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Architecture operates with in the confines of a creative field and the current economic means, these two systems would prefer to operate independently, however are innately linked. Although most people would rather have you believe that they create a finite juxtaposition between the two. Architecture is seldom considered both a profitable business and a functioning artistic outlet, in which practitioners are consistently made to choose between the two. However it is conceivable that between modern architectural practice and the application of typical business, that architects have the tools to overcome the current status quo. Through the many architectural business models created I intend to argue that a hybrid model could coexist if not only to feed actual architectural inspiration. The fields of architecture are consistently related albeit simplistically though brand, design, engineering, and real estate, which all ultimately feed into the greater economic market which everyone takes part. As the role of the architect changes we should consistently be using everything in our means to maintain our societal significance. Thus as our role of the master builder becomes appropriated by computational BIM software and our sister professions, architects as creators should use their skills to broaden their reach into all environments in which we live.
Investment & Architecture
As one of the most expensive items to be purchased or made architecture rightfully is regarded as an investment. Although for architects they tend to be merely considered proposals or projects, despite the empathetic feeling architects tend feel towards the project, there is no true ownership. While in this role a group or architects may simply just scrape by...
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...ion were to do the same thing with their practices, we would not have the stagnant status quo of today. We are already learning that through more cross-pollination of faculties architects flourish more. However this is the moment that we broaden our scope to save the profession from being completely dissolved. With so much variety and creative potential it is not necessary for architects, especially young ones to conform. It is the next generation that has the power to change what it means to be an architect, but for years we let the industry tell us who we are. It is time we tell the industry that we are architects and project our skills into every thing we are capable of. If we can accomplish this we can fill in the missing pieces between the starving architect and the corporate firm. No one is ever going to tell us we are worth more, unless we show them why.
“The architect’s role and their intellectual responsibility is to fight to maintain their vision and little bits get chopped off all the time, but if they’re only little bits, it’s not too bad.’’
Crowdfunding for architecture would distribute the money, wealth and power which would lead to a democratic non-profit participatory design system as oppose to the traditional hierarchical profit based top-down real estate system. Crowdfunding is based on quality and innovation not on profit. A project needs to catch enough interest in order to be realized. This forces innovative architectural concepts.
When an architect is influenced they create. They make what they see in their mind. But people could always improve what they’ve already created. Homes at one point were only one story houses. But suddenly to someone’s mind they thought homes should be two stories or even three. Back in High School, most of my classmates wanted to become architects and they’d be asked how they were influenced to draw a blueprint like the one they had. Some would respond with “I saw this house that had this this and this and I really liked it so I put it into my home.” Meaning they would be inspired by a home that was already
True architects are needed to create architectural beauty and they do so by using “elements which are capable of affecting our senses, and of rewarding the desire of our eyes...the sight of them affects us immediately” (16). Le Corbusier’s says that we must standardize architecture with respect to function so that we can mass produce it until we perfect its aesthetic through competition and innovation. Le Corbusier believed that Architecture schools weren’t teaching students correctly and that engineers would be the ones who save architecture. Architecture is a thing of plastic emotion. “It should use elements capable of striking our senses, of satisfying our visual desires…arranging them in a way that the sight of them clearly affects
This explains why for ‘many directors, commercial and industrial architecture are just a necessary shell for their business processes’ (Susanne-Knittel Ammerschuber (2006) pg10). They consider dimensions for example surfaces, floor levels and converted space to be the stand out feature of this corporate architecture. Through doing this, the architectural ethos is overlooked during design. The architectural potential is therefore limited as it tends to overlook the surrounding context; the urban environment, local identity as well as the surrounding landscape design. Instead it...
The success of architects is defined not so much by the problems they face as the act of their creative and practical responses.
Architecture is such a wide thing when we talk about buildings and projects. Architecture is defined as the art or practice of designing and constructing buildings. One of the Renaissance man who not only define...
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
Simon Unwin, the author of the book ‘Analysing Architecture’ says that the ‘the purpose of architecture is to design buildings’ is an unsatisfactory definition because the definition limits architecture to just the design of buildings. He feels that architecture involves more than just designing buildings. He also believes that the definition fails to explain the real purpose of architecture and transfers the problem of comprehending the word ‘architecture’ to the word ‘building’. This definition doesn’t go in-depth to analyze and understand the essence of architecture in our everyday lives. It fails to relate human life and needs to the buildings built.
Abstract: Contemporary architects have a wide variety of sources to gain inspiration from, but this has not always been the case. How did modernism effect sources of inspiration? What did post-modernism do to liberate the choice of influences? Now that Contemporary architects have the freedom of choice, how are they using “traditional” styles and materials to inspire them? Even after modernism why are traditional styles still around?
The profession of architecture, the possible career as an architect, taking steps to gain a position and education as well as the set growth and prospects of this profession. According to Lee W. Waldrep (2010), author of the book Becoming a Architect “A Guide to Careers in Design, an architect is an imaginative person who designs a wide range of structures for buildings”(p. 2). These structures not only have to be aesthetically pleasing, but must also meet the safety requirements. Architects have to compete with other architects to attract customers by presenting designs. This process is generally based on building a reputation as an architect. Due to the nature and the amount of time devoted to designing, architects
Recent years have been challenging for the whole country and particularly for the construction sector and the architectural profession. Challenging times do however, afford the opportunity for reflection and debate about what is provided and delivered by the architectural profession.
...Focus: Architecture and Building 10). “Employment in this field is projected to grow faster than the average for all occupations through 2020” (McKay 1). However, the number of architects depends on the volume of construction, and with the construction industry being sensitive to changes in the economy, poor economics could result in layoffs. On the other hand, architects can find work through self-employment, developing graphic design, interior design, product specialties, and the construction of museums, and display firms. Also, many architects “are employed in government agencies such as the Departments of Defense, Interior, and Housing and Urban Development, and the General Services Administration” (Careers in Focus: Architecture and Building 8,12). Architecture has many positive effects and promising outlooks in society, which makes it a great career to pursue.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.
A recent study conducted by Building Futures in association with RIBA surveyed the various demographics of the construction industry to establish their thoughts and opinions in regards to the state of architectural profession today, and in the future. The document identifies the concern that conventional building design is shifting from the architects to the various sub-contractors for a multitude of reasons [Jamieson, 2010: 12]. The most obvious being the increased complexity and required specialisation of the building elements, which will further require a specific workforce utilising other educational qualifications. It is ironic that under this opinion architects have reverted back to their initial scope-depth state, having expertise in all but specialising in none. One could contribute this back to Vitruvius, who prescribed an architect to have an expansive knowledge including philosophy, arithmetic and geometry amongst others skills, effectively indicating that an architect should be a jack of all trades and a master of none. Thus an argument could be presented that it is the very nature of our education system, the one that forces us to immerse ourselves superficially in all aspects of the project, that makes us suitable to evolve from a design profession to a managerial role, The issue then