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Personality myself
An essay about personality
An essay about personality
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In the novel, The Land of Stories: The Wishing Spell, written by Chris Colfer, the antagonist of
the novel has an unpleasant personality, looks frightening, and has revenge on the top of his mind. The antagonist of the novel is a wolf named Malumclaw. To begin with, Malumclaw’s personality is very unpleasant. In particular, he is very shrewd and short-tempered. In fact, it has been presented in the novel that he has “ exploded” on many people with his anger, and does not take ridiculous behavior from anyone. Also, the wolf is very serious. Meaning, he is a no- nonsense behavior person. Furthermore, he will snap at anyone quite easily, and will not tolerate a break in any deal he makes. Colfer states, “ Deal. But let me warn you, if you
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fail to keep your end of the bargain, we'll snap your neck like a twig.” (Colfer 280) In other words, Malumclaw will hurt anyone that does not abide by the deal they have made with him or his pack.
He directly states that he will “ snap the neck” of the person whom he has made the deal with. The serious tone the character uses to ensure the person he was talking to understood what he said showed how clear he made his warning. Considering his personality, this quote clearly demonstrates all aspects of his personality through the tone in the quote. When it comes to Malumclaw’s looks, everyone is frightened. From his blood-red eyes to jet-black fur Malumclaw is quite the scare. For one thing, Malumclaw and his pack have jet-black, matted fur. Not to mention his size, which is four times the size of a normal wolf in the Land of Stories. Furthermore, his eyes are blood-red and his snout is wider than most. Lastly, their faces look as though they are ready to kill. As Colfer has noted, “ However, these wolves were unlike any the twins had ever seen before. They were four times the size of any normal wolf of their world. Their fur was jet-black and matted. Their eyes were red, and their snouts were wide.” ( Colfer 120) In other words, Colfer describes Malumclaw and his pack with descriptive language. The style Colfer uses to describe the outside features of the wolves makes the reader feel intimated, as a character facing him would. However, the true motive of Malumclaw comes to play towards the middle of the novel. These wolves are born to be killing machines. So, their ultimate motive is to kill Red Riding Hood. Malumclaw’s father is the Big Bad Wolf. He had been outwitted and chased away by Red Riding Hood, and has never been able to get revenge on her. Now, it is up to his son to avenge him. Colfer states, “ After what you've put us through, we ought to claw your hearts out! I guess we get Red Riding Hood AND Goldilocks tonight!” (Colfer 362). The tone the author uses in this quotation, represents the anger Malumclaw is showing
towards the characters. In conclusion, the character Malumclaw not only has a frightening personality and appearance, but he is cunning and sinister antagonist whose motive is to avenge his father by killing Red Riding Hood. His personality, appearance, and motive makes him by far the most hair-raising character and antagonist in the novel.
The cruelty of the character is explicit from this quote. For example, ‘When winter sleet beat down on the roof, the Damall would as soon call for the whipping box as find any other way to hurry time along. (page 4-5)’. From the very beginning of the book the author thrust the readers into a world which is dominated by ruthless cruel characters like Damall. He takes in the young boys in his island and treats them in a harsh barbarian manner. The characterization of Damall sets the pace of the novel as the protagonists are introduced nameless and helpless. In conclusion we can say that the author through powerful characterization has developed the plot of adventure, heroism and friendship very
In Lord of the Flies by William Golding, Simon and Piggy are among a group of boys who become stranded on a deserted island. Left without any adults, the boys attempt to create an orderly society. However, as the novel progresses, the boys struggle to sustain civility. Slowly, Jack and his hunters begin to lose sight of being rescued and start to act more savagely, especially as fears about a beast on the island spread. As the conflict progresses, Jack and Ralph battle for power. The boys’ struggle with the physical obstacles of the island leads them to face a new unexpected challenge: human nature. One of the boys, Simon, soon discovers that the “beast” appears not to be something physical, but a flaw within all humans
It is Bone’s stepfather, Glen who her mother married in the second marriage. He abuses Bone physically and mentally. The worst thing he does is to impose reality after he sexually abuses Bone. Bone mainly learns how to get angry from Glen because he shows anger and hatred all the time through his abuses and eye contacts. Glen is jealous and insecure also disapproved by his father, James Waddell all the time. For example, in Chapter 14, Bone thinks to herself “...the way Daddy Glen had stuttered when his father spoke to him.” and add up to Mama says “Glen’s always trying ti please him, and that old man takes every chance he gets to make Glen look like a fool. It just eats Glen up, eat him up.” (pg. 207) Allison shows how Glen seems so weak and powerless in front his father. It tells audiences that Glen is not confident and tries to show his strength and power from abusing Bone. Glen’s father destroys his true identity and influences Glen. Glen is