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Significance in the Maltese falcon
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Jonathan Safran Foer once said, “Because sometimes people who seem good end up being not as good as you may have hoped.” Foer references to the belief that people who seem to be kindhearted have another side to their personality that may not seem to be as gracious as others perceived them to be. The idea of people having underlying components to their personalities has become a popular theme among literature as people tend to realize that the ones with a gracious exterior can end up being the most inconsiderate among society. An example of literature that affirms this belief of people with exteriors that contradict their personalities is The Maltese Falcon. The Maltese Falcon by Dashiell Hammett is a classic example of detective fiction and …show more content…
pulp magazines. The Maltese Falcon portrays a detective working in a society filled with corruption and criminals as he tries to deal with betrayal from those who hired him to pursue the location of a valuable antique. Hammett’s personal biography helped inspire detective fiction as he placed the values he had as a detective into the characters in The Maltese Falcon. An example of this is when Samuel Spade tells others that "[his] clients are entitled to a decent amount of secrecy.” Spade perceives that it is unethical to divulge any information about his clients without their permission, which shows that Spade’s characters is inspired by Hammett’s values when he worked as a private detective. Hammett’s first hand experience as a detective helped inspire his work of detective fiction as he wrote for pulp magazines by using his own experience to inspire the events occurring in The Maltese Falcon. Hammett experience in Pinkerton’s detective agency shows that Hammett understood the point-of-view as a private detective in a society filled with crime and corruption, so he uses that understanding of real detective work to inspire the events and actions of characters to create an interesting story of true crime fixed with fiction to pull in readers from pulp magazines. Therefore, Hammett’s use of previous experience with a twist of violence and fiction gives The Maltese Falcon a classic feeling as it originally comes from the pulp magazines that grew in popularity as stories were written to entice readers. San Francisco’s corrupt-lawless society during the 1920s inspires detective fiction as it creates an engaging setting for private detectives to thrive in.
San Francisco’s alarming setting is seen when Brigid explains to Spade that Thursby “...always went heavily armed…” anywhere he would go due to the extent of crime that occurred in the streets of San Francisco. Thursby traveling everywhere with weapons shows the degree of crime in San Francisco as it shows that even a criminal like Thursby doesn’t feel safe walking around without having protection to save him from other criminals like himself. Hammett’s decision to use San Francisco during the 1920s, a place where criminals are scared of other criminals, reveals the perfect setting for detective fiction to take place in as it gives Hammett the opportunity to always have engaging events transpire to entice readers. Hammett’s enticing setting for detectives and the use of crime create a classic style for detective fiction as it emphasizes the history of San Francisco while captivating readers to pursue reading the detective fiction …show more content…
genre. Hammett’s use of detective fiction and pulp magazines can historically be found in previous literary works as they tend to follow a formula skeleton that was designed to attract readers. Violence and accusations captivated audiences such as when Spade tries to find “someone they can stick for those three murders,” which enticed readers to do their own investigation to figure out who actually murdered the three people instead of believing Spade. Detective fiction and pulp magazines come from a time period where people were searching for fiction to read to escape from the reality as it seemed intriguing for those who were dissatisfied with how monotonous their life resembled compared to the interesting events that occurred in stories filled with crime, detectives, and femme fatales. Detective fiction is found in previous works such as Sherlock Holmes and Frankenstein as it enticed readers to crave an answer to the questions that the stories generated. The Maltese Falcon originated from pulp magazines using the same genre these previous classics utilized as each character was unleashed as it kept enticing readers to keep wanting to know how the story would end. Hammett’s combination of violence and detective fiction as he wrote for pulp magazines created the ideal example of a detective-pulp fiction as it kept tempting people to keep buying pulp magazines to witness the solution to the book’s biggest questions. Detectives became popular after World War I as it validated men’s masculinity due to the detectives’ harsh-cruel nature concerning