly crown, / Which he did thrice refuse: was this ambition? / Yet Brutus says he was ambitious; / And, sure, he is an honourable man. / I speak not to disprove what Brutus spoke” (3.2.98-102). He reminded the public that Caesar had been offered the opportunity to be crowned King of Rome three times, and each time Caesar had refused it... ... middle of paper ... ...r the name of the slain leader and managed to sway public opinion from one extreme to another. His words cause the angry mob to scour the streets of Rome for anyone who took part in his murder. His pathetic appeals to his friends, Romans and countrymen incited them to become an enraged mob to avenge Caesar’s death. His words display the assassin’s malicious actions for what they were and honor the memory of Caesar. Works Cited Bitzer, Lloyd F. "The Rhetorical Situation." Philosophy and Rhetoric (1968): 39-48. Crowley, Sharon, and Debra Hawhee. "Chapter 6: Ethical Proof : Arguments From Character." Ancient Rhetorics for Contemporary Students. New York: Pearson Longmann, 2004. 163-203. Crowley, Sharon, and Debra Hawhee. "Chapter 7: Pathetic Proof : Passionate Appeals." Ancient Rhetorics for Contemporary Students. New York: Pearson Longmann, 2004. 205-219.
...ther gifts he asks “when comes another [as great as Caesar]?” (877) in order to make the crowd feel complete and utter guilt for their betrayal and anger towards the conspirators who killed their beloved idol.
Writing Arguments: A Rhetoric with Readings. 7th ed. New York: Pearson Longman, 2007.
Imagine yourself listening to a political debate, undecided as to which leader you agree with. One candidate begins to speak about unjust societal issues, such as the horrifying amount of people in the world that do not have food on their table. The candidate also begins to touch upon the topic of taxes and how he will lower them if he is elected. You find yourself being persuaded in the direction of emotions and morals. The power of language used to appeal others is not only present in the modern world, but also in the play The Tragedy of Julius Caesar, written by famous English playwright William Shakespeare. The Tragedy of Julius Caesar portrayed a story of how an aspiring leader, Julius Caesar, is assassinated by a group of schemers, lead by Marcus Brutus, who disagreed with Caesar’s decrees and ways of governing. Over the course of the text, it demonstrated the use of two rhetorical charms: ethos and pathos. While ethos refers to the moral and ethical appeal and pathos invokes to the emotional aspect, each one was evidently shown in the funeral speech for Caesar given by his best friend, Mark Antony. Prior to Antony’s speech, Brutus had given the plebeians a synopsis of what had occurred. However, Mark Antony knew that what Brutus had told the plebeians was false. In such manner, he allured the plebeians onto his side of the tragedy by touching upon ethical and emotional appeals.
Mark Antony’s speech, whose aim is to counter Brutus’ speech, enlightens the crowd on the unjust murder of Caesar. Though he never directly communicates to the crowd of his feeling towards the conspirators, Antony was able to effectively convey to the crowd, through the use of verbal irony and other stylistic devices/techniques in his speech, his true views of the assassination. Moreover, Antony was able to shrewdly emphasize his belief of the undeserved assassination of Caesar through the wide use of epiphoral and anaphoral structure in his speech. Antony emphasizes the wrongdoings of Brutus and Cassius through the ingenious use of the epistrophe along with verbal irony as he notes that “I should do Brutus wrong, and Cassius wrong” (III, ii, 125). Moreover, he stresses the importance of punishi...
The most predominate and important aspect In the play Julius Caesar, by William Shakespeare are the speeches given to the Roman citizens by Brutus and Antony, the two main charaters, following the death of Caesar. Brutus and Antony both spoke to the crowd,using the same rhetorical devices to express their thoughts. Both speakers used the three classical appeals employed in the speeches: ethos, which is an appeal to credibility; pathos, which is an appeal to the emotion of the audience; and logos, which is an appeal to the content and arrangement of the argument itself. Even though both speeches have the same structure Antony’s speech is significantly more effective than Brutus’s.
Ramage, John D., John C. Bean, and June Johnson. Writing Arguments: A Rhetoric with Readings. 9th ed. Boston: Pearson Education, 2012. Print.
in his speech mark antony uses a rhetorical question to make the crowd question brutus’s motives. he says to the audience at caesar's funeral “did this in caesar seem ambitious?”. he uses this rhetorical question to make the audience question if brutus actually killed caesar for being “ambitious”. Antony includes another rhetorical question in his speech questioning brutus's motives for he asks the crowd “was this ambition?” Antony uses this rhetorical question to further shake their belief of what brutus earlier told them in his speech. Antony expertly uses these rhetorical question to make the audience at caesar's funeral question everything brutus had told them about caesar and why he had to kill him. he adds rhetorical questions to make the audience question themselves if caesar was ambitious and if that's the reason brutus was murdered.
