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The Oxcart In the award winning play The Oxcart “La carreta”, by René Marqués is about a Puerto Rican family trying to escape poverty by moving to a more prosperous place. The Characters of the Oxcart are: Doña Gabriela who is a widow and the mother of Juanita and chaguito and also the stepmom of Luis, she is very strong woman. Juanita her daughter in the other hand stars off as a docile person whoever after something tragic happens to her she then becomes this strong defying character and eventually she becomes a prostitute. Chaguito is a very naughty boy he loves that streets and hates school he is extremely disrespectful. Don Chago is the father of Luis and Doña Gabriela’s husband he’s the typical and traditional man who won’t leave behind his place of origin. Luis, Doña Gabriela’s stepson, he is the head of the household; he works very hard but eventually dies coincidentally while working. Those are the primarily characters of the Oxcart then we have the others such as Lidia, whose Juanita’s friend while living in New York, we also have Lito, who is a family neighbor while they are living in San Juan, we also have Germana, the nosey neighbor. Matilde who is the one that encourages Juanita to enter the world of prostitution, and then we have Paco, a radio personality that meets Juanita in New York and ask her to marry him. There is also Mr. Parkinton an American preacher and lastly Doña Isabel, a former teacher and Luis’ fiancé’s aunt that also has a brief affair with him The first chapter begins in their home while the family is packing and preparing everything to go to the San Juan metropolitan area to have a better life. The family flees to the capital in search of a superior lifestyle because the adverse situations had created curdle tense atmosphere and a distressing environment. The second act is when the family arrives in San Juan and they are living in La Perla. Not everything was as they expected, Luis who was the only one that was economically supporting the family lost his job. Juanita, who was the daughter of Doña Gabriela, left her job because she had been raped and she even try to commit suicide. Luis found a job but he had a problem with his fiancé’s aunt to whom he have had previously sexual relationships with. His fiancée’s aunt gives him money to depart to New York encouraging him that he would be better off in the United States.
Doña Guadalupe is a woman of great strength and power, power and strength which she draws from her devout faith and her deep and loving compassion for her family, and power and strength which is passed down to her children. “‘Well, then, come in,’ she said, deciding that she could be handle this innocent-girl-stealing coyote inside. On going into the long tent, Salvador felt like he’d entered the web of a spider, the old woman was eyeing him so deliberately” (360). Doña Guadalupe is a very protective woman, which is extremely speculative when it comes to her children, this is especially true when it comes to boys, because she has not gone this far only for all of her hard work to be ruined by a no good boy. This shows how protective she is, she loves her family, and especially her kids so much that they themselves must pass her test before being able to pass on to her children. “The newborns were moving, squirming, reaching out for life. It was truly a sign from God” (58). Doña Guadalupe is also a very devout and faithful person. She sees God in everything and in everyone and by that fact, what she sees and who she sees is true, and she tries to be a model of clairvoyance for the family. “Doña Guadalupe put the baby’s little feet in a bowel of warm water, and the child clinging to his mother. He never cried, listening to her heartbeat, the same music that he’d heard from inside the womb” (57). Finally, Doña Guadalupe is very passionate which allows for a great model upon which her children follow. This further shows how she is clearly th...
As the Joad family faces the same trials that the turtle faces, and as the desperate farmers have to deal with car dealerships, the intercalary chapters help to set the tone of, as well as integrate the various themes of The
She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections. Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deeply disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old.
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
The chapter started by an overview of the short story and the film adaptation that I deal with, concerning the main theme,
Another way in which this play explores the social and political history of the Mexican-American is through the analysis of the set. For instance, in the window "Honest Sanchos Used Mexicans" indicates that the stereotypical Mexicans "sold" in the store are accurate representations of all Mexicans.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
The House on Mango street is a novel written by Sandra Cisneros who wrote this in a really creative and unique style; She did not write it all altogether but in small chapters. Cisneros was really successful in reflecting her Latino society by developing a character who is a young Latina girl called Esperanza showing how are the injustice, mistreatment and abuse from the males in the society. When Esperanza sees that other women who live in the same neighborhood are being abused by their husbands or fathers, her dream of leaving the house becomes stronger. Consequently she decides to leave her family house on Mango Street. In a particular chapter, ‘The Three Sisters’, the writer tells the reader about the story of Esperanza’s meeting with the three sisters who play a future teller role. She described their appearance in a beautiful way which makes the reader feel the same way Esperanza feels when she sees them. Additionally, she sat up the atmosphere of the scene before getting into details which also helps the reader feeling the moment. In ‘The Three Sister’ Chapter from ‘The House on Mango Street’, Esperanza by coincidence meets the three magical sisters who would tell her about her future and what to do with it which really comes to be the theme of identity and future.
The narrator continues with describing his resentment towards his home life, 'Coming home was not easy anymore. It was never a cinch, but it had become a torture (2).'; This excerpt provides the reader with an understanding of the sorrow that the protagonist feels at the beginning of the novel and throughout the first half. Further narration includes the protagonists feelings of distance from the land and blame that he places upon himself, 'But the distance I felt came not from country or people; it came from within me (2).'; Thus, as the reader, we understand that the narrator has removed himself from the land and his culture.
First of all, the book follows the themes of isolation, innocence, and corrupted maturity through the setting. In
An immigrant from Mexico who lives on Mango Street appears to be timid and anxious about this new land and all the people in it. The title of the book, The House on Mango Street, includes vignettes written by Sandra Cisneros. The vignettes cover the story of Esperanza, the immigrant, in which the young girl offers insight on many of the events that occur around her neighborhood. Deducted from her actions, Esperanza is a person who is a bad role model. Because she is afraid, ashamed, and inconsistent that makes her a poor choice for a role model.