crimes after reality such as war made men disillusioned with a need for verification on their values. For example, The Maltese Falcon includes a detective such as Spade who has been described as ”... not the man that's afraid of a little bit of trouble,” which affirmed the belief that men are not reluctant to getting their hands dirty in situations concerning violence and crime. Spade’s masculine nature captivated men searching for confirmation of their masculinity since the war caused men to lose hope in their ideals due to the women struggling to keep the jobs that the men left behind. The introduction of women in the work force and fight for women’s rights made men search for another approach in keeping the ideals of men being the masculine figures in society. The Maltese Falcon introduces the masculine detective dedicated to fighting crime, which helps keeps it as a classic example of detective fiction as it enticed readers from different aspects throughout time. Although men searched for a masculine figure in The Maltese Falcon, women searched for feminine figures who rebelled against the stereotypical society where Brigid fit the role of the dangerous and sexy femme fatale. Brigid put on a innocent exterior by trying to “seem smaller...very young and oppressed” although she managed to murder Archer and fought to find the maltese falcon statue. Women during the 1920s aimed to rebel against society by trying to go outside the norm on a fashion, sexual, moral, and intellectual level to demonstrate that women don’t need to rely on men to have a successful and carefree life. Women like Brigid tried to have an innocent exterior to escape from being blamed for crimes that they committed such as when Brigid put on a harmless demeanor to Spade to convince him to not turn her in for the crimes she executed. Hammett’s use of a femme fatale brought a new twist to detective fiction as it introduced women as vindictive when it came to securing what they pursue. Hammett’s introduction of a woman that can take on a man is an example of Hammett’s writing that helped form the classic style of The Maltese Falcon. Through the use of fear being present throughout the novel, The Maltese Falcon is able to use this fear to entice readers to read until the very end.
An example of this fear is when Spade announces that “Everybody… has something to conceal,” which refers to how people have the fear of their secrets being revealed. Brigid is one of the characters that has a secret throughout the novel that she tries to hide from Spade as it could affect her future relationship with him. Her fear is present as she continues to develop a relationship with Spade to the point where her secret could cause her relationship and freedom to be in jeopardy. Brigid’s fear exists as she continues to search for the falcon, which helps develop the feeling of a true detective fiction novel as it gives the readers the feeling of nervousness and a need to know the secrets that Brigid is
hiding. Betrayal is a common theme throughout the book as it develops the characters and gives the readers the ability to understand who can truly be trusted. An example of betrayal is when Gutman announces that he sees Wilmer “just exactly as if he were my own son” even though he winds up deciding that Wilmer would be the best choice as the fall guy for the three crimes. This type of betrayal reveals that nobody is safe from being betrayed even the ones closest to one another and that characters like Gutman are self-interested in ensuring that he is safe rather than the safety of others. Betrayal in detective fictions gives a sense of shock to the readers due to the inability to foreshadow who will be betrayed since the characters all have their hidden backgrounds that they deny to reveal. As the story develops, the characters show their true character as they betray one another to protect themselves and receive the valuable Maltese falcon. Hammett's use of betrayal to give suspense maintains the classic tone of detective fiction as it gives the readers a chance of being surprised at the character's actions to the point where they keep reading it repeatedly to identify any other details that they might have missed.
In the novel The Wings of a Falcon, the author Cynthia Voigt uses the structure of an adventure tale to tell the story of courage and bravery. Oriel, an orphan boy with his friend Griff, encounter many hardships to earn the title of the Earl. In this story, the author uses the literary devices of setting, characterization, and symbol, which all make the book an interesting one to read.
I don’t recall if Gutman said it in the movie about the Falcon being coated by lacquer to obfuscate that it’s really made of gold and jewels. I think it was implied that nothing is what they really seem to be. This is what I believe Dashiell Hammett was trying to communicate through his novel, ‘The Maltese Falcon.’ In this paper I will write about why I believe what is Hammett trying to convey through his cast of characters. These characters are unlike the image and stereotype cast upon their roles.