When one man dies, there is grief, when a hundred men die, there is mourning, and when a man such as Caesar falls, there is chaos. In Shakespeare’s play, The Tragedy of Julius Caesar, Caesar is a great ruler whose image is portrayed differently by Decius Brutus and Marc Antony. At the great funeral of Caesar, Marc Antony and Brutus both share their portrayals of the great ruler. Brutus displays Caesar as a ruler whose ambition clouded his judgement and made him dangerous, thus he deserved to die. Antony portrays Caesar as a noble ruler who helped Rome and was killed wrongly. Ultimately, Antony’s logical and genuine portrayal of Caesar is more legitimate than Brutus’, as shown through Caesar’s livelihood and actions in the play.
Antony was devoted and preferred to be dependent upon Julius Caesar since he rather have enjoyed life than to claim the highest position in the government. He wanted the crown to be given to Caesar so that all conflicts could be avoided. However, this additional power contributed to the conspirator's motive to assassinate him. Antony was distraught with Caesar's death and sought revenge first by speaking to the crowd in his speech. He showed how clever and cunning he could be when he convinced the crowd at Caesar's funeral ceremony to side with him and not with the murderers. The people became excited and rowdy when he teased them about the will, waving it in the air and pretending as if he was not going to read it. Reverse psychology is used when he first pretends to respect the conspirators calling them honorable men, and then slowly proving that they are not. He speaks out against them because he wanted power for himself, and unlike Brutus, he is politically ambitious and so believes that if he can take control while the state is in turmoil, he will remain in power. He was alone in making this oration, yet he was confidant in himself and courageous.
Playwright, William Shakespeare, in the play Julius Caesar, utilizes many instances of rhetorical devices through the actions and speech of Caesar's right-hand man, Mark Antony. In the given excerpt, Antony demonstrates several of those rhetorical devices such as verbal irony, sarcasm, logos, ethos, and pathos which allows him to sway the plebeians. The central purpose of Mark Antony’s funeral speech is to persuade his audience into believing that Caesar had no ill intentions while manipulating the plebeians into starting a rebellion against their new enemies, Brutus and the conspirators.
In front of the people of Rome at Caesar’s funeral whilst giving his speech, Antony makes up Brutus to up to be this honorable and noble man, nonetheless Brutus is one of the conspirators who ended Caesar’s life. Caesar has been slain by, Trebonius, Cinna, Cassius, Brutus, Ligarius, Decius, Metellus and Casca. All because most had felt that he was too ambitious for their liking, Cassius has manipulated each one of them into committing the crime alongside him. Once Caesar is killed, Brutus delivers his speech, saying, “Not that I loved Caesar less, but that I loved Rome more”(lll.ii.20). Basically just trying to justify the reason he helped to kill one of the most loved Romans in all of Rome. Antony then comes out and begins his speech at Caesar’s
In William Shakespeare's play The Tragedy of Julius Caesar, two speeches are given to the people of Rome about Caesar's death. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views. Brutus tried to make the people believe he killed Caesar for a noble cause. Antony tried to persuade the people that the conspirators committed an act of brutality toward Caesar and were traitors. The effectiveness and ineffectiveness of both Antony's and Brutus's speech to the people are conveyed through tone and rhetorical devices.
“Julius Caesar” by William Shakespeare is the story of the assassination of Julius Caesar. Two speeches were made after his death, one being by Mark Antony. He uses many rhetorical devices in this speech to counter the previous speech and persuade the crowd that the conspirators who killed Caesar were wrong. Rhetoric is the art of persuasion and these many devices strengthen this by making points and highlighting flaws. Antony uses many rhetorical devices, all of which are used to persuade the crowd that the conspirators are wrong and Caesar did not need to be killed.
A later example occurs during the funeral oration by Mark Antony. Brutus logically gives his reasons that necessitated Caesar’s death. He informs them that he acted out of love of Rome and his desire to prevent tyrants from controlling her. The citizens embrace his words with cheers and understanding. However, their mood alters when Antony offers his interpretation of the situation. He passionately described the deeds Caesar performed in behalf of the citizens of Rome, which clearly contradict the opinion of the conspirators that Caesar was too ambitious. Antony carefully uses irony in referring to Cassius and Brutus as honorable men; the strategy wins over the citizens and they listen with growing anger to his words. He leads the citizens to the body and begins to show the brutal results of the murder while simultaneously influencing them to believe that the conspirators are murderers and traitors. Ultimately, Antony reads Caesar’s will, which leaves his parks, private estates, and newly planted gardens to the citizens of Rome.