doing the same thing of destroying Bone's identity. He manipulates Bone and physically beats her when she denies to him and also makes her must follows his directions. Allison mentions ‘It eats up Glen’ to also suggest that anger is a key factor that makes Glen so violent and hateful. The anger Glen has origins from his father’s constantly disapproval. Then it transfers to Bone and makes her gradually lose herself in front of Glen. In Chapter 20, after Glen sexually abuses Bone, he says to Bone, “You’ll learn.” and “You’ll never mouth off to me again. You’ll keep your mouth shut. You’ll do as you’re told.” (pg.285) Allison suggests that Glen is irritated by Bone’s rebellion and wants to conquer Bone by imposing reality of what she thinks. Glen desires to take over Bone totally and holds on her mind, voice, and thoughts in his hands. Glen is fulfilling satisfactions from abusing Bone and crazy about it. His anger taken over his mind
of the wolves and finds that they are more than the savage and merciless hunters
William Golding’s novel ‘The Lord of The Flies’ tells the story of a group of English boys isolated on a desert island, left to attempt to retain civilisation. In the novel, Golding shows one of the boys, Jack, to change significantly. At the beginning of the book, Jack’s character desires power and although he does not immediately get it, he retains the values of civilized behaviour. However, as the story proceeds, his character becomes more savage, leaving behind the values of society. Jack uses fear of the beast to control the other boys and he changes to become the book’s representation of savagery, violence and domination. He is first taken over with an obsession to hunt, which leads to a change in his physical appearance This change of character is significant as he leads the other boys into savagery, representing Golding’s views of there being a bad and unforgiving nature to every human.
...mselves at her.... Roger ran around the heap... Jack was on top of the sow stabbing downwards with his knife.... The sow collapsed under them and they were heavy and fulfilled upon her” (135). Indeed, the gruesome description is reserved for Jack and Roger; however, it is clear that all the hunters are vehemently piled on top of the sow as they are killing it with ubiquitous violence. In short, humans are elementally violent and Golding expresses this with vivid descriptions of the boys' vigour in several violent situations.
The reason the Lord of the Flies threatens Simon is because Simon knows that the beast is not a tangible creature that lives in the forest which is dangerous information. In reality, the beast is simply the innate evil that resides in every man. Simon knows this because he realizes that all the information the boys know about the beast does not add up and that such a creature cannot exist so it must be something impalpable but powerful, something that is making them so afraid that it is changing them from the inside out. He questions this “beast with claws that scratched, that sat on a mountaintop, that left no tracks and yet was not fast enough to catch Samneric” and grasps the concept that the more they fear the beast, the more they change (112).
Through the use of figurative language devices, and narration techniques, Golding foreshadows and sets a ritualistic tone for Simon’s death, and to emphasize the boys’ eagerness to kill the “beast.” The role of fear triggers the lost of individualism, instinctual actions, and the overall innate evil of mankind.
case. Leopold and his companions, “pumping lead into the pack” (130), kill the wolf not
...t the group more than the short-term enjoyment that this new attraction presents. He knows that finding the beast will provide the entire group of boys with emotional security due to the fact that they will literally face their ultimate fear: the beast. Because Ralph values the emotional security of the group of boys, he serves as father-figure. He symbolizes someone who will always be looking out for his peers, through thick and thin, just as any father would.
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.
It has been said that the wolf is one of the most voracious and horrifying animals that exist in nature today. But, in all reality, is that actually true? One is unable to make an assumption such as this without a firsthand experience, or so that is expressed in In The Shadow of a Rainbow and Never Cry Wolf. Authors Robert Franklin Leslie and Farley Mowat make every attempt to convey the true nature of the wolf throughout their journeys, as they prove claims falsely accusing wolves, with documented evidence of complete vigilance. These works of literary nonfiction effectively refute anti-wolf claims made within them through being dangerous to the wildlife, dangerous to humans, and viciousness.
This paper will explore the three elements of innate evil within William Golding's, Lord of the Flies, the change from civilization to savagery, the beast, and the battle on the island. Golding represents evil through his character's, their actions, and symbolism. The island becomes the biggest representation of evil because it's where the entire novel takes place. The change from civilization to savagery is another representation of how easily people can change from good to evil under unusual circumstances. Golding also explores the evil within all humans though the beast, because it's their only chance for survival and survival instinct takes over. In doing so, this paper will prove that Lord of the Flies exemplifies the innate evil that exists within all humans.
“The Tell-Tale Heart by Edgar Allan Poe.” University of Virginia, n.d. Web. 27 March, 2014.
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.