At the beginning of the story, the Narrator has been playing Detective in a city of his imagining for years. Unlike the real town he lives in, the Narrator’s city is a sprawling metropolis, where everyone in his real life has a secret role. His parents, for example, “...were well-meaning but unimaginative people, and I was polite to them”, and his brother, Mark, “...was the district attorney, my nemesis” (p. 52). These roles have significance, in
In Dashiell Hammet’s The Maltese Falcon, the "black bird" serves as a crucial link connecting Sam Spade and Brigid O’ Shaughnessy. The black bird functions as the structural bond of Spade and Brigid’s relationship because it represents their greed and desire for wealth. Hammet points out that the Brigid’s greed for the bird causes her to utilize detective Spade as a tool: "Help me, Mr. Spade. Help me because I need help so badly, and because if you don’t where will I find anyone who can, no matter how willing?" (Hammet 35). This quotation illustrates Brigid’s submissiveness and dependency on Mr. Spade to help her. But later she becomes the dominant figure when she utilizes her monetary wealth to her advantage: “She opened handbag with nervous fingers and put two hundred-dollar bills on Spade’s desk” (Hammett 9). Spade admits his greed when he says, he only “believed [Brigid’s] two hundred dollars” (Hammett 33) and not her story. The narrator illustrates how Spade views money as an adequate payment for his time. Spade and Brigid represent both the real black bird and the fake black bird because of their faulty façade, which cover up their true personalities.
The basic rights of citizens in cities are challenged in order for officials to protect and maintain safety of the city. Law enforcement reform is an ongoing, popular, controversial topic in modern day politics and communities. Societal changes result from outcomes of solving and preventing crimes. Malcolm Gladwell introduces us to the Broken Windows Theory in the story “The Power of Context” as a resolution to prevent major crimes from being committed in urban cities. The Broken Windows Theory can be corroborated to different situations and scenarios. In the Myth of the Ant Queen, Beth Loffreda highlights how the epidemic of Matt Shepard’s murder began with the details of the crime, rather than the murder itself. This caused the details to
In these stories one of the most serious issues plaguing Chicago is crime. Crime in the article The Coldest Case: The St. Valentine’s Day Massacre is seen as the most amazing crime in Chicago’s amazing criminal history (Eig). Larson illustrates a scene of crime as he says, “He spotted mutilated bodies on the floor and inhaled the stench of blood. That is not the only historical issue plaguing Chicago for crime, but the book For the Thrill of it by Simon Baatz also explains its crime background. Baat...
Symbolism, a popular element in literature, is used in various books (Harry Potter and the Sorcerer's Stone: The Mirror of Erised), films (Star Wars: lightsaber colors), and poems (The Red Wheelbarrow: the red wheelbarrow). Nathaniel Hawthorne uses the component of symbolism in his book, “The Scarlet Letter”, using both people and things throughout the novel. His first, and, admittedly the most obvious symbol, is the Scarlet Letter. Shortly after, we are introduced to the symbolism one of the main characters, Pearl Prynne, holds and the dense connection she has with the scarlet letter. The final piece of symbolism, that is, again, connected to the scarlet letter as well as Pearl, is the mark on Dimmesdale’s chest.
One of the most commonly used and arguably most effective literary devices used in literature is symbolism. A symbol is merely a tangible object with an abstract meaning. The Scarlet Letter by Nathaniel Hawthorn is a highly symbolic novel, and its author uses each symbol to add a deeper meaning to the story. One of the most important symbols in the novel is Hester’s young daughter, Pearl. The child represents both negative and positive concepts, but one of the most important interpretations is Pearl as a symbol of her parent’s guilt.
“Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird” (90). Although the title of the novel has little literal connection to the actual storyline, it holds a huge amount of symbolic weight in this tale of innocents wounded by the evil surrounding them. The ‘mockingbird’ represents various characters in the novel that are harmed one way or another, particularly by the judgmental, prejudiced ways of the Maycomb townsfolk. Throughout the course of the book, the innocence they once had is destroyed, figuratively ‘killing’ the mockingbirds.
Fear is an unexplainable feeling that is caused by a certain someone or something. Fear plays a significant role in the novel We Have Always Lived in The Castle. With tiny details she gnaws away at things that seem unimportant until the ending of the book. As Shirley Jackson first introduces Merricat, making the reader love this strange, broken girl, then revealing her true nature, one will see how everyone fears Merricat. Constance’s fear of Merricat, the fear that the villagers have for the Blackwoods, and Merricats fear of being without Constance, shows it is evident that fear caused all the major issues in this book.
Edgar Allan Poe is forever identified with his eerie poem “The Raven” with his many gothic horror stories, and as the father of the detective story (Werlock1). Poe’s stories are known in America and Europe. Most of Poe’s stories are Gothic, which he describes them as “arabesque” a term that he felt best described as flowery (Wilson52). Poe proclaimed his writing a reaction to typical literature of the day, which he called “the heresy of the Didactic” for its tendency to preach (Wilson52). Some of Poe’s stories are also comedies. “The Fall of the House of Usher” was a nevertheless typical of Poe’s short stories in that it presents narrator thrust into a psychologically intense situation in which otherworldly forces conspire to drive at least one of the characters insane (Wilson53).Edgar Allan Poe had a difficult life after dropping out of college. He became a short story writer, one of his stories being “The Fall of the House of Usher”. “The Fall of the House of Usher” uses literary elements of symbols and settings to further the theme of evil.
To Kill A Mockingbird is a bildungsroman novel by Harper Lee. In this novel there are many important and striking symbols. The repeated image of the mockingbird creates a strong and highly effective motif. Harper Lee first introduces the mockingbird to the reader in Chapter 10, when Atticus refuses to teach Scout and Jem how to shoot saying, ‘Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird’. Harper Lee emphasises Scout’s curiosity at her non-judgemental father expressing it is a ‘sin’ to do something, as she consults Miss Maudie. Miss Maudie tells Scout that, ‘Mockingbirds don't do one thing but make music for us to enjoy…That's why it's a sin to kill a mockingbird.’ Harper Lee allows the reader to explore this motif through the use of characters in the novel and the prejudice and morally wrongdoings in the fictional town of Maycomb.
The criminal underworld has been an essential aspect of crime fiction since the concept emerged in the mid-eighteenth century. While many authors have constructed their own idealistic conceptualizations of the criminal underworld, they have implemented distinct boundaries between the “good” and “evil” features of society. These opposing “worlds” often intertwine when the protagonist, a crusader for good, is thrust into the hellscape of society’s underworld. The novels A Rage in Harlem by Chester Himes, and The Girl with the Dragon Tattoo by Stieg Larsson feature protagonists from differing backgrounds who embark on treacherous journeys through the criminal underworld.
"The common definition says that a symbol is a sign or token of something… We take symbols like these pretty much for granted. They are a part of everyday experience. In literature, matters are a little more complicated. Literary symbols usually don’t have instantly recognizable meanings. Rather they take their meanings from the work of which they are part" ("The Scarlet Letter" 8). An example of symbols that most take for granted would be the rosebush, which Hawthorne selects a flower from as an offering to the reader, to the elfish child Pearl, to the scarlet letter A; these are all symbols that Hawthorne uses. The average reader may take it for granted, but each symbol within this novel has a purpose. Nathaniel Hawthorne uses all of these symbols to build his story, to make it come to life. Nathaniel Hawthorne’s The Scarlet Letter is created around the different symbols within the novel.
Fascination with the crime fiction and socially deviant characters has hit an all-time high. Rachel Franks author of “A Taste for Murder: The Curious Case of Crime Fiction,” states “it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category” (1). Yet a quick glance at the evidence Franks presents might makes it difficult for some to believe. People like John Sutherland a former chairman of the